In 2019, the Secretariat of Urban Development hired the Faculty of Architecture at the National Autonomous University of Mexico to organize a competition to develop small-scale public works in vulnerable regions of northern Mexico. At that time, architects from the mentioned university—Gabriela Carrillo, Carlos Facio, José Amozurrutia, Eric Valdez, and Israel Espín—came together to participate in their proposal for this challenge. Believing in the importance of forming a team and understanding that architecture emerges from moments of collective discussion, exchange of ideas and positions, and sharing knowledge and experience, they formed the architectural collective C733.
First Prize Winner + Buildner Student Award. Image Courtesy of Buildner
Buildner has revealed the results of its Under Bridge Affordable Housing Challenge, the 17th version of its Affordable Housing competition series, which focused on proposing design solutions to address housing challenges in cities around the world. This competition aimed to transform neglected areas under bridges, turning idle or empty spaces in sprawling cities into vibrant and thriving communities.
Participants were invited to select any "under the bridges" site globally, considering factors such as accessibility, available amenities, and how the proposed solution would integrate with the existing community or city. Designs needed to demonstrate adaptability, ensuring they could meet diverse needs while remaining cost-effective and sustainable. Buildner and its jury sought practical, scalable, and eco-friendly designs to revolutionize these overlooked spaces. The competition encouraged creative thinking and innovative housing solutions that challenge conventional approaches.
Every August, the Black Rock Desert in Nevada transforms into a vibrant city for Burning Man, a week-long festival that culminates in the ceremonial burning of a large wooden effigy. Established in 1986, the festival is renowned for its unconventional art installations and striking desert setting. While varied in their expression, the installations follow a central theme of the year. For this edition, the title “Curiouser & Curiouser” takes inspiration from the Mad Hatter from Lewis Carroll’s Alice in Wonderland, prompting participants to engage with wonder and embrace the whimsical and mysterious. This year’s central temple installation is designed by Caroline Ghosn to represent togetherness and mutual respect. Following a Burning Man Tradition, the temple design is selected following an international competition.
Space exploration isn’t merely a testament to human ambition or a quest for new territories and resources. Our ventures beyond Earth’s atmosphere are driven by a deeper purpose: to understand better our place in the cosmos and to pioneer innovations that can transform life on our home planet.
In Beirut, the Interdesign Building stands as a striking yet enigmatic structure. Never used since its conception in 1973, the building was designed by Lebanese architect Khalil Khouri and, in some ways, it represents a physical testament to the region’s hopes and struggles. During the inaugural edition of We Design Beirut, the exhibition “All Things Must(n't) Pass: A Subjective Recount Of Khalil Khouri’s Life And Career As A Designer” opened the building to the public, aiming to tell the story of its architect, Khalil Khouri, through the lens of his son and grandson, Bernard and Teymour Khoury. On this occasion, ArchDaily’s Editor in Chief, Christele Harrouk sat down with Bernard Khoury at his DW5 office to discuss the life of his father and a little-known chapter of Lebanese architectural history.
In the realm of architecture, the integration of Artificial Intelligence (AI) is no longer a vision of the future but a present reality transforming the way designs are conceptualized and executed. As global architectural powerhouse Kohn Pedersen Fox (KPF) pushes the boundaries of innovation, they have strategically adopted D5 Render, an advanced AI-driven real-time rendering tool, to enhance their design efficiency.