
- Area: 8600 m²
- Year: 2017
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Professionals: Burgland Bouw, Hevo, Ilse Panis, Klicktet BV, Pieters Bouwtechniek, +1

The editorial notes on Arts & Architecture’s 11th Case Study House set out the “basic principles of modern architecture”: an emphasis on “order, fitness and simplicity.” Livability and practicality are key, and “sham” is frowned on. As with other houses in the series, this design by JR Davidson adheres to these goals with clean, horizontal lines, an open floor plan, and integration of the outdoor space.
It’s a modest, compact home, less high-concept than some of the other houses in the programme—no indoor plantings or reflecting pools; no complicated backstory for the imagined clients (think of the next two, #12 and especially #13)—but arguably more successful in providing a model for the average American home. Its value doesn’t depend on dramatic landscaping or views, but on thoughtful design and attention to solving everyday problems. Walking through Archilogic’s 3D model reveals the elegance of Davidson’s approach.

We all know the typical architect’s look: a black turtleneck, slim fit pants, pointed toe boots, and minimalist jewelry pieces. Almost all of us, at one point or another, have tried to imitate the style of our favorite architect. Perhaps it was by sporting a pair of Corbusier and Philip Johnson’s iconic round glasses. Maybe it was through a chic statement haircut, or it could even have been by adopting the unofficial uniform of designers with the all-black outfit. If none of these sound appealing to you, there's no need to worry- there are still plenty of other ways to look like your favorite famous architect.


Concrete Toronto Map is the latest addition to Blue Crow Media's series of architectural guides. The London-based publisher collaborated with ERA Architects editorial team and Jason Woods photography to detail 47 of Toronto's concrete buildings and structures.

When architects were asked to re-imagine Chicago’s neglected buildings for an exhibition, Dirk Lohan designed a revitalization plan for Louis Sullivan's Pilgrim Baptist Church. Soon Sullivan’s landmark building will become the nation’s first National Museum of Gospel Music, complete with a cafe, retail store, event space, research and listening library, and a 350-seat auditorium.


Feng Shui (in Chinese thought) is a system of laws considered to govern spatial arrangement and orientation in relation to the flow of energy (chi), and whose favorable or unfavorable effects are taken into account when siting and designing buildings.
We have selected seven projects that are based on the concepts of this Eastern wisdom to conceive their spaces.

Hong Kong is a unique city. With its unlikely history as a British Colony, its position as a global hub city, and its spectacular geography, the dense, lively streets of Hong Kong feature a variety of urban phenomena that can't be found anywhere else in the world. In this series of video essays, New Office Works probes the urban character of Hong Kong with stunning depth, uncovering histories and explanations that bring new intrigue to an urban fabric that is, both literally and figuratively, already heavily layered.
The title of the series, Middle Man, references Hong Kong's status as a city that mediates between east and west, calling back to the "compradors" that helped the city to grow in the 19th century by translating for traders—middlemen in the most literal sense. Rooted in this history, the urban environment is not one built on grand schemes or overarching ideals, says New Office Works: "The combination of a growing population and limited land has cultivated an instant-fix mentality. There is neither time nor space for architectural ideologies, only pure pragmatism."


Modern architecture has had many faces and developments, ranging from post-war reconstruction strategies in Europe to the International Style in the United States. One of these facets - perhaps the least glorious - are the social housing buildings of the eastern part of Europe, the results of initiatives by the Soviet regime to offer low-cost housing to the population.
Often associated with unsuccessful programs, these buildings were generally very similar to each other, presenting very simple prismatic geometries with little chromatic variation. Blocks, so to speak, that in the hands and imagination of designer Lukas Valiauga take on a ludic aspect that has never been natural to them.
