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Google has just announced that the company plans to occupy the famous postmodernist icon, the Thompson Center, by 2026 after major renovations works. The building that was under threat of demolition for a while will be renovated by JRTC Holdings LLC and Jahn's architecture studio to meet Google’s needs for its flexible hybrid workforce and to accommodate the tech giant’s 1,800 employees in Chicago.

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The IV edition of the biennial Living Places – Simon Architecture Prize for architecture nominations and registrations can now be made until the 15th of September via www.simonprize.org. Inscription and participation are entirely free of charge and the winning teams receive a cash prize of 10.000 €. The vocation of this recognition is to distinguish those architectural projects (including interiors, public spaces and landscaping) whose excellence enhances the capacity of the spaces to ensure the comfort of its inhabitants. Architectures that turn into higher quality spaces for people in their day-to-day lives: to work, to learn, to wait, to play... Architectures to live in.

Dutch architecture firm Mecanoo has unveiled the design of what will soon become the tallest high-rise ensemble in the city of The Hague, in the Netherlands. Dubbed "The Grace", the project consists of two towers, one at 150 meters high and the other at 180 meters, becoming the tallest high-rise ensemble in the city. The residential project comes as a response to the growing demand for affordable housing, as well as fostering an enhanced sense of community.

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The European Prize for Urban Public Space is a biennial, honorary competition organised by the Centre of Contemporary Culture of Barcelona (CCCB), which, following its exhibition "The Reconquest of Europe" in 1999, decided to create a permanent observatory of European cities. The prize has been awarded since 2000, recognising the best interventions for the creation, transformation and recovery of public spaces in Europe.

According to a recent survey by spirits industry market analysis firm IWSR, 54% of online buyers of alcohol in the U.S. made their first purchase during the pandemic. Most consumers decided to ‘treat themselves’ to more expensive spirit brands than usual, many opting for the higher shelf bottles in order to finally master the art of home-made cocktails – elaborate, to-be-sipped drinks worthy of the bigger investment. IWSR says that those habits are sticking. Along with them comes the need for an aesthetic plan of attack concerning the display of said pricey bottles: home bar architecture. 

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