Oct Design Museum (Shenzhen) / Studio Pei-Zhu. Image Courtesy of Studio Pei-Zhu
In an article for the Financial Times, Edwin Heathcote asks "what are design museums actually for?" Noting that we are living through a "boom time" for the typology, Heathcote argues that when we are overwhelmed by design in our day to day lives, what will fill these spaces? London's Victoria & Albert Museum sprouted from the legacy of the 1850 Great Exhibition, where the concept of a design museum originated, as an attempt to "display the fruits of Britain’s industrial revolution." Ironically in the very same museum in 2013, curator Kieran Long acquired a print of the world's first 3D printed gun for the permanent collection. Will the ubiquity of 'design' soon negate the need for dedicated spaces? Read Heathcote's conclusions in full here.
The Royal Institute of British Architects (RIBA)'s Future Trends Survey for August showed that confidence among UK practices has remained stable at "a very positive" balance figure of +28. The positive outlook was shared by the whole country, with every region returning a balance figure of above +20 - a significant improvement for Wales and the West, who last month were at a more reserved +12. "Sentiment about future workload prospects for the architects’ profession has been strong throughout 2013 and 2014, and we are now beginning to see this reflected in increased levels in the aggregate value of work in progress," said the RIBA, adding that the increasing workload is being "driven primarily by growth in the commercial and private housing sectors."
WHAT: With its fifth biennial competition and exhibition, the AIANY New Practices Committee is proud to recognize six emerging architecture and design firms working in New York City. These firms will be featured in an exhibition opening on October 1 at 6pm at the Center for Architecture, 536 LaGuardia Place. This year, the opening of New Practices New York 2014 will also kick off Archtober 2014, Architecture and Design Month.
Helicopter landing pads will no longer be required atop new buildings in Los Angeles, California. The rule’s elimination, which was announced yesterday by the city’s mayor and fire chief, allows architects the freedom to break away from LA’s “boxy” skyline. “I want to see innovative design,” Mayor Eric Garcetti said. “I want to see good design, but we’re going to take the handcuffs off of you when we ask you to do that. I want neighborhoods to look good, and I want our buildings to look iconic.” You can read more about the change, here.
The evening of October 6th marks the grand opening of UNStudio's new exhibit, Motion Matters 4.0 at the Architektur Galerie in Munich. The opening ceremonies will coincide with the first day of the Expo Real International Trade Fair for Property and Investment and include a welcome speech by the Dutch Consul General Peter Vermeij, followed by an introductory talk about the exhibit from UNStudio co-founder and principal Ben van Berkel.
Continuing a curatorial program of experiments, collaborations and interdisciplinary projects, the Gallery at REDCAT presents Small Museum for the American Metaphor September 27 to November 30, 2014.
REDCAT gallery curator Ruth Estévez invited the Belgian architect Kersten Geers to develop the exhibition, which focuses on themes that are clearly evident in the architectural work he creates with his firm, OFFICE Kersten Geers and David Van Severen.
Starting January, the City of Madrid will close off 190 hectares of its central core to traffic, expanding its restricted vehicular areas to 352 hectares. Vehicles not belonging to residents within the city’s four most central barrios will be restricted to large avenues. If a vehicle enters the car-less zone, and does not have access to one of the 13 official parking lots, the owner will be automatically ticketed €90 ($115 U.S). The new legislation is part of a larger goal to completely pedestrianization central Madrid by 2020.
Starting October 18th, the Tchoban Foundation will be showing 65 art works of Hôtel particulier buildings – prestigious town houses, which were built in the first part of the 18th century and characterize Parisian architecture until today - in the exhibition “Lʼhôtel particulier à Paris.” After Sergei Tchoban, architect and founder of the Tchoban Foundation for Architectural Drawing, showed his collection of 24 drawings at the École des Beaux-Arts in 2011 with the exhibition “À la source de l’ Antique. La collection de Sergei Tchoban”, the two institutions now continue their collaboration, this time with a selection of works from Paris that will be displayed in Berlin.
Michael Maltzan, Frederick Fisher, Predock Frane, MAD and Leong Leong have been shortlisted in a limited competition to design a new Los Angeles LGBT Center (formerly called LA Gay and Lesbian Center). Each have received a stipend of $20,000 to develop proposals for the new campus, which will include arts, educational and affordable housing programs on more than an entire city block in Hollywood. Once complete, the center hopes to serve LGBT community members of all ages by providing access to multigenerational affordable housing, healthcare, senior care and family services. You can learn more on KCRW here.
