Design and the City is a podcast by reSITE, raising questions and proposing solutions for the city of the future. In the fourth episode entitled Fighting Gentrification, Leona Lynen, a city-maker advocating for the collaboration between civil society and administration, talks about the case of Berlin and her new co-operative project.
The career of British architect David Chipperfield (born 18 December 1953) has spanned decades and continents as an architect, designer and professor. Since 1984, he has been at the helm of David Chipperfield Architects, an award winning firm with over 180 staff at offices in London, Berlin, Milan, and Shanghai. Chipperfield is an honorary fellow of the American Institute of Architects and Germany's Bund Deutscher Architekten, and was appointed a Commander of the Order of the British Empire (CBE) in 2004. In 2012, Chipperfield curated the Venice Biennale of Architecture under the theme Common Ground.
David Chipperfield's James-Simon-Galerie has opened on Museum Island in Berlin. The project serves as a new entrance between the Kupfergraben canal and the Neues Museum. The design was made to welcome large numbers of visitors while housing all the additional facilities needed by the museum. Featuring an iconic colonnade above a stone plinth, the project was made to express a classical piano nobile.
Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.
The European Union Prize for Contemporary Architecture - Mies van der Rohe Award is one of the most important and prestigious prizes for architecture within Europe. First established in 1987, the prize is awarded every two years, and a look at the projects over the years offers unique insight into the development of architecture across Europe. To better understand the significance and uniqueness of the award we spoke with two previous award winners – Kjetil Trædal Thorsen and Craig Dykers from Snøhetta and Dominique Perrault from Dominique Perrault Architecture – as well as Peter Cachola Schmal, an architect, critic and the director of DAM, the German Architecture Musuem, and Josep Lluís Mateo of Mateo Arquitectura and a professor of Architecture and Projects at ETH-Eidgenössische Technische Hochschule/ Swiss Federal Institute of Technology Zurich.
“This is the special thing about the Mies jury, that they do visit the top 5 projects, and see first-hand what this piece of architecture is about. And then they vote, which means the jury really knows what they’re voting about,” Peter Cachola Schmal noted.
“It’s a prize for a project, rather than a prize for an architect,” Kjetil Trædal Thorsen added.
Read on after the break for more on the Mies van der Rohe award and to see what the architects had to say about the importance of archives...