- Design Team:Matthew Fineout, Ignacio Méndez, Sergio Rebelo, Omar Gerala Félix, Laura Domínguez, Herminio González, Ana Medina, Ana Paula Herrera, Mario Mora, Juan Pedro López, Guillermo Mena, Libia Castilla, Raúl García, Manuel Díaz, Alan Aurioles, Ana Gabriela Alcocer, Luis Ricardo García, Iván Ortiz, Tiago Pinto, Juan Andres López, Olga Gómez, Hugo Fernández, Kosuke Osawa, Francisco Javier de la Vega, David Hernández, Jorge Hernández, Joaquín Collado, Mariana Tafoya, Eduardo Benítez, Pedro Lechuga, Thorsten Englert, Luis Fuentes, Luis Flores, Rodolfo Rueda, Víctor Chávez, Max Betancourt, Wonne Ickxs, Dolores Robles-Martínez, Sappho Van Laer, Ophelie Chassin, Elena Haller, Abril Tobar, Diego Eumir Jasso, Albert Beele, Homero Yánez, Cynthia Meléndez, Hugo Vela, Susana Hernández, Gerardo Galicia, Alberto Duran, Camilo Mendoza, Dafne Zvi Zaldívar, Cecilia Jiménez, Ángel Ortiz, Raúl Antonio Hernández, Alma Delfina Rosas, Wendy Guillen, Raúl Flores, Daniel Alejandro Farías, Jesús Monroy, Saúl Miguel Kelly, Iván Javier Avilés, and Cesar Pérez
- Structural Engineer:Engineer HVAC Colinas de Buen
- Contractor:Carso Infraestructura y Construcción
- Interior Architect:FR-EE + MYT
- Date Design:2005
- Start Construction:2008
- End Construction:2011
- Architect In Charge:Fernando Romero, Mauricio Ceballos
- City:Mexico City
Text description provided by the architects. The Soumaya Museum is home to a private art collection of nearly 70,000 works from 15th to mid-20th century, including the world’s largest private collection of Auguste Rodin sculptures.
Programmed and designed by FR-EE, the museum reflects the eclectic taste of the collector, as well as his desire to create a new cultural institution for the public and the city.
The 150-foot tall structure rises at the heart of a new cultural and commercial district, Plaza Carso, also planned and designed by FR-EE. The museum’s form, a rotated rhomboid supported by 28 curved steel columns of varying size and shapes, is clad in a skin of 16,000 hexagonal mirrored-steel elements which reference the traditional colonial ceramic-tiled building facades and gives the museum a diverse appearance depending on the weather, time of day and the viewer’s vantage point, while optimizing the preservation and durability of the entire building.
A seven-ring structural system creates cantilevers on multiple sides and stabilizes the museum’s continuous six-level promenade of exhibition, presentation and gathering space.
At the top floor, visitors enter a column-free exhibition hall filled with natural light. In addition to galleries, the Soumaya Museum includes a 350-seat auditorium, library, restaurant, gift shop and offices.
Note: this article was originally published on December 3, 2013.