Final Call! All entries for the 2015 Bauwelt Award must be submitted by September 30th. The award (consisting of 5 awards at 5000 Euros each) is applicable for all architects and landscape architects’ "First Works" projects - any work realized by independent responsibility and completed after September 30, 2011. In addition to the prize, award-winners will be published in an exhibition at the BAU 2015 on the Munich fairgrounds starting January. An Advancement Award grant is also available, prized at 5,000 Euros, to fund an interdisciplinary research, exhibition or installation project that has yet to be completed. Visit the official website to learn more about the competition and how to apply.
Unbuilt Visions 2013 Grand Prize: Coastal Caretaker / Ursula Emery McClure, Michael McClure, Kristi Dykema Cheramie, Sarah Young (USA)
Unbuilt Visions promotes critical debate about architecture and design by acknowledging excellence in unbuilt projects. This annual competition provides an opportunity to engage with architecture, urbanism, interiors, and designed objects at the conceptual stage by recognizing work that offers a critical contribution to worldwide architectural discourse.
Architects have been known to dabble in product design, but what about board game design? A team of Washington, D.C.-based architects, urban planners, and designers have come together to create a game with a comedic (yet somewhat serious) take on the nuances of city living. Cards Against Urbanity, a parody on the wildly successful Cards Against Humanity, is simultaneously a critical and satirical game designed to open a dialogue about the development of cities among those who influence them.
Exploration of contextual, cultural, and life cycle flows offers a critical lens for visualizing new housing strategies for living in the future. The d3 Housing Tomorrow competition invites architects, designers, engineers, and students to collectively explore, document, analyze, transform, and deploy innovative approaches to residential urbanism, architecture, interiors, and designed objects.
Smithsonian Institution’s National Museum of African American History and Culture, Washington, D.C.. Image Courtesy of Adjaye Associates
On September 30, Mohsen Mostafavi will present David Adjaye with the W.E.B. Du Bois Medal, Harvard University’s highest honor in the field of African and African American studies, at the Hutchins Center Honors. Since 2000, the Du Bois Medal has been awarded to individuals from across the globe in recognition of their contributions to African and African-American history and culture. Adjaye is one of nine luminaries receiving this year’s award, including Oprah Winfrey and the late Maya Angelou. More information about the ceremony can be found here.
How will sea level rise affect Metro Vancouver and what can we do about it? Take a look at the #RISEIDEAS competition from SFU Public Square – an open ideas competition with a Grand Prize of $35,000 to find innovative ways to address sea level rise. Form a team of one to four people, submit your idea online, and you could take home the cash, rub shoulders with experts at the October 19 public exhibition day, and win free event tickets. The deadline for competition submissions is October 6, 2014. Check out the website for all the details.
As part of CNN's Leading Women series, Sheena McKenzie explores the work of Turkish architect Zeynep Fadillioglu - perhaps the first female architect to design a mosque, now on her third. In buildings where men and women are traditionally separated for worship, and women are often given a smaller space, Fadillioglu "purposely placed the women's section in one of the most beautiful parts of the light-flooded dome" in Istanbul'sSakirin Mosque. McKenzie concludes that although "Fadillioglu might have made a name for herself designing mosques, you don't needn't be religious to admire their beauty."
The Berlage is pleased to announce that internationally acclaimed architect Ben van Berkel, cofounder and principal architect of UN Studio, is leading a design master class in November 2014 entitled “Architecture without Architects.. Architects without Architecture?”
In an excellent essay for the Architectural Review, Charlotte Skene Catling deftly ties together a number of recent debates in the field of morality in architecture, from the false accusations aimed at Zaha Hadid by critic Martin Fuller to recent debates over whether architects have any responsibility to tackle poverty, an ostensibly political issue. Taking aim at one article in particular - in which Dan Hancox argues that architects such as Urban Think Tank who engage in humanitarian work are often 'fetishizing poverty' - Catling dissects the work of many of those in the field to find that they in fact do vital work to connect the top-down and bottom-up approaches that would otherwise never meet in the middle. Or, as Urban Think Tank's Alfredo Brillembourg says, in opposition to the horizontal city of the 19th century or the vertical city of the 20th, "the 21st century must be for the diagonal city, one that cuts across social divisions." Click here to read the article in full.