Though only the Italian screenings have officially been announced, for May 20-22, international screenings of the upcoming 97-minute docu-film are promised to be announced soon. Created by Giacomo Gatti together with Scientific Director and Co-author Gregorio Carboni Maestri, “Palladio” features well-known scholars and aficionados of Palladian architecture, including Kenneth Frampton and Peter Eisenman, discussing the great architect’s legacy.

The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted and long-format conversations that allow for thoughtful takes and more personal discussions. Honesty and humor are used to cover a wide array of subjects: some episodes provide useful tips for designers, while others are project reviews, interviews, or simply explorations of everyday life and design. The Midnight Charette is available for free on iTunes, YouTube, Spotify, and all other podcast directories.

TAB 2019, Tallinn’s 5th Architecture Biennale, will commence with its Opening Week from September 5-11, 2019. Earlier this week, the Biennale announced its programme of events for this year’s festival, which bears the theme “Beauty Matters: The Resurgence of Beauty”. TAB is an international celebration of architecture, organized by the Estonian Centre for Architecture and curated this year by Head Curator Dr. Yael Reisner. The Biennale consists of five main events, to take place in various venues in the heart of Tallinn, as well as a Satellite Programme hosting other events around the city.

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As technology moves forward, so does architecture and construction. Architects, designers, and planners around the world now have infinite tools and resources to design and build the cities of today and the future.  As promising as this may sound, new construction is also consuming our world’s limited resources faster than we can replenish them.

This situation leaves architects with an important responsibility: the rehabilitation and reuse of the existing built environment. This means using creative thinking and design to save and incorporate old or historic buildings that currently exist, in the present and future of our cities, by adapting them through creative and sensitive treatments.

Architects are often noted for having bad work-life balance, a lot of stress and little free time. How can you take time off while still improving your skills as an architect? Can that time off even give you an extra edge? Compared to other fields, architecture stands out as a field in which you need to “know a little bit about everything." Thus, in order to live up to our name we must also do a little bit of everything, and as they say, a little goes a long way. So with that in mind, here are 11 activities which, while not obviously architectural, just might make you a better architect.

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Amidst efforts to revitalize and improve urban centers, the peripheral areas of cities are often ignored or forgotten. The intense focus on the downtown core means, in terms of land use, that only a relatively small area receives the majority of designers’ attention. "Dvorulitsa" (literally "Yardstreet" in Russian) is an urban development strategy proposed by Russian architecture firm Meganom, aiming to shift that focus. Taking the idea of the “superpark” from the 2013 study, "Archaeology of the Periphery," the yardstreet project presents an alternative method of viewing the periphery of a post-soviet city.

In mid-April, world-renowned Swiss architect Mario Botta and filmmaker Loretta Dalpozzo attended the Sino-Swiss Architectural Dialogue at Tsinghua University. Initiated by the Embassy of Switzerland in China and co-organized by the Swiss Consulates General in Shanghai and Chengdu, the event also hosted the premiere of the documentary “Mario Botta: Beyond Space.”

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The passion for cinema and TV shows, combined with that for scenography and architecture, led Italian architect Riccardo Masiero to play with the different spaces and dimensions of the elements that make movies in order to create "MAKE IT ISO!", a series of drawings portraying famous movies and TV icons such as Breaking Bad, Twin Peaks, Harry Potter, Star Wars, The Shining and UP in an architectural way.

These illustrations represent iconic scenes of TV and cinema through the isometric illustration method, giving an overall picture of the construction of the scene, as well as providing a different point of view to the observer.  

Keep reading to see the full "MAKE IT ISO!" series and the author explaining his work.

Oscar Ko was born in Harbin, China and moved with his parents to Hong Kong at the age of five. He earned his Bachelor of Science in Architecture at the University of Michigan and Master’s from Columbia University in 2006. After spending seven years in America, he relocated to Europe where his original plan was to stay for four-five years or longer but after talking to older friends practicing in China he quickly realized that there are more opportunities in his native China. After working for less than two years for several prestigious firms – Josep Lluis Mateo Architects in Barcelona, David Chipperfield Architects in Berlin, and Space Group Architects in Oslo, Norway – he returned to China where he worked at two leading Beijing-based practices: Studio Zhu-Pei and Chiasmus Partners for several years.

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Over the past few days, exceptional products have been exhibited at the Salone del Mobile, ranging from furniture pieces and light fixtures, to textiles and finishes. As part of Milan Design Week, the Salone saw impressive collaborations with architects and the use of never-seen-before materials, all displayed at the Milan Fairgrounds, while some projects — too grand and imposing for a constraint exhibition — took place at the second part of the event, the Fuorisalone.

Take a look at some of the most remarkable outdoor installations at the Milan Design Week 2019 captured by the lens of architectural photographer Laurian Ghinitoiu.

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What would historic cities look like if scale didn’t exist and functions were manipulated?

Dutch artist Tamara Stoffers found inspiration from an old Soviet Union book published in the early 1960s, which featured images of mass-housing apartment blocks without any ornamentation or color. The book highlighted the symmetry and functionality of Soviet architecture, representing what a communist future strived to look like. It became clear to her that a lot of stories lie in the history of USSR that deserve to be explored.

