+ 19

+ 42

+ 23

+ 23

+ 32

Videos

+ 16

This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.

When we enter a museum, walk through a historic center, or check a country's heritage list, we rarely think about the process behind these choices. Who decided, on behalf of us all, that these objects, places, and architectures deserved to be preserved and promoted, while others are cast aside?

Generally, it is specialist professionals who hold the decision-making power—be they historians, museologists, architects, or geographers. But on what basis are these decisions made? Can the complexity of history fit into a checklist? Or, even more fundamentally, on which version of history are these decisions being based?

+ 13

+ 32

Videos

How can daylight tackle global challenges? This question lies at the heart of Light of Tomorrow by VELUX, a global student competition that encourages architecture students to explore the future potential of daylight in the built environment. In its 12th edition, the competition received hundreds of responses from around the world, culminating in eight finalist projects presented to an international jury at the UIA World Congress of Architects in Barcelona. The 2026 global winner, Sun the Quilt, developed by students from Xi'an University of Architecture and Technology in China, was chosen for its strong concept, design thinking, and innovative use of daylight that transforms an everyday domestic ritual into an innovative facade system shaped by daylight, climate, and care.

French-Moroccan architects and twin sisters Salwa and Selma Mikoü have developed a practice that brings together architecture, engineering, craftsmanship, and cultural memory. Founders of the Paris-based Mikoü Architecture, the sisters draw on their different approaches to design as well as their experience growing up between Morocco and France. In a recent interview with Louisiana Channel, they discuss the influence of Moroccan architecture on their work, their collaborative process, and their interest in bringing contemporary construction technologies into dialogue with craft traditions.

+ 7

+ 15

The Praemium Imperiale is a global arts prize that recognizes exceptional achievements in architecture, painting, sculpture, music, and theater or film. The award has been presented annually since 1988 by the Japan Art Association, with one postponement in 2020 due to the COVID-19 pandemic. Previous laureates include Portuguese architect Eduardo Souto de Moura, Japanese architect and humanitarian Shigeru Ban, and Burkinabé-German architect Francis Kéré, recognized by the association as professionals "who transcend national and ethnic boundaries, embodying the culture and arts of our time." This year, the laureate in the architecture category is Polish-American architect Daniel Libeskind, co-founder of Studio Libeskind, known for the design of the Jewish Museum in Berlin and the World Trade Center Master Plan in New York City.

Throughout the history of architecture, the circle has been associated with multiple meanings—from the cosmic geometry of ancient temples and the oculus of classical buildings to the rose windows of Gothic cathedrals and the portholes of ships. However, in the 20th century, the circle acquired a new cultural meaning. As aviation, space exploration, and technological innovation transformed the way society imagined the future, circular forms began to evoke machines, spacecraft, capsules, and even new forms of habitation.

+ 24

+ 22

+ 23

+ 34

+ 24