grabowski.spork architektur is designing "The Change," Eschborn, Germany's first timber-hybrid high-rise office building, on behalf of PE Merhenthaler GmbH—a joint venture between Bauwens and Ampure, two of Germany's largest property development companies. The project's BIM process exemplifies how these smart digital workflows contribute to exceptional design outcomes.
Skidmore, Owings & Merrill (SOM) has commenced construction on the global headquarters for China International Marine Containers Group (CIMC) in Shenzhen's Qianhai district. The 270-meter-tall structure, designed by SOM after winning an international competition, will stand as a 53-story tower. The project aims to serve as a corporate hub while also incorporating sustainable practices. The development is scheduled for completion by 2029.
In collaboration with to.org, Counterspace, led by Sumayya Vally, has revealed its latest project, "Regenerate Kakuma," aimed at promoting holistic well-being in one of the world's largest refugee settlements in Kakuma, Kenya. This regenerative wellness and fitness hub blends fitness, agriculture, and cultural spaces for over 285,000 refugees. The settlement, known as one of the largest globally, primarily hosts individuals from 19 countries, including South Sudan and Somalia.
With its culturally and historically rich context, the city of Cologne, also called Köln by its locals, is considered one of the most important centers in West Germany. Nestled on the banks of the Rhine River, the city unfolds its architectural narrative through the interplay between historical landmarks, and contemporary interventions. In the old town, the medieval Cologne Cathedral, a UNESCO World Heritage Site and the tallest cathedral in the world, dominates the skyline. The cityscape is also shaped by the Twelve Romanesque churches of Cologne.
Beyond its historical core, Cologne embraces modernity with structures such as the Kranhaus buildings or Renzo Piano’s Weltstadthaus. The tapestry of architectural styles is further underlined by interventions such as Peter Zumthor’s Kolumba Museum, integrating the ruins of a late-Gothic church destroyed during World War II into a tranquil space dedicated to the contemplation of art and history.
The relationship between man and machine has long been a complex and nuanced one, especially for modern artisans. While machines are often seen as tools that can enhance productivity, the comparison between human hands and mechanical efficiency can be misleading. Machines, with their ability to perform tasks with precision and without fatigue, can overshadow the unique qualities that define human craftsmanship.
Unlike machines, humans are inherently imperfect, and it is this very imperfection that fosters creativity and self-expression. When a person repeats a task with their hands, they do so with a rhythm, guided by an awareness and an understanding that transcends mere mechanical repetition. This rhythm is not just a physical pattern, but a reflection of the unity between the mind, hand, and eye—a connection that machines cannot replicate. The act of making, with all its subtle variations and imperfections, is what imbues human work with meaning and value.
Organized by Monaco Marina Management (M3), the 4th edition hosted on September 22nd & 23rd at the Yacht Club de Monaco, has brought together 250 maritime industry professionals alongside worldwide investors and innovators to encourage the development of virtuous marinas. With the common goal to modernize and make maritime infrastructures more responsible, this annual networking gathering demonstrates how sustainability is becoming a true driver of change by connecting the whole marina ecosystem and promote the development of efficient & attractive marinas.
Zaha Hadid Architects (ZHA) has been announced as the architect of the Alisher Navoi International Scientific Research Centre, an expansive cultural and educational facility taking shape in New Tashkent, Uzbekistan. The center is set to incorporate the Navoi State Museum of Literature, along with a 400-seat auditorium and an International Research Center and residential school dedicated to training 200 students in the Uzbek language, literature, and music.
