Videos

In the midst of the tall, rectilinear skyscrapers which make up downtown Chicago appears a short, sloped glass curtain wall, topped by a protruding truncated cylinder structure: Helmut Jahn’s Thompson Center. Opened in 1985, the building was to be home for a variety of agencies of the State of Illinois, and its design was a play off of the traditional American statehouse, updated with glass walls symbolizing government transparency and an immense atrium evoking the atrium spaces found in most United States’ statehouses. The interior spaces, however, stirred further contention with the public. Unconventional red, blue, and white paints coat the interior elements—a design choice many believed to be provocative and even jarring.

One year on from the Chicago Riverwalk’s completion, designers Sasaki Associates have released mesmerizing footage of the Riverwalk from a new perspective. Using a drone to give an overview of the project, the video captures the successful integration of the Riverwalk into the urban landscape as it changes shape and form, defining a unique experience for the public. Global design firm Sasaki led the team as prime consultant on the last two phases of the Riverwalk, working in close collaboration with local firm Ross Barney Architects.

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In the second film from this year's series of PLANE—SITE's Time-Space-Existence videos, Mexican architect Tatiana Bilbao shares her philosophy of how architecture should be designed with the user’s experience in mind, rather than for standalone aesthetic qualities. In the video she discusses how architects should to some extent let go of their artistic intentions for a more practical approach to serve the needs of people, discussing how architecture has become detached from its key purpose over the last fifty years due to the influence of capitalism.

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In 1986, Peter Zumthor completed one of his first projects: a shelter over an Ancient Roman archaeological site in Chur, (Graubünden, Switzerland). Now over three decades old, this film by ArcDog captures the building and the preserved excavations that it sits around with a quiet sophistication. With only timber lamella to allow in light and ventilative air, the project stands as a testament to Zumthor's sensitive architectural approach.

You may not have guessed that the dystopian state of Los Angeles filmed in Blade Runner 2049 is a real place, just smaller. The scenes, from Los Angeles to the Trash Mesa and Wallace Tower were built to scale in Wellington, New Zealand by Weta Workshop, the massive ‘miniature’ sets were then filmed by cinematographer Alex Funke.

In this extended interview from the Louisiana Channel, Japanese architect and experimentalist in sustainable architecture Hiroshi Sambuichi explains how he integrates natural moving materials—sun, water and air—into his architecture. A rare symbiosis of science and nature, each of his buildings are specific to the site and focus on the best orientation and form to harness the power of Earth’s energy, particularly wind. Two of his projects displayed in the video, the Inujima Seirensho Art Museum and the Orizuru Tower, force a contraction of air to make it flow faster and circulate with you through the building, while the Naoshima Hall takes a more sensitive approach due to the nature of the building, reducing the wind’s velocity as it passes.

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This silent film, ‘The Skyscrapers of New York’ bears rare footage of the construction of a skyscraper from over one hundred years ago, shared by the Library of Congress as part of their ‘Early Films of New York’ collection. The first scenes include real work crews and the early construction methods that made the first skyscrapers possible; the steel framework the men can be seen clinging onto was a technical innovation that provided the strength and stability for buildings to be built over twenty floors high. It is startling to imagine their lack of concern for health and safety as the men are pictured dangling off a crane line in the sky.

If you live in a hurricane zone, how can you construct a home which can withstand and survive some the strongest winds on Earth? In this film, presented by The Verge's "Home of the Future" series in collaboration with Curbed, designs drawn up by North Carolina-based prefabricated home builder Deltec show a house specifically able to deal with extremely hostile weather conditions. This film demonstrates how it fared against Hurricane Harvey.

“How do you bring architectural stories to life?”—this is the question the AIA asks annually in their I Look Up Film Challenge. This year’s theme, Blueprint for the Better, challenges architects and filmmakers to collaborate and tell the stories of architects making a positive impact on the community.

Videos

In the past, cities were often constructed in the likeness the public--the built environment reflected citizens and local culture. It is questionable whether this can be said of the modern world. Much construction today is a product of capitalism, generating buildings and areas in which local people have no attachment or sense of agency over. Artist Rafael Lozano-Hemmer believes this to be a fundamental crisis within our cities, and he is committed to reestablishing the relationship and representation of people within urban space. His work is examined in a new short film by PLANE-SITE, titled Public Interruptions.

A building today does not represent a citizen, a building today represents capital.

