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Architects: delavegacanolasso
- Area: 10721 ft²
- Year: 2026

Karl van Es spent twenty years as a practicing architect before walking away to solve a problem every architect faces: the resources to travel like a professional simply do not exist. Mainstream guidebooks and travel apps rarely highlight the buildings that truly matter to the architectural community. Åvontuura was born from that frustration — an independent publisher of illustrated architecture guides created by an architect, for architects. Its latest release, Madrid, maps 70 of the city's most significant buildings, representing a mission to bridge the gap between architectural interest and travel logistics.


Public space is often designed around a narrow idea of how people move, interact, and respond to their surroundings. ParkTEA starts from a different position. The city can also make room for those who experience space through different sensory and social conditions.
Developed by Ignacio Martínez Pardo at the Escuela Técnica Superior de Arquitectura de Madrid (ETSAM), the project was conceived within the Master's thesis (Graduate-MHab) program during the 2024 to 2025 academic year, under the guidance of Héctor Fernández Elorza, Jesús Aparicio, Carlos García Fernández, and Jaime Daroca Guerrero. Recognized as one of the winners of the first edition of the ArchDaily Student Project Awards, ParkTEA engages the theme of coexistence through a proposal that brings together care, infrastructure, and urban life.



Kanye West turning a Tadao Ando Malibu beach house into a ruin, Ellen DeGeneres and Portia de Rossi purchasing and re-selling the 1955 Richard Neutra-designed Brown-Sidney House, and fashion designer Marc Jacobs renovating a Frank Lloyd Wright-designed house near New York City are just a few examples of pop stars' affair with historically significant architecture. Celebrities, like soccer players, form an elite group characterized by a high concentration of wealth and significant social status. They are not only buyers of high-end architecture as authored property and cultural capital, but also agents of its preservation and promotion. This year, we are seeing new examples of this agency at work from a more abstract yet also more popular perspective: from the stage design for Bad Bunny's Super Bowl performance to a newly designed stadium for Shakira by BIG-Bjarke Ingels Group, architecture is used as a vehicle for promoting Latin American identity.

