Sustainable architecture begins with designing for longer lifecycles and reuse. Looking to create more inclusive and viable futures, architects are exploring adaptive reuse as one of the best strategies to address the climate crisis and promote social justice. Reuse keeps the culture of an area alive, bridging between old and new as projects push the boundaries of circular and adaptive design.
In her lifetime, Pritzker prize-winning architect, fashion designer and artist Zaha Hadid (31 October 1950 – 31 March 2016) became one of the most recognizable faces of our field. Revered and denounced in equal measure for the sensuous curved forms for which she was known, Hadid rose to prominence not solely through parametricism but by designing spaces to occupy geometries in new ways. Despite her tragically early death in March of 2016, the projects now being completed by her office without their original lead designer continue to push boundaries both creative and technological, while the fearless media presence she cultivated in recent decades has cemented her place in society as a woman who needs just one name: Zaha.
London/Malta-based Mizzi Studio, led by founder Jonathan Mizzi, are at the forefront of the growing trend of micro-architecture. As exemplified by their recent commission for the design of nine kiosks across London’s Royal Parks, the firm has a passion for the fusion of craft and technology, and in particular, the large, invisible forces of economy, sustainability, and psychology that converge on such small spaces and structures.
Designed by Diller Scofidio + Renfro, the new linear park running along the river Thames is opening its doors on Greenwich Peninsula, London, this July. In collaboration with Neiheiser Argyros, the New York-based office has created the next culture and leisure destination in the UK's capital, offering an evolving collection of free-to-view public art by emerging and world-renowned artists along a landscaped route for running, walking and meditation. The 5 kilometers-long landscape features 9 meters-high elevated walkways flowing through trees and giant sculptures.
With his delicate designs for spatial structures and innovative concepts, Asif Khan is considered one of the world’s most exciting architects. He constructed the VantablackPavilion for the 2018 Olympic Games in PyeongChang, South Korea – thanks to nano-technology, the building's innovative paint absorbs 99 percent of visible light, which creates an impression similar to the vastness of space.
From city master plans to pocket-sized products, Zaha Hadid Architects (ZHA) have explored architectural formalism through innovative digital design methods. In 2006, the collaboration with furniture-makers and fashion houses led to the creation of Zaha Hadid Design that served both as an iterative process for and a resultant of ongoing architectural design.
A pop-up exhibition, located suitably on the ground floor of ZHA's renowned condominium along the High Line in New York City, features a scale model of the building itself on display. To honor and present the work produced by the firm in the last four decades, the Zaha Hadid Gallery showcases a series of projects in a wide range of mediums including the six 'Silver Models' that represent eight of the firm's key works.
Surely every architect has wondered how the fluid but complex forms of the architecture of Zaha Hadid Architects are brought to reality. And it's beautiful to see how an initial conceptual idea –probably drawn as a quick sketch– materializes in precise and detailed planimetric drawings.
We have compiled a series of construction details from 9 projects developed by Zaha Hadid Architects that give insight into her distinct style and approach, showing us that, with a little ingenuity and a lot of expertise, even the most impossible-seeming dreams can be built.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
Following the announcement by SpaceX founder Elon Musk that Japanese billionaire Yusaku Maezawa would be the first paying customer to visit the Moon, the retail tycoon generated further excitement by declaring he would bring between six and eight artists to accompany him.
The “Dear Moon” project would see a painter, musician, film director, and others, accompany Maezawa in order to “dream dreams that have never been dreamed…to sing songs that have never been sung, to paint that which has never been seen before.”
https://www.archdaily.com/903090/life-on-the-moon-according-to-8-architects-and-artistsNiall Patrick Walsh