Modern Architecture: The Latest Architecture and News

Participatory design is a democratic process that aims to offer equal input for all stakeholders, with a particular focus on the users, not usually involved directly in the traditional method of spatial creation. The idea is based on the argument that engaging the user in the process of designing spaces can have a positive impact on the reception of those spaces. It eases the process of appropriation, helps create representative and valuable spaces, and thus creates resiliency within the urban and rural environment.

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Located amidst the vegetation, almost invisible to those who see it from the street, a jewel of modern Brazilian architecture is hidden in the São Paulo neighborhood of Jardim América. Casa Zalszupin, designed in 1960 by the Polish architect based in Brazil, Jorge Zalszupin, combines traces of local modernism with influences that the architect brought with him from Europe, notably Scandinavian architecture. In a recent photo series, Paul Clemence sought to capture through this house, "the architect's and designer's essence". 

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"The details are not the details. They make the design." – Charles Eames. Creating attractive spaces that anticipate the needs of users relies on several factors: scale, circulation, functionality, and comfort. However, the past few decades have proved that the visual appeal of a project is also greatly important, and can make or break the interior space. In this interior focus, we will explore the aesthetic side of interior design, looking at popular styles across the world and how architects and designers use elements such as color, furniture, accessories, and finishes to define their spatial identity. 

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Selected the European Capital of Culture in 1994 and Ibero-American Capital of Culture 2017, Lisbon has been the destiny of tourists from many parts of the world over the past years. With thriving cultural programming, the city hosts important events related to art, music, movies and architecture. The Lisbon Architecture Trienniale and the Open House – event that coordinates free guided tours to remarkable buildings in cities around the world – are some of these relevant events in the architectural field, responsible to disseminate, discuss and reflect on issues of the area.

Besides programs related to architecture, in recent years, Lisbon has seen the emergence of new facilities, like museums, cultural centers and theaters, besides the requalification of public spaces. The construction or regeneration of these structures, directly or indirectly related to the cultural city movement, can be controversial, raising issues such as gentrification and the increase of mass tourism.

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The early 20^th century saw the birth of Modernist architecture. It brought with it a central architectural movement that in turn birthed off-shoots of its own. A figure often seen as the defining face of this movement is Le Corbusier, whose 1923 treatise Toward an Architecture was influential to his Modernist contemporaries – a manifesto including the phrase “a house is a machine for living in” where good architecture would have to be intrinsically linked to function and the demands of industry.

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Capturing an image has become spontaneous and immediate. While mobile photography maintains quality, it loses the ritual of taking a picture, i.e. thinking about an image while walking through a new city or the framing possibilities for a building from your point of view. In short, each image is the result of focus, aperture, exposure and the characteristics of the space. Travelling with a 35mm camera sets your limits, some say it is the closest lens to the human eye, others say it is too narrow to capture a building from the outside, but no doubt it all depends on your judgement and the capabilities of the equipment at your disposal.

It was designed and built between 1943 and 1946 by Amancio Williams and Delfina Galvez Bunge over the Las Chacras Stream in the city of Mar del Plata. It eventually became known as "The House on the River" or "The Bridge House". However, it ceased to have a stream, and thus to be a bridge, in 1957 when the watercourse on which it rested was interrupted for sanitation reasons. It was used as a radio station between 1970 and 1977, but the last military dictatorship in Argentina ended up shutting it down. It remained closed, maintained by its owner until their death in 1991. Studied by all, but cared for by none. It suffered two major fires, in 2004 and 2008. Abandoned during the whole succession process, it was recovered by the Municipality of General Pueyrredón in 2012.

Located in a particularly natural setting in the city of Mar del Plata, the "Casa sobre el Arroyo" (House on the River) - known as the "Casa del Puente" (The Bridge House) - is considered a paradigmatic component of 20th-century architecture and an obligatory reference of the Modern Movement in Argentina and Latin America.

