This article was originally published on October 19, 2015. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
The Bank of London and South America (Banco de Londres y América del Sud, or BLAS) in Buenos Aires defies convention and categorization, much like the architect primarily credited with its design, Clorindo Testa. A unique client relationship, guided by the bank’s staff architect Gerald Wakeham, and a supportive collaboration with the firm Sánchez Elía, Peralta Ramos and Agostini (SEPRA) resulted in a building that continues to evoke surprise and fascination.
How many times have you been faced with the challenge of designing a cultural center? While this may seem like quite a feat, many architects have had to design a program that blends a community center with culture.
Among the projects published on our site, we have found numerous examples that highlight different responses, from flexible configurations to sites that prioritize central gathering areas for citizens and activities. See our series of 50 community centers and their plans and sections below.
The Venice Biennale, one of the most talked about events on the architectural calendar, has opened its doors to architects, designers, and visitors from all around the globe to witness the pavilions and installations that tackle this year’s theme: "Freespace." The curators, Irish architects Yvonne Farrell and Shelley McNamara of Grafton Architects, described the theme as “a focus on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers, providing the opportunity to emphasize nature’s free gifts of light—sunlight and moonlight, air, gravity, materials—natural and man-made resources.” As the exhibition launched at the end of May, the architecture world rushed to Venice to be immersed in what the Biennale has to offer. But while the 2018 Biennale undoubtedly had its admirers, not everyone was impressed.
Read on to find out what the critics had to say on this year’s Venice Biennale.
As always, this year’s edition of the Venice Architecture Biennale is brimming with exhibitions and installations—the result of thousands upon thousands of hours of research and work. When arriving at the Arsenale or Giardini, the overwhelming amount of "things to see" are neatly tucked into the national pavilions, or, in the case of the Arsenale, hidden on the sides of the sweeping corridor. In the likely event that you have limited time to enjoy all that FREESPACE has to offer, ArchDaily's editors have selected our favorite works displayed at the 16th International Architecture Exhibition.
Here, presented in no particular order, are some of our top suggestions from across the Biennale sites.
https://www.archdaily.com/895621/11-must-see-exhibitions-at-the-2018-venice-biennaleAD Editorial Team
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Argentinian Pavilion. Below, the curatorial team describes the exhibition in their own words.
Horizontal Vertigo, Argentinian Pavilion at the Venice Biennale 2018, delves into the notions of humanity and democratic spirit as proposed by Freespace, by establishing a cross-cutting dialog between geography, place, and architecture.
The exhibition, curated by the architects Javier Mendiondo, Pablo Anzilutti, Francisco Garrido and Federico Cairoli, is an invitation to rethink our territory as a collective construction and discover architecture in its capacity to convey unexpected generosity in every project.
The challenge of designing a house with a tight budget and space constraints, together with the essential duty of responding correctly to the requirements of the user, is sometimes one of the most challenging and motivating tasks an architect can face. How can you take advantage of space most effectively? How can you avoid wasted material? How do you anticipate the possible future expansion of the house? And how do you develop a simple design that also delivers value to its inhabitants?
To help you in this process, we scoured our projects archives to select 30 houses that provide interesting architectural solutions despite measuring less than 100 square meters.
Two South American architects have been selected as the winners of The Architectural Review and The Architects’ Journal’s 2018 Women in Architecture awards. This year’s top prize, Architect of the Year, has been awarded to Peruvian architect Sandra Barclay, while Paraguayan architect Gloria Cabral has been selected as the winner of the Moira Gemmill Prize for Emerging Architecture, with both being recognized by the jury for their mastery of materials.