This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Dubai-based architecture firm ZNera Space has proposed a new type of contemporary symbol for the city: a green and natural landmark that serves as a "continuous metropolis" around Burj Khalifa. Dubbed "Downtown Circle", the project features installing a giant ring-like structure of 550 meters in length around the world’s tallest free-standing structure. The structure will "investigate how at this critical time in the country’s development, architects, and urban planners can move away from previous urban models of isolated skyscrapers, towards a more humane typology that seeks to emulate nature and create diverse public spaces".

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Michael Heizer’s immense sculpture the City, an ambitious artwork of an extraordinary size, will begin to accept visits from the public beginning September 2, 2022. The announcement was made by the Triple Aught Foundation, the not-for-profit organization responsible for managing the long-term oversight and maintenance of Michael Heizer’s immense sculpture. The artwork, a mile and a half long and nearly half a mile wide, is located in a remote stretch of the high Nevada desert. Work on the structure began in 1972 when the artist was 27 years old.

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Earlier this year the unprovoked barbaric Russian invasion of neighboring independent Ukraine forced millions of people to flee their cities and the country in search of safety. I talked to one of Ukraine’s top architects, Oleg Drozdov, who was forced to relocate his practice and architecture school he co-founded in Kharkiv, to Lviv, 1,000 kilometers to the west, next to the Polish border. His staff and professors — many of them assume both roles — resumed their work just weeks after the war broke out.

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March 20, 2020: I am in New York, “the epicenter of Covid-19,” the news on TV keeps blaring, as if proud of the achievement. New York has always been excessive, so why not now? More cases, more hospitalizations, more ICU admissions, more intubations, more deaths. The news is terrifying and at the same time completely at odds with the day-to-day experience of the city, which has become so strangely quiet, so peaceful. No traffic, no construction noise, no annoying car alarms, no random screams in the middle of the night. Even the ambulances are mostly silent without cars to fight against.

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Indians have traditionally lived close to the earth, their cultures shaped by symbiotic relationships with ecosystems. Indian arts and crafts strongly rely on nature for its form, philosophy, and existence. Native landscapes aroused the artistic sensibilities of resident communities, evolving craft practices that met utilitarian and ritualistic needs. The intersectionality of ecology and culture is evident through ancestral forms of craft.

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Real-time visualization is an excellent tool for creating beautiful renderings and streamlining workflows within architectural and design projects. It plugs into your CAD, enabling you to visualize as you design.

On top of the high-quality renderings it produces, its speed and ease of use are some of the reasons why many firms have added it to their workflows. See how real-time visualization has benefitted these three firms.

This week marks six months since Russia launched its war and invaded cities in Ukraine, causing detrimental destruction on a local and global scale. Since the beginning of the war, millions of Ukrainians have been internally displaced, losing their homes, businesses, and families. UNESCO has verified damage to 139 sites, including 62 religious sites, 12 museums, 26 historic buildings, 17 buildings dedicated to cultural activities, 15 museums, and seven libraries across Kyiv, Chernihiv, Kharkiv, Zaporizhzhya, Zhytomyr, Donetsk, Lugansk, and Sumy.

To help mitigate the devastating repercussions of the war on Ukrainians and the country's heritage, several humanitarian, preservation, and economic initiatives have been put in place by NGO's and governments from across the world. 

The new apartment complex designed by Venhoeven CS and DS Landschapsarchitecten is characterized by the intention to stimulate biodiversity. Located on a four-acre plot in the Sluisbuurt on the Zeeburgereiland in Amsterdam, the complex will include 82 homes, a parking garage, and spaces for shops and businesses. The nature-inclusive project pays special attention to the design of green roofs, terraces, and facades to create micro-environments for local flora and fauna and to optimize energy consumption.

