California, as with most American states, has a housing crisis. Unlike the rest of the country, it is actually working to ameliorate the situation, with private and public initiatives that critics can’t help but label inadequate. The Bay Area made accessory dwelling units legal by changing zoning laws, but that has hardly made a dent. Some cities are now pushing for additional upzoning to give developers more room to bring new buildings to market at lower rents. There are all sorts of studies, university sponsored or underwritten by the industry, that recommend more-or-less radical fixes for a seemingly unfixable problem. Environmentalists are naturally cast as villains because they don’t condone greenfield developments. And Californians are tough on their elected officials, as the current governor learned last year.
https://www.archdaily.com/975506/new-construction-is-not-always-the-answerMark Alan Hewitt
Cool lights, wall-to-wall tiles and trivial fixtures. Little by little, public bathrooms have changed this aesthetic and opted for more careful designs. Gone are the days when designs were focused only on functionality, accessibility and ease of maintenance and cleaning. Along with these essential qualities, a good bathroom project can also bring tranquility and show values that the space or the company wants to convey to its users. whether through finishes, lightning, or less material factors such as inclusivity, making users feel good is ultimately the goal of all environments, including bathrooms.
On October 1, architect Rozana Montiel presented the exhibition "Blanco en tres actos" (White in Three Acts) at the Colegio de San Ildefonso in Mexico City. The exhibition invites visitors to experience the design processes of the architect's studio in three moments: "Habitar el vacío" (Inhabiting the Void), "Hojas en blanco" (Blank Pages), and "Un manifiesto" (A Manifesto) within an interior space covered in paper, seeking to reframe the blank page through a shifting of time and textures. On this canvas, fifty projects hand-sketched at various scales form a grid that reveals the mysterious moment when an idea is conceived.
https://www.archdaily.com/1131872/rozana-montiel-presents-the-exhibition-white-in-three-acts-at-the-colegio-de-san-ildefonsoArchDaily Team
Metha Arquitectos and Be Maarch have won first prize in the design competition for the remodeling of the Plaza de Armas in Juliaca, Peru. Key aspects of the proposal highlighted by the jury include: prioritizing pedestrians over vehicles, strengthening institutional character and environmental value, and creating a space that introduces nature. Additionally, the jury noted that the project understands and accommodates informal commerce dynamics, establishing a hierarchical longitudinal axis between the plaza and the school to create a pedestrian urban space. This is complemented by a secondary transverse transit axis and organized to eliminate architectural barriers, creating more inclusive spaces. See the project below.
Architecture has long been designed to symbolize and venerate shared values and beliefs. This is especially true in cathedrals and places of worship, structures that exists across environmental, economic and cultural boundaries. These buildings encompass ritual and gathering as they explore the relationship between human experience and the divine. Today, cathedrals are being reimagined for contemporary life and new building traditions.
“What's color? for architects and designers” is an exhibition by the artist Claudia Valsells. Curated by Julia Ruiz-Cabello and Gonzalo de Benito, the exhibition brings together testimonials from architecture practices on the use of color in their projects. It took place from December 10 to 14, 2021, at the Pavilion space of the architecture firm PLANTEA, in Madrid. The exhibition design, mirroring the studio where the artist has worked for more than two decades to create her own color chart, shapes the space.
The outer layer of surfaces and buildings is the interface with the world and communicates much of its appearance, characteristics, and conditions. There are times that, whether due to budget constraints, difficulties, or lack of time, we need to look for quick and easy-to-install solutions. 3M™ DI-NOC™ Architectural Finishes are adhesive decorative films that offer a sustainable, cost-efficient option for refurbishing surfaces, providing less landfill waste, minimal downtime, noise, and dust for use on casework, doors, columns and internals walls. There is also a version for exterior solutions, the 3M™ DI-NOC™ Architectural Finishes Exterior EX Series product line. The finishes can be applied directly over existing façade material, providing high design along with other features. Below we will explore two examples that will highlight the possibilities with 3M surface finishes.
