On a prominent, highly visible site within Harvard University’s Allston Campus, a celebration of the beauty of infrastructure is beginning to take shape. Designed by Boston-based Leers Weinzapfel Associates, the 58,000 square foot Allston Campus District Energy Facility (DEF) represents a new, highly efficient infrastructure typology, delivering electricity and water for the campus, whilst simultaneously showcasing the intricate complexity of engineering and design.
Perkins+Will’s triangulated facade scheme has won an international competition for the design of the new School of Continuing Studies at York University’s Keele campus outside of Toronto, Canada.
Beating out proposals from top firms, including finalists HOK andGow Hastings Architects with Henning Larsen, Perkins+Will’s design twists as it rises, both reacting to solar optimization studies and opening up the building to create a new gateway at the campus’ southeast entrance.
A design team under the direction of Chybik + Kristof has won the international competition to design a new administrative center for the Czech Forestry Commission in Hradec Králové. The project focuses on a symbiotic relationship between the building and the adjacent forest, where the natural landscape outside begins to mingle with the office spaces within.
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As a generation that has the most flexibility in day-to-day life, live-work dwellings are becoming more and more popular; a topic that is expected to be seen everywhere in 2018. We can now work anywhere as long as we have a decent internet connection and something to type on. Penda’s latest design, Yin & Yang house, calls upon millennials to take advantage of this ability and move back to the countryside for a better quality of life.
Perkins+Will is creating a whole new world 62 miles northwest of Shanghai for the Suzhou Science & Technology Museum. Inspired by shan sui, the Chinese phrase for "mountain-water,” the complex lies at the foot of Lion Mountain and adjacent to Shishan Lake. The 600,000 square foot museum will be the focal point of a new cultural neighborhood in Shishan Park.
The International Collaboration office at the Faculty of Engineering Ain Shams University is pleased to announce its 1st International Architectural Design Competition.
“Plyscraper,” “woodscraper,” call it what you will, but the timber age is upon us. Brock Commons Tallwood House, the recently completed student residence building at the University of British Columbia (UBC) in Vancouver, now occupies a prominent position within architecture: the tallest building with a timber structure in the world.
For over ten thousand years, cities have maintained an industrial infrastructure to transform local materials into basic necessities, such as clothing, food, and shelter. Even in the present day, with advances in science, construction, and commercial technology, a need still exists for structures dedicated to industrial-scale production, storage and distribution. However, in this more advanced, environmentally-conscious age, a challenge has emerged to create industrial complexes which are ecologically sensitive, responsible and sustainable.
Against this environmental backdrop, Istanbul-based GAD Architecture have unveiled Media City, a multimedia-based industrial complex to serve Istanbul’s future airport, projected to be the world’s largest upon completion. Recognized with a Future Project Award by the Architectural Review, Media City will incorporate industrial buildings in an urban setting inspired by QR codes, where artistic and cultural values co-exist with a celebration of environmental and technological progress.
One general trend in today's Information Age involves the absolute transmutation of downtime into productivity or engagement of any kind, however meaningless. We hear it all the time: we have lost our ability to be still. However, as a team at Ennead Lab has observed, some of the same technologies that are causing this shift in routine also have the potential to open new, empty pockets of time in our daily lives, and affect the built spaces with which we interact.
Tasked with designing an electric car charging station for a development in Shanghai, Ennead realized that the five hours required to fill up a single standard charge necessitate a place for customers to wait. In an article on Metropolis Magazine, they show that the promise of transportation-less people to stick around in one place for such a period of time opens up a host of possibilities for what could fill the latency period; the Shanghai project, however, focuses on the opportunity to create a civic space. The team has imagined the modern "gas station" as a vertical charging tower that calls upon the functionality of urban parking elevators in the 20th century, this time clad in reflective silver to serve as a beacon for customers in search of a charge. Rather than standalone charge-park towers, the projects are integrated into a system that encourages patrons to walk to neighboring zones to eat, shop, and socialize while they wait.
This article was originally published by Metropolis Magazine as part of their 2017 Game Changers issue. You can read about all of their 2017 Game Changers here.
I meet architect and educator Ralph Knowles on an unseasonably warm autumn day, even for Southern California. He greets me in shirtsleeves (his shirt is a tropical pattern of vines and branches) and leads me to a seat on the balcony of his condo. The building—a retirement community—is fairly new, but mature oak trees line the quiet street. As we talk about his career, the California oaks form a poignant backdrop. For more than five decades, Knowles, 88, has argued for an architecture that hews closely to nature’s forces and rhythms.
This article was originally published by Metropolis Magazine as "Why Architects Must Rethink Carbon (It's Not the Enemy We Face)."
