Titled "Accommodations", the Saudi Arabian Pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia, will analyze the spatial and social encounters of hosting and housing in Saudi Arabia, where histories, protocols, and gestures are intertwined. Curated by Hussam Dakkak, Basmah Kaki, and Hessa AlBader, alongside Brooklyn-based curators Uzma Z. Rizvi and Murtaza Vali, the exhibition will be on display from May 22nd to November 21st, 2021.
For its latest design in China, the Australian firm Koichi Takada Architects takes inspiration from Shanghai's forest-rich landscape and creates a series of architectural "trees" that branch out, forming a canopy above a new marketplace. Through its open, biophilic design, the Solar Trees Marketplace will be an extension of the outdoor public space, reinterpreting the traditional Chinese market as a community place.
2020 and the Covid-19 pandemic forced architectural students around the world to go virtual with their classes and coursework, transforming the way architecture was both taught and learned. Once based primarily on in-class participation, and collaboration, architectural workshops had to take on whole new methods of instruction. Conversations and debates between students and their instructors, a key element of architectural education were relegated to phone and video calls as well as written documents, making digital formatting an essential tool for students to share their ideas and receive feedback on their work.
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The Archdiocese of Brisbane has unveiled plans to build an eight-story office block adjacent to the city's historic St. Patrick’s Church in Australia. Designed by architecture practice BVN, the project was made to respond to both the existing church and the urban fabric of Fortitude Valley. The proposed development would preserve views to the church from James and McLachlan streets with over 11,000 square meters of office space.
Many describe the work of Alvar Aalto as an embodiment of the concept of Gesamtkunstwerk (a total work of art), where architecture, design, and art merge into one. The Finnish architect is a pioneer in the so-called organic strand of modern architecture in the early 20th century and has strongly influenced what we know today as Scandinavian architecture. According to a description on the MoMA website: "his work reflected a deep desire to humanize architecture through an unorthodox handling of shapes and materials that was rational and intuitive." Its methods of bringing natural light into buildings are extolled and studied repeatedly until today. But throughout Aalto's career, wood has always been present and taken many different forms. From structures to ceilings to stools, Alvar Aalto brought this natural material to the fore.
Situated at the northern part of Brooklyn where Newton Creek and the East River intersect, OMA New York / Jason Long's Greenpoint Landing residential towers have reached their latest phase of development; The North Tower is currently at 300 ft. and the South Tower is at 400 ft. The buildings are expected to provide 745 units of mixed-income housing, and will expand an acre beyond the existing esplanade, creating a new section of public waterfront that overlooks the Manhattan skyline.
For the 17th International Architecture Exhibition of La Biennale di Venezia, Finland's Pavilion revisits a moment in local history when a refugee crisis led to new ways of building and a reconfiguration of domestic space, which ended up influencing different places around the world. Titled New Standards, the exhibition curated by Laura Berger, Philip Tidwell and Kristo Vesikansa presents the story of Puutalo Oy, an industrial enterprise specialized in prefabricated wooden buildings that set new standards for residential design in the 20th century and created Finland's most widespread architectural export.
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