About twenty years after the last documentary on Kevin Roche was released, London-based film company Wavelength Pictures will produce an updated look at the life and work of the Pritzker Prize-winning architect, with a section of the film focusing on his projects in Columbus, Indiana, reports local paper The Republic. Wavelength Pictures plans to come to Columbus in 2016, filming buildings that Roche designed and conducting interviews.

Presenting the work of the revolutionary architect Walter Segal, Walter’s Way – The Self-Build Revolution focuses on Segal’s work with the Lewisham self-builders of the 1980s and displays the application of Segal’s method today. Housed in and around a newly constructed section of a Segal house, from which visitors can experience the fundamental elements of the style, are original drawings, documents and furniture designed by Segal alongside archival films and photographs, plus contemporary photographs by Taran Wilkhu and a new interpretation of Segal’s technique by 2015 Turner Prize winner Assemble.

Throughout history, the coast has spawned various architectural types of public infrastructure which enabled and enhanced the coastal experience. The British invention of the marine pier for instance was an architectural innovation that allowed the first coast tourists to walk on water, as it were, only without getting wet or seasick. The seafront promenade in turn was the public place to be for the well-to-do dawdler, but at the same time also an integral part of coastal defence as well as an efficient real-estate instrument along which the first prestigious ‘Grands Hotels’ could be erected. Lastly, the modern installations balnéaires in Ostend, Knokke, and Blankenberge integrated showers, changing rooms, luxury cabins, ticket sales, and steps leading to the beach.

[Overview]
TRANS-PLAN is an international student design competition organized by A2G (Architecture Gallery at the Faculty of Architecture University of Manitoba). The competition is open to all students registered in spatial design and or exhibition design disciplines.

The Passive House is now 25 years old; to celebrate this, the International Passive House Conference is returning to Darmstadt – the city in Germany, in which this success story began. On 22 and 23 April 2016, over a hundred speakers from all over the world will report on the latest projects relating to highly energy efficient construction and retrofits. But the anniversary will also serve as an occasion for a review, with the presentation of results relating to the durability of the individual building components of the first Passive House. The complete Conference programme is now available online. In addition, registration at the early booking rate is now possible at: www.passivehouseconference.org

For architects, drawing is a thinking process. Sketching by hand onto paper without having any predetermined built form in mind is often the springboard for new hypotheses. With the rise of digital representation in architecture, has the computer superseded the hand in the exploration of ideas? This RIBA London seminar sees Professor Sir Peter Cook (co-founder of Archigram, director of CRAB Studio) and Professor Marcos Cruz (Bartlett) discuss the boons and limitations of digital representation in architecture, and the hybrid possibilities of using both in tandem.

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Re-Ball! is an open design competition to turn 650,000+ 3-inch, white, translucent plastic balls into a site-specific installation in the Dupont Underground’s 14,000-square-foot east platform. The balls were previously part of the National Building Museum’s blockbuster 2015 summer destination The Beach.
The winning concept will take the medium in a new direction, one that responds to the uniqueness of the installation site. From the open, light-filled box of the National Building Museum’s Great Hall to the curving concrete volume of the Dupont Underground's east platform, Re-Ball! entries should transform the constituent materials — and the space itself — into an entirely new experience.
Re-Ball! is open to everyone across all disciplines: artists, architects, designers, and the general public. The winning entry should be thoughtful, provocative, witty, safe, and executable on a limited budget, in a limited time frame, and within the confines of the site.

This first major retrospective of Alberto Burri's (1915-1995) work in the United States in nearly forty years will close at New York City's Guggenheim Museum later this week. More than one hundred works are on display covering his entire career, culminating in a film of Burri's largest work: the reinterpretation of the ruins of Gibellina, in Sicily. The old city, destroyed by the 1968 Belice earthquake, was later encased in concrete preserving the morphology of the buildings and the city's medieval streetscape. Alongside his two-dimensional work, the exhibition ultimately seeks to demonstrate how Burri blurred the line between painting and sculptural relief that directly influenced the Neo-Dada, Process art, and Arte Povera movements.

Increasingly, more architecture professionals are breaking into the world of film, learning digital animation and design skills to engage non-specialists, as well as their peers. Architect-trained Kibwe Tavares, co-founder of creative studio Factory Fifteen, will explore the ways architects and designers can use digital representation to encourage imaginative thinking through a combination of architecture and film.

