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Paradigma Ariadné received an honorable mention in the Budapest South Gate Competition for their masterplan project in Hungary. Working with urban planners Spacefor Architect, as well as landscape and traffic designers Lépték Terv and Krisztina Mihálffy, the team's proposal was designed as a new neighborhood in Budapest for university students along the Danube river.

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Videos

SEArch+ and Apis Cor have won first place in the Virtual Construction level of NASA’s 3D-Printed Habitat Centennial Challenge, seeking to create sustainable shelters suitable for the Moon, Mars, and beyond. Using resources available on-site in these locations, the female-led, New York-based space research and design practice proposed the MARS X HOUSE, offering a robust, durable 3D-printed habitat using autonomous robotics.

Led by SEArch+ co-founder Melodie Yashar, the scheme employs evidence-based design for the form and constructability of the future habitat, intended for a crew of four to live and work on Mars for one Earth year. The habitat is designed to exceed radiation standards in order to ensure human health while connecting the crew with natural light and views of the Martian landscape.

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Mexican architect Michel Rojkind has been named the senior vice president of architecture at WeWork. A native of Mexico City, Rojkind founded the Rojkind Arquitectos office in 2002 focusing on design, tactical and experiential innovation, maintaining an architectural vision that will shape integral experiences, connecting the complexities of each project to a deeper level to positively impact society and the environment. This vision was what led him to connect perfectly with the WeWork approach.

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Agustín Ferrer Casas has published an illustrated comic book charting the life and work of the renowned architect Mies van der Rohe. Featuring texts by Anatxu Zabalbeascoa and Norman Foster, MIES is a biopic inspired by Ferrer Casas’ reading of Mies van der Rohe: Menos es más by Anatxu Zabalbeascoa.

The presentation of the graphic novel is part of the Fundacio Mies van der Rohe's efforts to support new languages for the dissemination of knowledge of architecture that will be of interest to both professionals and those who want to learn about modern architecture through a rich, visual medium.

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We, the curators of the Carlo Ratti/South China-Torino Lab (Politecnico di Torino-South China University of Technology CUT) team, are pleased to announce the Open Call for proposals to participate in the “Eyes of the City” exhibition section in the framework of the 2019 Shenzhen Bi-City Biennale of Urbanism\Architecture (UABB). We invite international architects, planners, designers, philosophers, thinkers, scientists, companies, educational institutions, research laboratories, think-tanks and students to submit their proposals from April 1st to May 31st, 2019. The Open Call will accept proposals for design projects, research projects and critical essays that will form the core of the “Eyes of the City” exhibition section, that will be hosted in UABB’s main venue.

Download the information related to this competition here.

John Wardle Architects' Ian Potter Southbank Centre for the University of Melbourne's Conservatorium of Music has opened to faculty and students. The $109 million project was designed as part of the larger Southbank campus transformation in Australia. Made to house more than 1,000 music students, the project includes a series of performance areas, studios and rehearsal spaces. The Southbank Centre also features one of the world's largest oculus windows.

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Under heavy bombing, buildings seem to have only one fate: destruction. Severely damaged during the Spanish Civil War, the 13th-century Gothic Church of Vilanova de la Barca (Lleida, Spain) remained abandoned since 1936.

It was only almost 80 years later that the remnants of the structure – parts of the naves, the west façade and the apse towards the east– went through a restoration and refurbishment process. This time, however, the building was not meant to be used as a church but as a multi-purpose hall.

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