On 1 September 2026, the Balearic Social Housing Model was announced as the recipient of the 2026 OBEL Award. The focus of this award's cycle was "Systems' Hack," calling on architecture to critically engage with the systems that underpin contemporary society and to examine how these interconnected networks might be reconfigured in response to accelerating global challenges. The Balearic Social Housing Model, created by economist and independent consultant Cris Ballester and architect and civil servant Carles Oliver, is a six-point approach to public housing developed between 2019 and 2023, providing additional value and comfort to traditional affordable housing by bringing procurement, architecture, materials, energy, tenure, public capacity and learning together as responses to current social, environmental and economic challenges. In this interview with ArchDaily, the model's creators discuss its origins, ambitions, and material challenges in making social housing a desirable place to live.

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Amid growing economic, political, and climatic instability, the 2026 OBEL Award highlights the need for architectural approaches that rethink both existing and emerging infrastructures. The title for this edition is "Systems' Hack," where "systems" are understood as interrelated mechanisms governed by shared rules and "hacking" is framed as a strategic intervention that seeks to alter how these mechanisms operate. Within this framework, the OBEL Foundation has announced the Balearic Social Housing Model as the winner of this year's award, while also announcing a new cycle in 2027 under the same topic. The Balearic Social Housing Model is recognized for "transforming the role of social housing administration in the Balearic Islands between 2019 and 2023," proposing new approaches in response to an acute housing shortage and a critically limited public rental housing stock in Spain.

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Architectural prototypes are often used to test decisions before construction begins. But in some practices, prototyping begins while those decisions are still taking shape. Moving an idea from drawing into matter introduces questions that depend on making itself: how a material can be cut or joined, how much a piece weighs, how an assembly comes together, whether parts can be reused, or even what form the project should take.

TAKK, salazarsequeromedina, and Ensamble Studio each make physical experimentation part of their design process, but they ask different things of it. For TAKK, prototypes help test how materials and components come together as a construction system. For salazarsequeromedina, models and built systems remain open to dismantling, recombination, and later uses. Ensamble Studio uses physical experiments to generate geometry and construction knowledge that can move into engineering and full-scale building. What distinguishes these approaches is not simply that they prototype, but what each practice expects to learn through the prototype.

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The center of a plan is never simply empty space. Once rooms and routes begin to organize around it, the center starts to structure the entire plan. It may contain a courtyard, a stair, a garden, or a shared room. It can also preserve something already present on the site or support a process that architecture does not fully control. What occupies this position determines how the surrounding spaces are arranged, connected, and used.

In A Pattern Language, Christopher Alexander, Sara Ishikawa, and Murray Silverstein describe shared spaces as most effective when they sit at the center of gravity of everyday life and remain connected to the routes people use most. Their argument suggests that a center matters not because it occupies the geometric middle, but because the surrounding rooms, paths, and activities give it spatial weight. The projects included here extend that idea beyond communal space, showing how the center can organize circulation, collective use, environmental systems, and the relationship between architecture and what already exists on the site.

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Paint is synonymous with color, even when it is white. It is the simplest way to restore and correct imperfections on any surface, whether interior or exterior. Without detracting from this significant aesthetic benefit, paint also possesses composition-based properties that turn an attractive, well-finished project into a healthy building—one with a lower environmental impact throughout its life cycle.

The Ministry of Transport, Mobility and Urban Agenda (Mitma), in collaboration with the Higher Council of Spanish Architects' Associations (CSCAE) and supported by the Arquia Foundation, has launched a two-stage selection process to choose the curatorial team for the XVI Spanish Biennial of Architecture and Urbanism (BEAU). The deadline for submitting proposals for the first stage is December 14, 2022.

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As another year comes to a close, the ArchDaily team looks back at the year's architectural highlights, compiling a selection of projects to review the content featured in 2022. As part of this retrospective, our curation team presents one of our readers' favorite categories—residential architecture—bringing together the projects that represent the very best of a vast year of architectural production, as chosen by our audience.

At a time marked by anticipation for the future of architecture, yet also by reflection on what has been accomplished over the past year, we present the 50 most-visited houses on ArchDaily in Spanish in 2022. In doing so, we continue our ongoing mission to provide tools, inspiration, and knowledge to everyone working toward a better built environment.

As part of the second Model: Barcelona Architectures Festival, local architecture firm H3o Architects—led by Adrià Orriols, Joan Gener, and Miquel Ruiz—presented the temporary installation “Nomad Assembly". As one of the five installations featured in this festival curated by Eva Franch i Gilabert and co-organized by the Barcelona City Council and the Mies van der Rohe Foundation, the project was developed to its full materialization in the public space beneath the canopy of the Mercat dels Encants, serving as the main stage for the event.

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Through the incorporation of various elements, interior design creates comprehensive spaces that blend functionality and aesthetics. Among these components, suspended ceilings are a solution that integrates finishes suspended from the main structure. While adapting to a wide range of styles through a diversity of materials, colors, and textures, suspended ceilings also address acoustic needs, contribute to thermal insulation, and integrate lighting systems.

Among its solutions for interior applications, Hunter Douglas combines aesthetics, comfort, and sustainability to develop the WoodLines suspended ceiling line. Integrating innovation with natural materials, the manufacturing process continuously bonds a natural wood veneer to a roll-formed metal profile. As a result, linear ceilings composed of continuous slats are obtained, combining the functionality of a metal ceiling with the warmth and aesthetic appeal of natural wood.

ArchDaily's curatorial team strives every day to present our readers with the most significant, inspiring, and innovative projects, while also ensuring a diverse representation of global architecture.

As part of our 2023 Year in Review retrospective on ArchDaily, we look back and reflect on what was published over the past year. Residential architecture remains one of our most visited categories of built projects, generating immense interest among our users worldwide. With this in mind, we have selected the 50 best houses published this year on ArchDaily en Español, offering a brief showcase of the form and character of residential architecture across the Spanish-speaking world.

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