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New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.
In some cases, a roof can become the shining centerpiece in a work of architecture. Catalan vault, also known as Valencian timbrel vault, became a fixture in Spanish architecture in the 19th century, popularized thanks to its low cost and ease of sourcing and assembly. With the ability to span over 30m per module, this technique is currently making a comeback, establishing itself as a go-to construction method in industrial architecture and can be seen in everything including workshops, factories, and warehouses.
Humans have used mirrors since as early as 600 BCE, employing highly polished obsidian as a basic reflective surface. Over time, people began to use small pieces of gold, silver, and aluminum in a similar manner, both for their reflective properties and for decoration. By the 1st century CE, people had started using glass to make mirrors, but it was only during the European Renaissance that Venetian manufacturers began making mirrors by applying metallic backings to glass sheets, remaining the most common general method of mirror manufacturing today. Since then, mirrors have continued to play both a decorative and functional role in architecture, serving a clean, modern aesthetic despite its ancient origins. Below, we investigate how mirrors are made, provide a brief history of mirrors in architecture, and offer several tips for architects looking to use mirrors in their designs.
Neon lights are a bold, cosmopolitan statement that can easily revitalize or accentuate an architectural space or structure. With eye-catching brilliance, a plethora of color options, and ties to a retro aesthetic, these lighting pieces can make a space feel simultaneously modern and nostalgic. Yet few understand the scientific workings or material properties of neon, and many architects neglect its use due to its narrow association with commercial signage. Below, we explore how neon works, its architectural history, and how architects can continue to use it today.
As the world is slowly reopening, easing lockdown measures, everyone is adapting to new realities. Imposing drastic adjustments to our lives, the coronavirus has introduced a new “normal”, changing our perceptions and altering our priorities. Driven towards questioning and evaluating our environment, we are constantly reacting and anticipating a relatively unknown future.
A casual conversation between two editors at ArchDaily generated this collaborative piece that seeks to investigate the current trends, predict the future, and offer insights to everyone/everything related to the architectural field. Tackling the evolution of the profession, the firms, and the individuals, especially young adults and students, this article, produced by Christele Harrouk and Eric Baldwin, aims to reveal what is happening in the architecture scene.
Perkins and Will have generated a set of strategies, grounded in public health guidance, to help offices resume their work during COVID-19. Focusing on the transition phase, the guideline helps employers draw a road map for safe return.
In a predominately urban world that constantly has to deal with complex problems such as waste generation, water scarcity, natural disasters, air pollution, and even the spread of disease, it is impossible to ignore the impact of human activity on the environment. Climate change is one of the greatest challenges of our time and it is urgent that we find ways to slow down the process, at the very least. Toward this end, our production, consumption, and construction habits will have to change, or climate change and environmental degradation will continue to diminish the quality and duration of our lives and that of future generations.
Although they seem intangible and distant, these various energy inefficiencies and waste issues are much closer than we can imagine, present in the buildings we use on a daily basis. As architects, this problem is further amplified as we deal daily with design decisions and material specifications. In other words, our decisions really do have a global impact. How can we use design to create a healthier future for our world?
.jpg?1591019033 "Camper NYC Store / CAMPER + Jonathan Olivares. Image Courtesy of Alexander Haas")