Founded in Shanghai in 2013, genarchitects is a full-service design practice led by three principals: Fan Beilei, Kong Rui, and Xue Zhe. The practice's design work and academic research have been widely published in leading academic journals and professional media, including Architectural Journal, World Architecture, Time + Architecture, New Architecture, and Architecture China. Their work has also been featured in numerous monographs published by prestigious international publishers such as Thames & Hudson (UK), Birkhäuser (Germany), Images Publishing (Australia), and China Architecture & Building Press. Their recently completed project, "Dingshu Adult Education School," was featured as the cover story of the May 2022 issue of Architectural Journal. Other completed projects have been exhibited at prestigious venues and events, including the Venice Biennale of Architecture, the China-Europe Architectural Invitation Exhibition, the Harvard GSD exhibition on contemporary Chinese architecture, and the Shanghai Urban Space Art Season (SUSAS).

The principals of genarchitects currently serve as guest design studio instructors at the Department of Architecture, Tongji University, teaching in the Experimental Class for Interdisciplinary and Creative Talents. They have also served as guest critics at Southeast University, Tianjin University, and the China Academy of Art, and have been invited to deliver academic lectures at renowned institutions and venues, including Tongji University, Nanjing University, the University of Hong Kong Shanghai Study Centre, TEDx, and the Power Station of Art (PSA) in Shanghai.

In the book Design of Childhood, architect and researcher Alexandra Lange states that children were considered nonpersons throughout almost the entire history of ancient and modern architecture, being excluded from the process of creating urban and interior spaces. This process has caused and is still causing several problems when children reach adulthood, since these children grew up being constantly watched by fear of movement and the eyes of adults.

Discussions of architectural form demonstrate how disability is negatively imprinted into the field of architecture. In architectural theory and the history of architecture, “form” typically refers to the physical essence and shape of a work of architecture. In the modern idea of form, it is a quality that arises from the activity of design and in ways that can be transmitted into the perceptions of a beholder of architecture. Form provides a link between an architect’s physical creations and the aesthetic reception of these works. It occupies a central place within a general understanding of architecture: the idea of the architect as “form-giver,” among many other turns of phrase, conveys the sense of some fundamental activity and aesthetic role of form within architecture, what architects create, and how people perceive works of architecture.

The Escola da Cidade graduate program—Geography, City, and Architecture—hosted Gabriela Carrillo for a series of lectures. In March 2022, the Carmem Portinho Feminist Collective interviewed the architect, who co-curated the Mexico module alongside Loreta Castro Reguera during the first semester of 2022.

Gabriela graduated from and teaches at the Faculty of Architecture at UNAM, where she leads the Estudio RX Research and Thesis Seminar. She is a member of the FONCA National System of Art Creators and has been a member of the Mexican Academy of Architecture since 2020. She was also named Architect of the Year in 2017 by *The Architectural Review* and by *Architectural Digest Mexico* in 2020. Read the full interview below.

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Until the mid-1950s, Brazil was a predominantly rural country, with less than 30% of its population living in urban areas. However, driven by rapid industrialization, the country experienced a massive rural exodus during its transition from an agricultural export model to an urban-industrial one, drastically altering the landscape of its cities in less than 50 years. As a consequence of this rapid transformation, a predatory and unequal model of urbanization emerged, and it was in this context that the City Statute was born.

On August 19th, the world photography day is celebrated, a fundamental tool for the imagery record of our society. If, on the one hand, photography is the protagonist in dialogues that involve architecture and the city, portraying historical moments and enhancing buildings, on the other hand, it guides us through the context and backstage of the moment, eternalizing the process.

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The question in the title of this article stems from the premise that if cities—in modern terms—are spatial entities possessing an originating and demarcating point of development, then they must also possess an equivalent point (or line) of finitude. One could easily resolve this question by turning to cartography. From an administrative and organizational perspective, maps allow us, to some extent, to define the boundaries of any urban agglomeration. However, the boundaries set by scalar representation fail to dismiss this reflection, as our perception of the city is far more complex. As Ferrão (2003) suggests, in a formulation that encompasses the socio-political dimension of the issue alongside geography and architecture: the city is an “object of increasingly invisible contours.”

What happens when streets, squares and buildings start to disappear in a city?

