There's a quiet rebellion happening in the bathroom. Forget glossy marble and showy gold fittings; the new mood in design is one of calm confidence. Luxury today is understated, sensory and precise. It celebrates craftsmanship over extravagance and authenticity over spectacle. The bathroom, once the most functional room in the house, has become a space where materiality, touch and light are orchestrated to create a sense of calm.
In contemporary interior design, acoustics have evolved from an afterthought into a defining design language. Architects and specifiers are increasingly seeking materials that perform both visually and functionally – where surface texture, light interplay and sound absorption converge to shape human experience. As open-plan workspaces, hospitality interiors and education hubs embrace more tactile, sustainable finishes, the market for high-performance acoustic materials has surged. Within this landscape, Woven Image has emerged as a global leader, continually pushing the boundaries of what acoustic surfaces can achieve.
Agustina Iñiguez's journey into architecture was rooted in a deep appreciation for art, drawing, and craftsmanship, interests that naturally evolved into a formal architectural education beginning at age 18. Based in Buenos Aires, Agustina balances her professional architectural practice with an active role in academia, serving as a teaching assistant at the University of Buenos Aires and as an assistant professor at Torcuato Di Tella University. Since joining ArchDaily's Editorial Team in 2021, she has brought a thoughtful and interdisciplinary approach to curating content that bridges theory, practice, and social engagement.
From 26th to 28th November 2025, the Salone will light up the King Abdullah Financial District in Riyadh in red. In a strategic partnership with the Architecture and Design Commission at the Saudi Arabia Ministry of Culture, the event will feature an installation curated by the Giò Forma architecture studio, a packed cultural programme and a B2B platform, a meeting point for the Salone and the Saudi design ecosystem – a taster of the first ever edition of the event to be held in the Kingdom in 2026.
Jonathan Yeung's architectural journey began through his deep appreciation for the physical and bodily experience of moving through carefully crafted spaces. Having grown up and studied across diverse places—Hong Kong, Kyoto, Cambridge, and Berkeley—he developed a sensitivity to how architecture resonates culturally, often in ways that transcend straightforward explanation. For Jonathan, architecture evolved from an embodied experience to a powerful form of expression, encompassing design, construction, and writing. Editorial work has naturally become an extension of this exploration, offering him a platform to reflect on architectural ideas from multiple perspectives.
The House of No Waste Competition, organised by UNU-FLORES, is calling the next generation to reimagine the built environment for a pollution-free planet
The House of No Waste Competition (HØW) calls upon aspiring young architects, landscape architects, building and structural engineers, planners, builders, material and environmental scientists, product designers, and built environment professionals to engage in a global competition that tackles pressing issues of the circular economy and waste management in the built environment. The competition is organised by the United Nations University-FLORES, to mark the 50th anniversary of the UNU. Its Institute for Integrated Management of Material Fluxes and Resources (UNU-FLORES) is marking the anniversary with the launch of the HØW initiative, of which the competition is a central element.
Susanna Moreira's path into architecture was shaped early by her involvement in architectural theory and research during her undergraduate studies. Born in Salvador, Brazil, she has also lived and studied in Milan and São Paulo—experiences that have enriched her understanding of the dynamic intersections between art, architecture, and urban environments. These interdisciplinary interests continue to inform her curatorial approach and editorial work.
Utopian Hours is the festival that tells the story of "making cities": the ideas, projects, and places that are improving urban life around the world.
Each year, 30+ international speakers, 350+ Italian urban practitioners and city-makers, and 100+ city officials from across Europe come together in Turin for three days of talks, inspiration, and exchange.
Designed by Barozzi Veiga, the Musée des Beaux-Arts in Lausanne is equipped by Arbonia with fire-protection doors, flush-mounted wooden doors and soundproofing elements made of wood.
14 individual brands and two subsidiaries are represented under the Swiss brand Arbonia. Although the brand, which is now making its long-overdue public debut, maybe new, the list of realized projects certainly is not. A glance at the reference archive, which Arbonia presents prominently, shows this. These include construction projects for the healthcare sector as well as offices and administration, historical buildings, educational institutions, hospitality and residential developments. Three particular distinct highlights stand out, as they uniquely embody Arbonia's motto: 'open to aspiration'.
THE RIGHT TO THE PORT is a multi-layered initiative about the Beirut Port — a space of connection, labor, memory, and future possibilities; a vital space that has long been disconnected from the city.
Our aim is to open the debate pertaining to the Beirut Port and it's relation to the city under the three themes: PRESERVE, REPAIR, SHARE.
