Metaverse is the name used to name an immersive, collective and hyper-realistic virtual environment, where people will be able to live together using 3D customized avatars.
It was coined by writer Neal Stephenson in his science fiction book “Snow Crash”, published in 1992. The work tells the story of “Hiro Protagonist”, a character who in real life is a pizza delivery boy, but in the virtual world – called metaverse in the story – is a samurai.
Beyond hyper-realistic renders and accurate depictions of what projects look like once completed, visualizations have become tools to communicate atmospheres and emotions portrayed by architects. The use of mixed media, combined with architectural compositions, art, lighting, and oftentimes music, have generated a new genre of architectural storytelling, one that combines reality with imagination. And as the world immerses in NFT's and experimenting with cutting-edge technologies to create digital environments, visualizations might soon become "the new reality".
ArchDaily had the opportunity to talk to Visual Artist Ceren Arslan about branching out from the architecture practice, how she describes her creative process, her latest project EXIT, and what the future holds for architectural visualizations.
We deal with buildings every day. We sleep in them, work in them, live our lives using their accommodation. But like a song or a painting, a person usually helps create them, with those who use and build them, then the world receives that work. But before they are built, buildings are just ideas.
A couple of years ago, MVRDV pioneered a system to involve the residents of Hamburg in an urban rejuvenation plan. The Grasbrook Maker was envisioned as an interactive, multi-user platform to democratize design. Architects set up the design framework within which participants could place public buildings.
Collecting inputs from multiple stakeholders is fundamental to architecture. In fact, architecture is one of the most collaborative disciplines in the world. Every project, from a residence to an urban masterplan, involves a team of clients, architects, engineers, contractors, financiers, and many more.
What is the purpose of strategic planning? Why should we care as practice owners and what is the function of this effort? Perhaps we can begin to answer this question by defining strategy. Put simply, strategy is a set of goal-directed actions a company can take to gain and sustain a competitive advantage. A competitive advantage, however, is always relative. It defines the best way for a firm to create value for its internal and external stakeholders. Relativity is important. In the practice, profession, and business of Architecture, there are no absolute advantages. To paraphrase Simon Sinek: “Business is an infinite game in which the competitive landscape is always in flux.”
The European Centre for Architecture Art Design and Urban Studies and The Chicago Athenaeum: Museum of Architecture and Design have announced the winners of the "Europe 40 under 40" program for 2021-2022. The selection gathers emerging architectural and design talents spread across Europe from Albania, Austria, France, Greece, Ireland, Italy, Poland, Portugal, Russia, Spain, The Netherlands, and Turkey.
“During these challenging times, it is crucial to keep insightful visions alive. Presenting Europe’s most hopeful personalities in the fields of architecture and design is what gives us hope for a better tomorrow”, explains the official brief. Providing an insight into the architectural scene in Europe, the program initiated by The European Centre highlights the next generation of young architects, landscape architects, urban planners, and industrial designers currently under the age of 40, who will impact future living and working environments, cities, and rural areas.
Diriyah Biennale Foundation recently revealed the curatorial team of Saudi Arabia's inaugural Islamic Arts Biennale, highlighting the past and present art of the Islamic culture. Among the curators is Sumayya Vally, co-founder of Johannesburg-based practice Counterspace, responsible for designing the 2021 Serpentine Pavilion. Taking place in Jeddah in early 2023, the Islamic Arts Biennale will foster artistic exchanges and further establish Saudi Arabia's status within the art scene.
Albor Arquitectos is a Cuban architecture studio founded in 2016 by Carlos Manuel González Baute, Alain Rodríguez Sosa, Camilo José Cabrera Pérez and Merlyn González García. They say that building in Cuba is a complex task, a growing challenge due to the lack of materials, high costs and restrictions on the independent practice of the profession.
Even in this context, their work, such as Casa Soporte, Casa Casita and El Apartamento, stands out for the continuity of the inherited city, the rediscovery of construction techniques and an architecture based on proximity to the people and the prevailing social reality.
Selected by ArchDaily as one of the New Practices of 2021 and recently winner of second place in the Building of the Year Award 2022 for their project Casa Torre, we conducted the following interview to tell us more in detail about all their inspirations, motivations and ways of working from Cuba.
Discussing carbon neutrality in architecture should not only be based on local materials and new technologies, since there are many aspects that impact the construction production chain. From design to construction, without losing sight of the context and economic system of our society, the construction industry is responsible for a considerable part of the energy consumed worldwide. In order to interfere in this reality, it is necessary to expand the fronts of action, questioning the place of construction in our society.
In the early days of the pandemic, MOMA curator Paola Antonelli and London-based design commentator Alice Rawsthorn started an Instagram Live series called Design Emergency. It documented the more phenomenal design solutions emerging from the Covid crisis – those tackling pressing health and societal needs with unprecedented focus, clarity and speed, often in a very local way. May sees the launch of the book that evolved from the conversations they had with the problem-solving protagonists and moves those conversations on to the next focus for the design world: how to build on the experience and be the agent of change. It’s apt then, as New York’s design shows, the International Contemporary Furniture Fair (ICFF) and WantedDesign Manhattan return to their regular springtime slot from 15 to 17 May, at the Jacob K. Javits Convention Center, that Antonelli’s is a voice we will hear in the key talk 'Design Emergency: Building a Better Future'.
Twenty years after its first edition in Colombia, the Latin American Social Workshop returns to the South American country. In this edition, students from across Latin America, alongside architects from Colombia, Ecuador, and Chile, are intervening in three areas in the coffee-growing city of Manizales: a rural settlement in the middle of the mountain range, a self-managed park, and the slopes of an informal pedestrian neighborhood.
