When facing emergencies such as natural disasters, warfare or pandemics, architecture must offer immediate and effective solutions. In these unfortunate circumstances, the priority is usually to solve problems around housing, however, once the emergency is under control, the focus starts to slowly move towards meeting places such as community centers, neighborhood councils and public spaces.
To create new meeting places in emergency situations, scaffolding is a good alternative regarding construction speed and tight budgets. Although they are usually used as temporary structures, they also allow creating a quickly composed space playing with horizontal, vertical and diagonal lines, and the combination with other materials such as textile, wood, polycarbonate and metal.
Most of the world's population today live in large, vibrant, energetic and sometimes chaotic cities. This is why, usually, when we think of taking some time off from our responsibilities and daily routines we picture ourselves lying in virgin beaches, relaxing in a faraway forest, or immersed in a tropical jungle.
Hospitality architecture has a wide variety of solutions for all types of travelers and tourists. For those wanting to disconnect completely from daily city life while being closely connected to nature, a good option could be small scale hotels, cabins, and lodges set directly in these natural environments.
Is it possible for a structure to reflect the thoughts of an architect? In the area of architecture, it's a well-known fact that the design process is largely shaped by the client, their culture, their requirements, and their budget, with little attention given to the personal tastes of the architects themselves.
Relatively unknown outside his home country, Clorindo Testa (December 10, 1923 – April 11, 2013) was one of Argentina’s most important 20th-century architects. Consistently defying categorization, Testa had a hand in two of Buenos Aires’ most iconic buildings, the Bank of London and South America, and the National Library, as well as many others throughout his long career. Characteristically enigmatic, Testa would only ever acknowledge Le Corbusier as an influence, saying, “I never paid attention to other architects.” As a former colleague Juan Fontana described, Testa spoke the language of brutalism with an Argentine accent.