Assemble! at Copenhagen Architecture Biennial 2025
The ecological crisis demands a building sector operating within planetary boundaries. But significant structural barriers block the road. Over two action-packed days, you’ll gain the tools, strategies, and narratives to overcome them.
Our shared goal is clear: create a building sector that operates within planetary boundaries and ensures a thriving future for both people and planet. Systemic change can’t happen in silos.
That’s why Assemble! brings together architects, engineers, economists, developers, legal experts, and practitioners to rethink the regulations, ownership models, and design processes that quietly define our cities.
Assemble! is a structural experiment, a policy rehearsal, and a launchpad for bold
International perspectives are represented through spotlights on countries such as Brazil (top) or Italy (bottom). Photos: Courtesy of Bell'Arte (top) & Gaspare Asaro SRL (bottom)
ICFF returns to New York's Javits Center this May 18–20 with a refreshed sense of purpose and a global perspective. With its 2025 theme, 'Designing in Harmony', the fair sets out to explore how design can bridge divides — between materials and methods, cultures and climates, past and future.
“Provoking the Territory: Bernard Khoury” is the third volume in the Dongola Architecture Series, and it takes a bold look at the work of one of Lebanon’s most provocative architects. This book launch will be accompanied by a panel discussion that dives into Khoury’s trajectory—from early experiments to his reinvention in his fifties—unpacking how his architecture embodies the contradictions of Beirut and the broader region.
More than a collection of built projects, this volume frames Khoury’s work as a lens through which to read the city: its violence and vitality, its aspirations and failures. Through critical and visual narratives, the
Riga Bosques, a build-to-rent project in Mexico City’s Santa Fe district, features 110 rental apartments designed by architect Enrique Macotela
When the seeds that would bloom into BoConcept were planted by cabinet makers Tage Mølholm and Jens Ærthøj, in the small Danish town of Herning in 1947, its founders could hardly have foreseen that their nascent furniture company would eventually become a global leader in contemporary Scandinavian design.
BoConcept combines heritage, simplicity, craftsmanship, functionality, and quality at the heart of their design philosophy
The modest origins of BoConcept – the furniture company founded in 1947 by young cabinetmakers Jens Ærthøj and Tage Mølholm, in the sleepy Jutland town of Herning – belie its standing as a beacon of Danish design. By harnessing and refining the key tenets of heritage, simplicity, craftsmanship, functionality and quality over 70 years, the brand has become Denmark's most globally recognizable name in furniture. It's a fact exemplified in timeless pieces such as its midcentury-style Imola armchair (inspired by the form of a deconstructed tennis ball) and the marshmallow minimalism of its Bellagio sofa – not to mention a proliferation of more than 300 stores in over 65 countries.
Call for Participants. UIA World Congress of Architects 2026 Barcelona
The UIA World Congress of Architects 2026 Barcelona (UIA2026BCN) announces the Call for Participants, an international and open invitation for professionals from around the world to take part in the largest global architecture event.
The theme Becoming. Architectures for a planet in transition will shape the Congress programme as a platform to explore innovative perspectives, interdisciplinary approaches and transformative ideas that address contemporary challenges. Professionals from architecture, landscape architecture, urbanism, design, engineering, research, photography, film and art are invited to participate with projects, essays or multimedia pieces. Through this call, UIA2026BCN aims to bring together knowledge across research, practice and education to
Videos
Italian manufacturer Mara collaborates closely with designers, leveraging full control of their on-site industrial process to foster creativity and experimentation in their factory in Brescia. Image Courtesy of Mara
The weather gods haven't been kind as I arrive at the Mara factory on the outskirts of Brescia. If you think Italy, certainly in the design industry, it's usually all sun-bleached locations, where an Aperol Spritz is only ever seconds away.
Videos
Curators, designers, and architects—join Design Doha 2026! Showcase your vision on a global stage. Submit your proposal now. Visit our website for details!
Design Doha Biennale returns for its second edition from April 16 – June 30, 2026, expanding its presence across Doha and reinforcing the city’s position as a global hub for design, creativity, and cultural exchange. As we embark on this next chapter, Design Doha invites curators to submit exhibition proposals that spotlight the region’s rich cultural heritage and pioneering design talent. Selected exhibitions will be presented across various venues in Doha, contributing to a dynamic and inclusive dialogue on contemporary design in the region and beyond.
ABOUT THE OPEN CALL Through this open call, Design Doha offers a platform for mid-career and established
