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British architect Sir David Adjaye, Founding Principal of Adjaye Associates, will be honored as this year’s recipient of the Louis I. Kahn Memorial Award by the Center for Architecture and Design in Philadelphia. The annual award celebrates the achievements of an individual who has made a significant contribution to the field of architecture, while also celebrating the achievements of influential Philadelphia-based architect Louis Kahn.

Past recipients of the award have included Bjarke Ingels, Norman Foster, Peter Bohlin, Daniel Libeskind, Robert A.M. Stern, Rafael Viñoly and César Pelli.

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MVRDV has won a competition for the design of an art installation in the Dutch coastal city of Den Helder, seeking to strengthen the connection between land and sea through a new public landmark. The “SeaSaw” consists of a viewing platform balanced in equilibrium atop the city’s flood defenses, a distinguishable structure praised by the jury for capturing “the energetic spirit of the city represented as an infinite form.”

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Some of the greatest architectural works throughout history have been the result of religion, driven by the need to construct spaces where humanity could be one step closer to a higher power. With more people choosing a secular lifestyle than ever before, are the effects that these buildings convey—timelessness, awe, silence and devotion, what Louis Kahn called the “immeasurable” and Le Corbusier called the “ineffable”—no longer relevant?

With the Vatican’s proposal for the 2018 Venice Biennale, described as “a sort of pilgrimage that is not only religious but also secular,” it is clear that the role of "religious" spaces is changing from the iconography of organized religion to ambiguous spaces that reflect the idea of "spirituality" as a whole.

So what does this mean? Is there still a key role for spirituality in architecture? Is it possible to create spaces for those of different faiths and those without faith at all? And what makes a space "spiritual" in the first place?

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In his latest photographic collection, Federico Scarchilli captures Cistercian order in the form of Abbazia di Fossanova, Casamari, and Valvisciolo. Simple and utilitarian, Cistercian architecture reflects the transition between the Romanesque and Gothic periods. During this time, many religious authorities felt excessive ornamentation was a distraction to spiritual studies.

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The great #BVDoshi at #sangath. @pritzkerarchitectureprize 2018 laureate.

A post shared by Iwan Baan (@iwanbaan) on Apr 5, 2018 at 7:20pm PDT

Architectural photographer Iwan Baan recently honored 2018 Pritzker Prize Laureate Balkrishna (B.V.) Doshi. It has been a little over a month since the Pritzker jury selected the Indian architect as the latest winner, and his work still remains popular within the online world. The genuine materiality and intricate spatial experience associated with Doshi's work are captured by Baan in multiple projects across India. Baan's Instagram (@iwanbaan), which has nearly 120K followers, acts as "a diary of travels with the iPhone."

Read on to see some of Baan's images (some posts have multiple images, so be sure and use the left and right arrows to see the full set of pictures). 

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Organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by VitrA, the 4th Istanbul Design Biennial (22 September – 4 November 2018) announces A School of Schools: Orientation, a multifaceted opening programme exploring the possible futures of design education.

Taking place over two days, from 20 – 21 September 2018, the Orientation days will see practitioners, educators and thinkers from Turkey and around the world converge for a biennial conceived as a public space for dialogue, provocation and production. Together, they will test and revise a variety of educational strategies to reflect on the role of design, knowledge, and global connectedness in contemporary Istanbul and beyond.