Stoffers' admiration extended beyond Russian architecture, looking at everyday objects, banners, postcards, and books. In a matter of 4-5 years, she put together a series of surreal collages taken from more than 30 picture books. The images, which seemed intriguing on their own, were mixed and matched with complementary photographs in an exaggerated, amusing way, presenting the Soviet Union as never seen before.

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This article was originally published in Autodesk's Redshift publication as "How Building Modular Homes can Help Fill the Affordable Housing Gap."

“Modular” isn’t a construction product; it’s a construction process. This is according to Tom Hardiman, executive director of the Modular Building Institute (MBI), whose members include more than 350 companies involved in the manufacturing and distribution of modular buildings, including multifamily homes.

Back in 2008, ArchDaily embarked on a challenging mission: to provide inspiration, knowledge, and tools to the architects tasked with designing cities. In an effort to further align our strategy with these challenges, we recently introduced monthly themes in order to dig deeper into topics we find relevant in today’s architectural discourse. From architects who don't design to reframing climate change as a global issue, we are celebrating our 11th birthday by asking 11 editors and curators to choose ArchDaily's most inspiring articles.

More than 80,000 votes were cast over the last two weeks and, after careful review, the results of the 2019 ArchDaily Building of the Year Awards presented by Unreal are in. Building of the Year, which itself celebrated ten years this year, is the largest peer-based crowdsourced architecture award in the world, showcasing the projects chosen by you, our readers, as the most significant of the year.

This is no mean feat. More than 4000 projects were in contention this year, challenging readers to carefully consider a wide variety of projects across type, scale, and location. 4000 projects were whittled to 75 finalists; 75 have now been reduced to the 15 winners - one for each typological category.

The results are as diverse as the architecture itself. Well-known names are, as in years past, present among the bunch, among them Zaha Hadid Architects, MVRDV, and Heatherwick Studio. For London-based Heatherwick, their win marks the second consecutive year they have taken top honors for a refurbishment-based project. But less-renowned names dominate the ranks of the winners this year. Innocad’s serenely simple office building for a real estate company elevates what corporate architecture can be while the technical and material mastery of Sameep Padora’s Maya Somaiya Library is enough to make any architect look twice. The library is, in fact, one of two Indian projects to take top honors this year - a strong first year showing for the nation whose design talent seems finally to be coming to the fore.

But for all their many beautiful differences, the winners share a crucial element in common: they represent the values of our mission, to bring inspiration, knowledge, and tools to architects everywhere. Building of the Year - indeed, ArchDaily itself - would not be possible without the generosity of firms and readers as invested in our mission as we are. We give our profound thanks to all who participated this year, no matter the form. Congratulations to all the winners!

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Meeting with many leading, independent Chinese architects and visiting their built works throughout China in recent years has shaped my understanding of their contributions as regionally sensitive, poetic, photogenic, and even seductive. Yet, so many of these projects can be confused as being produced by a single, narrowly-focused practice. These works are often small in scale and built far from urban centers where ordinary people could benefit from them most. There is a lack of diversity and risk-taking. The following excerpt from my interview with Beijing-based architect Li Hu on his recent visit to New York overturned my doubts and gave me much hope for China’s urban future.

One of the first courses I took in the introductory cycle at the School of Architecture was Design Studio. Around 100 young students gathered in the studio, where an architect warmly welcomed us and spoke about the course syllabus. She happily explained that she had recently become the course chair. At the time, I was not aware of academic hierarchies, but I understood it was significant. Over the years, I noticed that most courses were led by men. Therefore, what that architect had achieved was uncommon: she had shattered the glass ceiling by reaching a position of leadership and authority.

This situation is particularly striking because this disparity is not reflected in the classrooms of FADU (University of Buenos Aires). In the architecture program, over 60% of students are women, according to architect Carolina Quiroga. Although women hold 45% of teaching positions, according to a report by the FADU Teaching Administration Department, none of the 'Design' studios—the core subject of the curriculum—are led by female tenured professors.

Unfortunately, the academic world is not the only place where this inequality exists.

In the 12 months since 2018 International Women’s Day, we have seen many female architects come to fore of the design discourse. From Shelley McNamara and Yvonne Farrell’s curation of the 2018 Venice Biennale to Frida Escobedo's celebrated design for the Serpentine Pavilion, the architectural newsfeeds from the past twelve months have played host to many signs of change in a traditionally male-dominated profession.

ArchDaily has also been busy over the past year, publishing stories such as twelve prominent women in architectural photography, seven influential women of the Bauhaus, and the women redefining success in architecture. Beyond news and editorials, the honorary lists and award ceremonies of prominent architectural institutions from around the world have also paid tribute to some of the world’s leading and emerging female architects.

Architecture is defined by people. It’s the human condition that shapes the spaces we live within and the moments we share. Few designers and entrepreneurs understand this better than Natasha Case, co-founder of Coolhaus Ice Cream. Trained as an architect, Natasha began exploring a passion for what she called “Farchitecture” – or, Food + Architecture – in her graduate architecture program. The concept originated with the broader notion that design could enhance everyday life, and, by the same token, that food could bring awareness to design.

In an exclusive interview with ArchDaily, Natasha talks about her inspiration for creating architecturally inspired ice cream, how Los Angeles influences her life and work, and what it means to bring joy into the process of making.

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