Powerhouse Company revealed its design for the new Tilburg University Lecture Hall, which upon completion, will be the Netherlands’ first academic building made of cross-laminated timber. Set within a wooded landscape, the lecture hall is a nod to the 1960s grade-listed Modernist architecture of the campus, echoing its monastic atmosphere through the rhythm of the windows and the limestone façades.
A project for the Commemorative Landmark Pehuenche Commission carried out by the recently graduated Chilean architect Antonia Ossa, is part of the series of small-scale interventions built in the Andean sector of the Maule Region, Chile, as part of the certification process of the School of Architecture of the University of Talca.
Although artificial intelligence is showing the potential to carry out successive iterations with good results, designing the layout of spaces takes up large portions of a designer's time. The organization of elements present within a space determines the flow of movement, the points of view and will largely dictate how it will be used. But the idea of stifling the use of the environment may not work for all cases. Due to space restrictions or supplementary uses that a room can have, some architects have developed dynamic layouts that have more than one possible use. Whether through dividing elements or special modules, these projects allow the space to change radically through movement.
Dübendorf, Switzerland is something of hallowed ground for architectural technologists. There, on the shared academic campus of the Swiss Federal Laboratories for Materials Science and Technology and the Swiss Federal Institute of Aquatic Science and Technology, public university ETH Zurich has conducted nearly a decade of engineering and construction experimentation at the ever-evolving NEST research building. In August, ETH Zürich unveiled its latest extension of the building, HiLo (short for high performance-low emissions)—a two-story modular addition to the chameleon structure that harnesses medieval building principles and contemporary digital methods to raise the bar for more sustainable applications of concrete.
With V-Ray 5 for SketchUp, Update 2, Chaos has introduced intelligent new tools that make it easy for architects and arch-viz artists to create incredible renders. You can make use of the free models and materials provided in Chaos Cosmos, customize surfaces with V-Ray Decal, and tune your render with LightMix and post-processing.
In this tutorial, V-Ray Product Specialist Ricardo Ortiz uses an interior scene to demonstrate how these powerful new additions can accelerate your creative processes and add extra details for exceptional photorealism.
The word "architect" can be deconstructed into three parts: "Arch," the architectural "arch" which etymologically denotes "the highest, strongest, and greatest"; "I" in the middle, representing the self; and "Tect," meaning "technical tool." Historically, the very origin of the architect's identity is rooted in this definition: "to execute the ultimate construction using technical tools guided by one's own subjective consciousness."
Throughout history, the architect's ultimate pursuit ("Arch"), subjective viewpoint ("I"), and technical means of realization ("Tect") have evolved alongside shifting eras and social landscapes. Yet, the core essence of these three elements and their symbiotic relationship have remained fundamentally unchanged.
Over the past two to three decades, accelerating technological breakthroughs have driven architects to invent and reconfigure new "tech" tools for architectural design and construction, striving to keep pace with the information age. Now, with a new wave of technologies like artificial intelligence, big data, and cloud computing driving us further into a digital and intelligent era, the definitions and relationships of "Arch," "I," and "Tect" must evolve. Only then can architects truly break free from the constraints of traditional production relations.
The architect's "I" is no longer the sole agent of design and construction. Instead, by integrating "I" with "Tect," a hybrid consciousness emerges from the fusion of human and machine intelligence, ultimately shaping our destination: "Arch." Architects' cognitive methods and workflows are shifting, as a paradigm of collective collaboration ushers in new professional models.
What is the difference in this shift of agency? It is the difference between individual architectural decision-making and collaborative human-computer decision-making.
https://www.archdaily.com/1131892/how-do-architects-use-ai-architects-exclusive-perks-inside韩爽 - HAN Shuang
El colectivito - Cincuenta concursos. Image Cortesía de El colectivito
El colectivito came into being about five years ago. Lacking both a name and a defined shape, it brought together, in an almost casual way, a group of students interested in critically reflecting on architecture and territory. Its name ironically references the historical moment of its birth: it views itself as just one of countless architectural collectives, adopting a diminutive suffix to reflect its awareness of its own budding development. Today, it serves as a meeting space where architects and architecture students from the province of Misiones, Argentina, share and discuss interests and concerns regarding the architectural culture of the unique region they inhabit.