With the objective of developing new solutions to the societal challenges of tomorrow, the RISING Architecture Week 2017 was held in Aarhus, Denmark, between the 11th and 15th of September. It consisted of a series of events, exhibitions, and the RISING Exchange Conference, focusing on how architecture and construction can help to rethink existing paradigms.

During our visit to the city, we had the opportunity to talk with Jan Gehl, Pauline Marchetti, Ruth Baumeister, Daan Roosegaarde, John Thackara, Jacques Ferrier, Stephan Petermann, and Shajay Bhooshan – some of the speakers who shared their visions on these issues. We posed the question, "Are architects really needed?" to prompt them to reflect on a future in which different actors will be relevant in addressing such challenges.

Every time you put any brick down anywhere, you manipulate the quality of life of people. (...) If you just make form, it's sculpture. But it becomes architecture if the interaction between form and life is successful. – Jan Gehl.

You can watch the video above to see their responses and find pictures of their lectures on the official Facebook of the event.

In the age of green screen backgrounds, hyperrealistic renderings and the endless run of superhero movies that rely heavily on special effects, some directors are still betting on turning cities into protagonists of their music videos. In the nineties, Michael Jackson visited Brazil and filmed They Do Not Care About Us in one of the most dangerous neighborhoods in South America – but do you remember which city it was?

Here we compiled ten music videos where the cities, their neighborhoods and their inhabitants serve as the stage for actors, singers, and dancers to display their art around the world.

Can you recognize the cities where these music videos were filmed? Take the test below and find out.

Some love them, some loath them: open-plan office spaces are either conducive to conversation and collaboration or nothing more than noisy environments defined by distractions. Much, for instance, has been questioned recently about the "innovative" open working environments in Apple's new Cupertino campus. In a new series by Vox, overlooked, misrepresented, and overrated phenomena are put under the microscope. By exploring the work of Frank Lloyd Wright, Herman Miller, and others, this episode posits that open office spaces are, contrary to popular assumption, "misunderstood for their role in workplace culture."

Where did open offices and cubicles come from, and are they really what we want?

New details have been revealed of the €40 million extension of ARoS Art Museum in Aarhus, Denmark. Designed by Schmidt Hammer Lassen Architects in collaboration with artist James Turrell, the expansion project includes a new 1,400-square-meter (15,070-square-foot) underground gallery and two site-specific installations by Turrell that represent his largest museum project to date.

Named The Next Level, the project begins on the ground level of the museum, extending downward beneath the adjacent Officerspladsen plaza. The addition has been designed to work naturally with the flow of the existing building, which already serves as a bridge between the Aarhus River and the nearby Aarhus Music Hall. A 120-meter-long hallway will stretch down into the Earth connecting visitors the larger of the two Turrell installations, The Dome.

Early on in my career I had to decide between honest arrogance and hypocritical humility. I chose honest arrogance and have seen no occasion to change.

Frank Lloyd Wright is the household name of architects in the United States, with stories of his ego as widespread as his prolific work. Watching Frank Lloyd Wright at 83 years old is not your typical history lesson. The interview aired on NBC Chicago in 1958 and captures Frank Lloyd Wright telling stories to Hugh Downs about his education, early career with Louis Sullivan, an inspiration for Taliesin and Taliesin West and his own innovations in architecture (let's just say this question didn't get a humble response).

Architecture has to be organic… we need to create a space for people to connect, to coexist - MAD Architects. 

As the demographic of China’s buildings changes, one architect is fighting the “artificial” straight lines and tower blocks that are plaguing the skyline. In the government’s mass urbanization, skyscrapers are having to be built constantly for all the people that are flocking to the cities.

Ma Yansong, the founder of MAD Architects explains “They often deal with efficiency, the function, the structure. There's no nature. People love to go closer to nature and other people, so we need to create environments that let people have these emotional connections."

In this video, Spirit of Space visits Exhibit Columbus to see Wiikiaami, a parametrically designed structure by studio:indigenous. Beginning in 2016, Exhibit Columbus is an annual event which invites people to travel to the small, but architecturally fascinating Midwestern town of Columbus, Indiana. Free and open to the public through November 26th, Exhibit Columbus displays 18 unique, site-responsive architectural installations.

We now know that first, we form the cities, but then the cities form us.

Meet 81-year-old Danish architect Jan Gehl who, for more than fifty years, has focused on improving the quality of urban life by helping people to “re-conquer the city.” Gehl has studied the relationship between life and form since the mid-1960s, when he started questioning the modernist approach of looking at the architectural model from above instead of from the inside. The architecture of that time was very often "an obsession with architecture for architecture’s sake," and took very little interest in the inhabitants.