The winning entries to the Kip Island Auditorium competition have been announced by Bee Breeders, which invited proposals for the addition of a new iconic auditorium addition to the Riga International Convention Centre, in Latvia’s capital. The competition asked for alternative approaches to the design of public and civic facilities, while “reinvesting an estranged program in the urban landscape."
Here are the three winners of the Kip Island Auditorium competition:
In any city across the world, there are countless examples of unsung architecture – well-designed if inoffensive buildings that strive to please by not standing out from the crowd. For German photographer Paul Eis, these buildings provide the perfect canvas for his work. Displayed on his Instagram account, the_architecture_photographer, Eis captures these buildings in their best light, and then digitally adds in bright colors, elevating these structures from mundane to magnificent.
After a several year battle, the Frank Lloyd Wright School of Architecture has been approved to maintain its accreditation as an institute of higher learning. The school’s status had earlier been threatened due to new laws by the Higher Learning Commission (HLC) that require universities, colleges and other institutions to be financially and administratively independent from "larger institutions with multi-faceted missions."
With the decision, the school will be able to continue to offer its 3-year Master of Architecture program, as well as its additional education programs such as its 8-week-long non-degree Immersion Program.
Competing against a shortlist of internationally acclaimed architects, the team led by newly established practice Vargo Nielsen Palle (in collaboration with ADEPT and Rolvung & Brøndsted Arkitekter) has been selected as the winners of the NEW AARCH competition, which sought designs for several new buildings for the Aarhus School of Architecture and the development of the surrounding area in Aarhus known as Godsbanearealerne.
The restricted competition consisted of three invited practices – BIG, SANAA and Lacaton & Vassal – and the three winners of the earlier open qualifying competition, Vargo Nielsen Palle, Erik Giudice Architects, and ALL (Atelier Lorentzen Langkilde). Vargo Nielsen Palle’s proposal was chosen as the unanimous winner.
Go to any medieval European city and you will see what streets looked like before the advent of the car: lovely, small narrow lanes, intimate, and undisputedly human-scale. We have very few cities in the US where you can find streets like this. For the most part what you see is streets that have been designed with the car in mind—at a large scale for a fast speed. In my native San Francisco, we are making the streets safer for walking and biking by widening sidewalks, turning car lanes into bike lanes, and slowing down the cars. We are working with the streets we have; a typical San Francisco street is anywhere from 60 to 80 feet (18 to 24 meters) wide, as compared with a medieval, pre-car street which is more like 10 to 20 feet (3 to 6 meters) wide.
As an urban designer, I work on lots of projects where we take large parcels of land and subdivide them into blocks by introducing new streets. These new streets are a rare opportunity to take a fresh look at the kinds of car-oriented roads that we are used to, and instead try to design streets that prioritize the safety and comfort of pedestrians. These projects give us a chance to design streets that are just for people. Imagine that we made these people-only streets into narrow, medieval-style lanes that are intimate and human-scaled. But even as we try to design streets that might not ever see a single car, we find that the modern street design has become so much more than just places for walking or driving. There are therefore a number of things for socially-minded designers to consider, beyond the commonly talked about pedestrian-car dichotomy.
We want to see your designs for an architecture Easter Egg! Download the design template below and illustrate/animate/build a small celebration of springtime. We'll be accepting entries until April 12th, at 12:00 pm EST and we'll publish our favorites by April 14th!
Sliperiet, Umeå Arts Campus has developed a new type of 3D printer that features increased printing flexibility at a lower cost. Called Hangprinter. The system is suspended by a series of thin fishing lines, it does not require a frame or rails, but rather, it can be attached to any stable surface, for instance, a ceiling.
As a part of the +Project innovation initiative, the Hangprinter is in the process of making a “Tower of Babel,” a project that currently measures almost three-and-a-half meters tall, making it the tallest object the system has made, as well as “much taller than the scope of any commercially available large format printer.”
Invented by Torbjørn Ludvigsen, who began the project while a student at Umeå University, the Hangprinter’s design was originally formulated to reduce costs. “The frame or box was almost half the cost of the final 3D printer, and I thought I could do without it,” said Ludvigsen. Hangprinter can be put together for about 200 Euros.
Marrying the great expanses of the American west with a series of mirrored faces, MIRAGE is an installation situated in the Southern California desert and the work of Doug Aitken, an American artist, and filmmaker. An experimental adaptation of the traditional suburban ranch-style house, the sculpture hones in on architecture’s relationship with its landscape, manifesting itself as a life-sized kaleidoscope.
The California Ranch Style house was first designed by a small collective of architects in the 1920s and 30s, inspired by the spatial fluidity of Frank Lloyd Wright’s work and melded with the local single storey homes that belonged to ranchers. Following the Second World War, the simplicity of this housing typology resulted in its quick rise in popularity, adopted by commercial builders to match the rapid urbanization of the American countryside.