Metropolis editor in chief Susan Szenasy sits down with William McDonough—the designer, author, and developer of Cradle to Cradle design—to understand why we must begin to employ a new language regarding carbon and sustainable design.
Susan Szenasy: Your article in Nature, “Carbon is Not the Enemy,” really caught my attention. You're redefining how we think about carbon, what it is, and what we should be looking for. It seems like a new phase that you're leading us to. How did you come up with this idea, that there needs to be a new language on carbon? Can you trace back your thought process?
William McDonough: [With the UN’s Climate Change Conference in Paris in 2015,] everybody kept saying, "Oh, we have to do this, to reduce our carbon 20% by 2020." Well, when you think about that Susan, it's absurd. What you're telling us is what you're not going to do. You’re going to reduce your badness by 20% by 2020? That would be like getting in a taxi and saying to the driver, "Quick, I'm not going to the airport." It doesn't tell us what you're going to do.
Driven by the hyper-density of the city-state from which they operate, WOHA have emerged as Singapore's quintessential architects. Combining a locally-specific approach to climate control and spatial planning with an international approach to form and materials, their work holds lessons that can be instructive to architects in all climates. In this interview, the latest in his “City of Ideas” column, Vladimir Belogolovsky speaks to WOHA founders Wong Mun Summ and Richard Hassell about their environmental approach and the future of our global cities.
This article was originally published in Metropolis Magazine as "When It Comes to Sustainability, We're Ranking Our Cities Wrong."
A recent article published in Nature makes a bold claim: we're analyzing our cities completely wrong. Professors David Wachsmuth, Aldana Cohen, and Hillary Angelo argue that, for too long, we have defined sustainability too narrowly, only looking at environmental impact on a neighborhood or city scale rather than a regional or global scale. As a result, we have measured our cities in ways that are inherently biased towards wealthy cities, and completely ignored the negative impacts our so-called "sustainable," post-industrial cities have on the rest of the world.Metropolis editor Vanessa Quirk spoke with Professor Wachsmuth to learn more about the unintended knock-on effects of going "green," the importance of consumption-based carbon counting, and why policy-makers should be more attentive to the effects of "environmental gentrification."
In 1978, Australian ecologists David Holmgren and Bill Mollison coined the concept of permaculture as a systematic method for the first time. For Mollison, "permaculture is the philosophy of working with, rather than against, nature, after long and thoughtful observation." [1] Meanwhile, Holmgren defines the term as "consciously designed landscapes that simulate or mimic the patterns and relationships observed in natural ecosystems." [2]
In 2002, Holmgren published the book "Permaculture: Principles and Pathways Beyond Sustainability," in which he defines 12 design principles that serve as a guide for creating sustainable systems. These principles can be applied to everyday processes to humanize them, enhance efficiency, and ensure mankind's long-term survival."
What if we apply them to the design process of an architectural project?
This article by Kira Gould was originally published by Metropolis Magazine as "The Case for COTE's Obsolescence."
Recently the American Institute of Architects Committee on the Environment published, for the first time, a comprehensive report about the winners from the debut year (1997) through 2015: “Lessons from the Leading Edge.” Its lead author, a current COTE advisory board member, Lance Hosey, set out to review two decades of Top Ten winners as a group to see how performance is changing over time, how the winners size up (scale, cost, type), and more.
The result is a compelling report. It reveals that these high-performing projects skew small. That performance gains and metrics, particularly real-time performance metrics, are improving each year. That the leading projects tend to be expensive. On average, they come in at $537 per square foot. “The cost data shows us that we need more compelling examples of lower-cost, higher performance projects,” Hosey says. Clearly, more exemplars at greater scale, type, and cost variation would be beneficial to both the profession and the market.
Is there a designer who does not dream of the perfect lighting concept, which conveys a feeling of well-being and shows the architecture at its best? Unfortunately, however, it is often the case that the brief received from the client causes difficulties. All too often discussions are peppered with such terms as LEDs and lux levels,causing an unconscious shift in thinking in the direction of norms and technology instead of placing questions about requirements and lighting quality at the centre of discussion. But what exactly is quality lighting design?
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MuuM has unveiled the design for the LOSEV Natural Life Center & Drugless Therapy Institute in Çankiri, Turkey. Located in the central Anatolian plains, the project will be built on a site that has a series of artificial ponds from its former function as a fish farm. Due to the presence of the ponds, vegetation in the surrounding landscape has thrived in recent years, creating a lush oasis in land usually deprived of water. Learn more about the project, which is shortlisted for the World Architecture Festival Awards in the Health category, after the break.
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