Here, we invite you to explore the progress made by the architectural teams participating in the 18th Latin American Social Workshop (TSL XVIII) in Manizales.
In the 1970s, buildings along the waterfront of Santos, in São Paulo, began to tilt, sparking curiosity among residents and visitors alike. This phenomenon can be seen as the result of rapid and unregulated urbanization, manifesting as a technical issue in the buildings' construction.
Santos, one of the largest cities on the São Paulo coast, with an estimated population of over 430,000 (IBGE 2020), located in the Baixada Santista metropolitan area near the city of São Paulo, was one of the first settlements to be established after Portuguese colonization in the 16th century. Prior to this, however, its territory was dominated by the Atlantic Forest biome and inhabited by Indigenous peoples, such as the Guarani Mbya and Tupi-Guarani.
‘’In the background there is still invisible Japanese tradition’’, expresses Kisho Kurokawa, in an excerpt from the film ‘Kochuu’. He puts an emphasis on Japanese tradition, an architectural tradition that rejects symmetry despite the utilization of high-tech. He contemplates the Nakagin capsule tower (1972) a mixed-use residential and office tower located in Tokyo, Japan. The first of capsule architecture built for practical and permanent use.
Jesper Wachtmeister’s ‘Kochuu’ is based upon the influence and origins of Modernist Japanese architecture. Through visions of the future, tradition and nature, it amplifies elements of Japanese tradition and its impact on Nordic design. The narrative tells us of how contemporary Japanese architects strive to unite the ways of modern man with old philosophies to create anew.
With the coronavirus pandemic, the issue of housing has taken on even greater urgency. What was already a highly relevant concern in low-income territories—where acquiring homeownership means workers are effectively recognized as integral parts of the city—gained magnitude, since the lack of minimum living conditions can be a matter of life and death, making access to adequate, well-located housing with proper infrastructure more essential than ever.
Pelli Clarke & Partners, in collaboration with Sichuan Provincial Architectural Design and Research Institute (SADI), won the international competition for the new Yibin Station Gateway Development masterplan. The project responds to the city's prospective status as a significant transportation hub, with two new high-speed rail lines planned to intersect in Yibin, making the city a crossroad between Western China's four major urban centres. The design takes inspiration from the neighbouring bamboo forest and its rhizomatic root system, focusing on resilience and interconnectivity.
Founded in 1997, the São Paulo architecture firm Andrade Morettin Arquitetos Associados began with a partnership between Vinicius Andrade and Marcelo Morettin, which later included the architects Marcelo Maia Rosa and Renata Andrulis. Today, the office has more than two decades of history and a wide range of activities.
Furniture has a direct impact on the quality of interior design projects. Among other features, its presence blends with the function of the spaces, setting a boundary between them.
An internal space with neutral colors, for example, might highlight certain furniture that, beyond fulfilling their function, also assumes a contemplative profile. These pieces of furniture have become iconic by their design, which, in some cases, were created by great names of architecture that explored this field and drew pieces that represented their style.
Inspiring women architects, planners, and urban policymakers have always existed, yet worldwide, the built environment professions—particularly their upper echelons—remain heavily male-dominated, far more so than other fields like education or healthcare.
It is well known that the construction industry is one of the largest producers of CO2. Although significant progress has been made in technology and in design and construction processes, there is still a long way to go to minimize or nearly eliminate carbon emissions in the development of the built environment.
Indeed, as revolutionary as the construction industry may seem today, it remains responsible for nearly 40% of global carbon dioxide emissions, 11% of which result from the manufacturing of building materials such as steel, cement, and glass.
What are the latest trends in reducing emissions in both design and material manufacturing? How should the industry transition toward net-zero architecture? These are some of the questions we want you to help us answer.
With every fraction of a degree of global warming, the impacts of climate change become more intense. In the Sixth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC), 278 scientists from 65 countries demonstrate that to keep the 1.5°C limit established by the Paris Agreement within reach, global greenhouse gas (GHG) emissions must peak within the next three years.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week, David and Marina break down SCI-Arc's controversial panel "Basecamp: How to be in an office" and share their own advice on "how to be in an office”. The two discuss choosing the right office to work at; why the idea of committing to an office is right, but also wrong; why side hustles are not the solution to low fees and/or low pay; why just ‘getting shit done’ is not enough; why being underpaid is not just a ‘personal choice’; why the profession is struggling with low pay and long hours; and the nuances of SCI-Arc’s panel discussion.
No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a fascinating country when it comes to this professional field, and its architectural output far exceeds what its population or territorial scale might suggest.
In this episode, Sara talks with Marcio Kogan, Diana Radomysler, and Suzana Glogowski of Studio MK27 about the use of the muxarabi (wooden latticework) and the influences of Portuguese colonialism and Brazilian modernism on the firm's work. Listen to the full interview and read an excerpt of the conversation below:
From NFTs and the Metaverse to the productivity benefits of real-time rendering, this year presents a prime opportunity to discuss the latest trends in visualization.
With this in mind, we want to open the debate and hear your thoughts on the following questions: How much can we learn from other related industries such as cinema, video games, and industrial design? How can architecture contribute to and advance the world of visualization?
This essay seeks to call upon the field of Architecture and Urbanism to reflect on the prison. When discussing urban crises, the existence of spaces of confinement is rarely problematized as a component—or even a generator—of the issues facing contemporary cities. Yet, this essay advances the premise that they are, in fact, central to them.