Videos
Courtesy of A Broken House, The New Yorker Documentary directed by Jimmy Goldblum
“A Broken House” is a documentary directed by Jimmy Goldblum that highlights the story of Mohamad Hafez, a Syrian native that moved to the US on a single-entry visa to study architecture and was not able to return home. Facing his fate, he channeled his homesickness in his artwork, and started producing miniature sculptures of his hometown, in order to build the “Damascus of his memories”.
“If you can’t get home, why don’t you make home”. Telling the story of the human being that lived within, the architectural project gained a political dimension after the eruption of the Syrian civil war, portraying the extent of the destruction suffered by the city, humanizing refugees, and sharing their stories.
An integrated team led by Foster + Partners in collaboration with Marge Arkitekter have won a design competition for the redevelopment of Stockholm's central station, Sweden's largest transportation facility. The winning design aims to bring together several modes of transport in an integrated hub, while prioritizing pedestrian circulation and creating a new mixed-use urban district that combines old and new architecture.
Over the past year, established practices have continued to champion the transformation of existing structures, with adaptive reuse and renovations increasingly becoming a defining aspect of contemporary architecture From the renovation of landmark structures to the adaptive reuse of obsolete facilities, the idea of giving new life to existing buildings has been embraced as the premise for a more sustainable practice, but also as a means of reinforcing the urban and cultural identity of cities. Discover 8 designs and recently completed projects that showcase a new common practice of reusing existing building stock.
In November 1930, in Indiana, United States, one of the great feats of modern engineering was executed: a team of architects and engineers moved an 11,000-ton (22-million pound) telephone exchange without ever suspending its operations either basic supplies for the 600 employees who worked inside.
Centro Internacional de Conferencias de Katowice / JEMS. Image via JEMS
"Transforming our cities for a better urban future", is the main theme of the next World Urban Forum (WUF) which will take place, for the first time in Eastern Europe, in the city of Katowice, Poland, from the 26th to the 30th of June 2022. This global event on sustainable urbanisation is convened every two years by the United Nations Human Settlement Programme (UN-Habitat), and this time, it is co-organised by the Polish Ministry of Development Funds and Regional Policy and the Katowice City Office.
'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?
If Nature had been comfortable, mankind would never have invented architecture. - Oscar Wilde
Architecture is human. Despite their exquisite beauty, burrows, hives, nests and anthills are creations of instinct. Design by humans considers options, means and methods of creation, solving problems of desire, beyond functional accommodations.
How many times have you heard the old claim that “Email is dead”? Surely, more than once. To the surprise of many, and despite the rise of new messaging tools like Slack and Microsoft Teams during the pandemic, Email remains by far the most widely used communication tool in many businesses. Every day, more than 300 billion emails are sent and received globally, and employees spend an average of 5 hours checking their online correspondence. This trend is only expected to rise in the upcoming years, especially within project and client-based industries – like architecture, engineering and construction – that heavily rely on this means of communication.
However, its consolidated use doesn’t always equal efficiency, particularly in companies that don’t set up the necessary internal processes to file emails in a central space. With the silent threat of poor mail management, many architecture firms and other businesses must face unnecessary risks, time and productivity costs, and increased stress among workers.
Over the years, the practice of architecture has maintained a very clear line regarding the solutions and services it offers to society. However, given the fast-paced and shifting context we inhabit today, it is far more common to find emerging firms establishing themselves through new discourses that promote transparency and horizontality in the profession. Today, it is fascinating to see how younger generations are increasingly adopting a perspective that borders on theater and the arts, shaping a scene that complements and draws inspiration from other disciplines, rather than remaining confined within the boundaries of architecture itself.
https://www.archdaily.com/1132222/javier-puga-architecture-must-adapt-to-new-technologies-to-create-ultra-personalized-experiencesArchDaily Team
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