This is the case of Cerro de Pasco, capital of the district of Chaupimarca and at the same time of the province of Pasco, located at 4380 m.a.s.l. in the highlands of the Peruvian Andes. It is in this place that the constant expansion of the "open-pit" mining method has devoured the urban fabric, resulting in permanent damage to the territory as its public spaces, heritage buildings and, consequently, its history, disappear.

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Real or imagined, houses and cities are always present in cinema. In this episode, the Betoneira Podcast hosts art director and set designer Vera Hamburger to discuss how professionals like her appropriate urban space to create illusions, capture the public imagination, and bring the magic of cinema to life.

Videos

Residencias Remotas is an initiative created by the Architecture program of the Campus Creativo in conjunction with the Community Engagement department of the Universidad Andrés Bello. This interdisciplinary, transdisciplinary, and multidisciplinary project aims to open up a space for reflection on contemporary and pressing issues. 

Situated on the coast of the Mediterranean Sea, Beirut is one of the oldest cities in the world that has been shaped throughout its 5,000 year history by Phoenicians, Romans, Greeks, and the Ottomans. The Lebanese capital has been for decades a cosmopolitan city and a focal cultural and geographical link between Europe and the Middle East.

Often labeled as a resilient city, Beirut has been subject to numerous devastating events throughout its history, from a brutal 15-year civil war to one of the biggest non-nuclear blasts in history. Nowadays, the city boasts a skyline full of contrasts, where contemporary buildings rise alongside Ottoman, Roman, and Byzantine ruins. Its architecture, along with its renowned cuisine, distinguished night life, archaeological sites, and hospitable people have reclaimed it as a sought-after touristic destination.

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Hexton Gallery has announced the opening of “Christo and Jeanne-Claude: Ephemeral Nature,” a curated exhibition that showcases never-seen-before works from Christo and Jeanne-Claude's private collection. The exhibition will feature an extensive selection of original drawings, collages, and wrapped objects from the couple's private collection, many of which have never been shown to the public until now. The gallery, in collaboration with the Aspen Institute and the Christo and Jeanne-Claude Foundation have also launched a year-long program focused on the artists’ pioneering impact on environmental art, celebrating the 50th anniversary of their 1972 Valley Curtain project in Rifle, Colorado.

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Arcquitectonica unveiled the design of One Brickell City Centre, an approximately 1,000-foot (approximately 300 meters) office tower planned to become the tallest commercial tower in Florida. Located in Miami’s financial district on Brickell Avenue, the office building represents the second phase of Brickell City Centre, a 4.9-million-square-foot (450,000 square meters) mixed‐use development that opened in 2016. One Brickell City Centre is developed by Swire Properties Inc. and Related Companies. Construction it set to begin in 2023.

Hard times bring people together. In recent years we have seen how collective work can be a driving force to help those affected by natural or man-made disasters. After a disaster or displacement, a safe physical environment is often essential. Therefore, the need for coordination becomes a key factor in assisting people in times of need.

Architects, as "Shelter Specialists", play an important role in creating safe and adequate environments, whether it is individual housing, public buildings, schools, or emergency tent camps. But as architect Diébédo Francis Kéré says, "When you have nothing and you want to convince your community to believe in an idea, it may happen that everybody starts working with you, but you need to keep fighting to convince them."

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Plague clouds

On August 27th, 1883, the volcano of Krakatoa in the Indonesian islands erupted. Ashes and rocks flew miles high. Barometers wobbled three and a half times as they recorded the atmospheric pressure wave circumnavigating the globe. The noise was heard across the Indian Ocean and Australia. And for years, small ash particles floated in the atmosphere, diffusing the sun’s light and scattering colors around the world.

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This article was originally published on Common Edge.

In October 2011, inspired by the Arab Spring revolutions, thousands of people in Australia and in many other cities in the world started to occupy public spaces. In Sydney, where I live, this occupation took place in Martin Place, appropriately enough right outside the Reserve Bank of Australia. This widely publicized protest was an attempt to promote a pro-democracy, civil liberty, social justice message, and to protest against corporate greed and economic inequality.

All of which begged a central question: Was it an occupation of our public space, or was it a reclamation of our public space from governmental and corporate dominance?