In 2026, Apple marked fifty years since its founding. Over the past two decades, Apple has developed a consistent architectural language that extends its brand into the built environment, transforming stores, workplaces, and public-facing spaces into active components of its identity. These environments guide movement, frame interaction, and condition the ways in which users encounter both products and the company itself.

From the handheld device to the urban interior, Apple has sought to maintain a high degree of control over form, material, and experience. Architecture becomes part of this system when the company begins to define how it is perceived and engaged with in physical space. Research on retail environments has shown how spatial layout, visibility, and circulation patterns can shape behavior and interaction, turning architecture into an interface between brand and user.

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Milan, a global hub of fashion and finance, increasingly asserts itself as a leading center for architecture and design. Its status as Italy's second-largest city underpins its vibrant cultural scene, attracting both established and emerging creative talent. Additionally, Milan is home to esteemed educational institutions recognized for their focus on heritage preservation and conservation. Its cultural and design significance is increasingly pronounced, as a growing number of creators are relocating to establish their presence in this vibrant creative hub.

Among Milan's most iconic landmarks are the flamboyant Gothic Duomo di Milano, the historically and artistically significant Santa Maria delle Grazie, and the ornate Galleria Vittorio Emanuele II, along with numerous Renaissance and Baroque sites. The city also boasts some of the most innovative modern and contemporary architecture, showcasing a unique dialogue between tradition and modernity. This synergy is exemplified by the contributions of architects like Aldo Rossi, Gio Ponti, Stefano Boeri, Mario Cucinella, Zaha Hadid, Grafton Architects, Herzog & de Meuron, and Foster and Partners.

The following guide highlights key historical landmarks alongside exemplary contemporary architecture curated by ArchDaily. This guide serves as an indispensable resource for those planning to explore Milan during the 2026 Design Week, presenting a blend of essential sites designed by renowned local and international architects.

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Two weeks and over 85,000 nominations later, the finalists of this year's Building of the Year Awards are in. The selection is much like the ArchDaily audience that chose it: diverse in geography, generous in ideas, and precise in intent. With projects from 46 countries, in a variety of typologies and scales, they present a beautiful snapshot of the current architectural moment.

We invite you to sit back, browse, and vote for your ultimate favorites. Below, you will find all of the 75 finalists in their respective categories. Voting is open until February 18th at 18:00 EST. Thank you—your participation is key to making this the world's largest community-driven architecture award.

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Wine production has long been tied to place, climate, and culture, and in recent decades, architecture has become a central part of this relationship. Wineries are no longer understood only as functional facilities for fermentation, storage, and distribution, but also as spaces where landscape, materiality, and visitor experience intersect. From subterranean cellars hidden beneath fields to sculptural landmarks rising in rural territories, these buildings shape the identity of winemaking regions while offering visitors a carefully choreographed encounter with the process of production.

At the intersection of agriculture, tourism, and culture, wineries present architects with unique opportunities to merge technical requirements with a spatial narrative. They must respond to environmental conditions, manage temperature and humidity with precision, and integrate with delicate ecosystems, while also providing spaces for tasting, gathering, and celebration. As a result, the typology has given rise to a wide range of architectural solutions. Some are rooted in tradition and local craft, others are exploring advanced technologies and contemporary forms.

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The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have informed and inspired each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the modernist era when ships' streamlined, efficient designs influenced the aesthetic of buildings. Conversely, architectural principles have also been adapted to enhance the functionality and form of boats, demonstrating a reciprocal exchange that continues to shape both disciplines.

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Although an architectural project comes to life with palpable materials, it is also defined by intangible qualities that give it richness, dynamism, and liveliness. Among them, the interplay of light and shadow can transform environments and affect their perception, determining the user's spatial experience. Besides providing natural ventilation, privacy, and thermal comfort, lattices allow this duality by filtering the entry of sunlight while projecting repetitive figures on the surface. In this way, perforated walls and ceilings can create multiple geometric patterns of light and shadow that become design elements capable of generating unique atmospheres.

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This article was originally published on Common Edge.

On April 10, 2024, the New York Landmarks Conservancy bestowed the Preservation Leadership Award to author and urbanist Roberta Brandes Gratz. A longtime preservation activist, Gratz served on the City’s Landmarks Preservation Commission. She also led the successful effort to restore the Eldridge Street Synagogue, now the Museum at Eldridge Street. The following is a slightly edited version of the speech Gratz delivered at the 34th annual Lucy C. Moses Preservation Awards.

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