At the beginning of January 2016 the Municipality of Prato, Italy, is launching an open, anonymous, international two-phase design competition for a new 3-hectare urban park in its historical city center. By the end of February, the international jury will select 10 finalist architects who will be invited to conceive a schematic design for the site. In June 2016 the winner will be awarded and commissioned to design the final project for the new Parco Centrale di Prato.

The six teams selected to participate in the second phase of design concept development for the New Nanoscience & Nanotechnology Center at Tel Aviv University (TAU) met representatives of the school and KB STRELKA in Tel Aviv, where a series of events were held.

In his latest article for Vulture, art critic Jerry Saltz celebrates the latest crop of public art in New York City, such as Deborah Kass' OY/YO sculpture, sitting near the Manhattan Bridge in Brooklyn, commenting on the success of such pieces even though (or perhaps because) many of them have been curated by art-world insiders rather than publicly accountable arts commissions or community engagement processes. But for Saltz, this new wave of high-quality public art has come at the expense of quality public space. Despite his admiration for the art installations, he expresses skepticism of the privately-funded public spaces that house them, such as the much-celebrated High Line, designed by Diller Scofidio + Renfro (DS+R) and James Corner Field Operations, as well as future projects such as Pier 55 by Heatherwick Studio, and the "Culture Shed" at the Hudson Yards development also by DS+R. His critique even references a phrase from DS+R that belongs on our list of words only architects use. Read Saltz's full discussion of public art and public space here.

It has been over fifty years since Jane Jacobs' book, The Death and Life of Great American Cities, revolutionized discourse on urban planning, and her words still carry a huge influence today. But in the intervening decades New York City has changed in ways Jacobs could never have imagined when she was writing in the 1960s. In a recent article for City Journal, Judith Miller tries to imagine how Jane Jacobs would have responded to some of New York City's recent projects - taking as examples the imminent domain actions and tax breaks that made Brooklyn's Atlantic Yards (now also known as Pacific Park) possible, the cluster of skyscrapers and public venues planned for Hudson Yards on the west side of Manhattan, and the supertall luxury condo towers that are beginning to cast their long shadows over Central Park. Read Miller's article in full here.

The Ninth European Prize for Urban Public Space (2016) has officially issued a call for entries. The biennial honorary award “has been offered since 2000 in order to recognize, encourage, and publicize examples of good practice in the ways in which the public spaces of European cities respond to the many challenges they presently face.”

The Prize seeks interventions that recover or improve the democratic quality of urban spaces that are endangered by “segregation, inequalities, unchecked urban construction, unsustainable squandering, and serious shortfalls in making effective the right to the city.”

The latest issue of DASH (Delft Architectural Studies on Housing), a thematic journal devoted to residential design edited by members of TU Delft's Dwelling Chair, focuses on 'Global Housing: Affordable Dwellings for Growing Cities'. With "massive urbanisation" occurring across emerging economies worldwide, there is "an acute need for affordable housing" – the scale of which goes far beyond conventional building production, "requiring complex, politically- and economically-oriented solutions."

In the coming months, OMI is entirely devoted to OMA, the Office for Metropolitan Architecture. With the reopening of the Kunsthal, the completion of De Rotterdam and Timmerhuis this is a perfect opportunity to profile the work of OMA. OMI publishes a special map, organises excursions, and an accompanying exhibition at OMI’s own location gives insight into the work of the office in Rotterdam and The Hague.

A’ Design Award & Competition is the world’s leading international annual juried competition for design. The A’ Design Accolades are organized in a wide range of creative fields to highlight the very best designers from all countries in all disciplines. Entries to the competition are peer-reviewed and anonymously judged by an influential jury panel of experienced academics, prominent press members and established professionals. A’ Design Award & Competition promises fame, prestige, publicity and international recognition to all A’ Design Award Winners through the A’ Design Prize which is given to celebrate the awarded designs.

Young architects and designers are invited to submit work to the annual Architectural League Prize Competition. Projects of all types, either theoretical or real, and executed in any medium, are welcome. The jury will select work for presentation in lectures, digital media, and an exhibition in June 2016. Winners will receive a cash prize of $2,000. A catalogue of winning work will be published by The Architectural League.