The house designed by the Argentinean architect Amancio Williams, commissioned by his father, the musician Alberto Williams, is constructed evidence of the capacity to establish a link between the modern rationality of human beings with nature and its topography.

The history of architecture is made up of demographic, cultural, and social changes. In its relatively short history, American architecture has evolved with changes in the country, representing the catalog of various cultural influences that make up the United States as a whole. Many elements of American home design have remained intact over the past 450 years, reflecting longstanding American traditions and values that have stood the test of time.

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In the early 1920s, a time when women could not even work without their husband's authorization, Carmen Portinho started an engineering course at the Polytechnic School of the University of Brazil. At the vanguard of the profession, as one of the first three women to graduate as engineers in Brazil, she was opening up a field in a space dominated entirely by men.

Digital spaces and fabrication technology have become as prominent as ever within the current state of our post-pandemic society, becoming increasingly more accessible and enabling quick and spontaneous acts of iteration and evolution. These technologies have resulted in the ability to mass-produce non-standard, highly differentiated building components within the same facility as their standardized counterpart, transforming how buildings and their respective components are conceived, designed, and represented, and how they are manufactured, assembled, and produced.

The beauty of digital fabrication is its ability to blend aspects of mass and artisanal production to the point where costs nearly disappear. Technology’s capacity to fabricate so simply and almost seamlessly raise the issues for its potential to significantly alter our current perception of architecture, thus producing the question: has the influence of mass production in architecture resulted in a loss of intentional design?

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Few cities have a growing design culture like Austin, Texas. Ranked as one of the best places to live in the United States, the city is experiencing a building boom in recent years. With a wide variety of residential styles, architects are continuing a legacy of modernist design. With an emphasis on craft and detailing, these new homes use simple geometry and forms as they open up to hills, lakes and the urban fabric.

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On the 30th of November, we received news of the death of Oriol Bohigas Guardiola (Barcelona, 1925), architect, urbanist, and one of the main drivers of Catalan's modern transformation.

Following the Second World War, United States veterans and citizens were seeking a fresh start, a rightful place to live out their modern American dream. With a significant housing shortage looming around and fast-growing families, solutions had to be found to provide equitable living means for all. The development of new construction techniques and propagation of easy building materials promised an age of prosperity.

Le Corbusier was a pioneer of the Modernist Movement in architecture. Throughout his career, he undertook an array of projects all around the world. See below for 17 of his works that have been named World Heritage Sites by UNESCO, as well as many more of his other popular pieces. Hopefully, someday you get to go and see them yourself!

In the 14th century, Geoffrey Chaucer wrote “Familiarity breeds contempt”. By definition “local” is “familiar”. Why are humans so thrilled to go beyond the familiar, the local, and reach for what is new, universal, and salvational? The word “local” has the weight of true value, like “density” or “sustainable” But the lure of connection between all humans is powerfully seductive, and that desire to connect almost always falls short of our hopes.  

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The term “mid-century modern” conjures up images of a sharp-suited Don Draper, slender teak cabinets, and suave chairs from Scandinavia. That is, at least, one perspective of the design movement and a view more of 1950s-era Manhattan offices than anything else. But in Britain, mid-century modernism manifested as something slightly different, coming in the form of schools, cathedrals, housing, and an era-defining festival, all eloquently described and illustrated by the prolific architectural historian Elain Harwood in Mid-Century Britain: Modern Architecture 1938-1963.

The Neue Nationalgalerie, designed by Mies van der Rohe, reopened to the public after an extensive renovation project carried out by the practice of David Chipperfield. In this video created by Mies van der Rohe House, Chipperfield shares his thoughts on the design language of Mies van der Rohe while also discussing the qualities of Neue Nationalgalerie and the future role of architectural monuments. The interview is part of the film and exhibition project Mies Goes Future, which invites artists, architects, and historians to explore the work of the renowned Modernist architect as a source of inspiration for contemporary practice.

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