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Most of us use stairways every day, but few times do we stop to contemplate their design or put much thought into their function. With their steps, treads and railing, they are easily one of the most fundamental architectural elements in any home. Apart from providing a safe, simple and easy access from one floor to another, it is through staircases that architects create unique spatial forms and strong visuals. From afar, one can observe people moving up and down repeatedly; from within, the user is treated to new angles and ways to perceive a space. Therefore, good staircases are more than just means of vertical circulation. Through their might and scale, they can become the protagonist of a space – a design focal point that rises to the level of art. In this article, we present their versatile characteristics and material qualities through a selection of inspiring examples, all of which can be found in Architonic's 'Staircases' section.

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Whether to mark a change of direction, to highlight its first steps or its own presence in a room, stairs that combine two or more materials tend to draw attention by establishing dialogs between particular characteristics of each material. Concrete, steel and wood are some of the most common choices to compose the structure of stairs due to their high strength and versatility. But, when combined, these different materials expand their individual possibilities and reveal how the design can be tailored to their peculiarities and connections.

The combination of textures, colors, and finishes among materials can provide a number of creative solutions for these elements used for vertical circulation, as shown in LÂM’s Home, by AD+studio and House 9A, by 23o5Studio, characterized by stairs with a sturdy and rough base that meets a light and sleek structure of steps. The opposite composition order, a lighter base that meets a robust set of steps, thrives ingeniously in Luis Carbonell's Casa Chulavista and messina | rivas' Angatuba House, where the light wooden stairs' base is followed by raw concrete steps.

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Graphics, even before language and writing, were the first means of communication and significance for humanity. Drawing is the act of replacing reality with representation, that is, replacing objects with images encoded in each of the graphic representation systems.

In architecture, graphics stimulate the imagination and are the basis of project thinking since they do not only constitute our code of communication but configure our ability to express ourselves in disciplinary terms. In fact, at first, the drawing is constructed in the mind of the architect, before it looks for support from any type of instrument.

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'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?

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