Articles

In light of the coronavirus pandemic, the relationship between people and the spaces around them has had to be reimagined. As enclosed spaces that typically draw crowds, museums had no choice but to close their doors as the number of infections rose. Yet, their programming did not necessarily grind to a halt. Although some major architecture and urbanism events were postponed to a time when the pandemic is expected to be under control (such as the 17th Venice Architecture Biennale), many museums, galleries, and exhibition spaces saw the moment as an opportunity to deepen their engagement with virtual formats.

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The team led by Chilean architect Cristián Fernández has won the National Architecture and Landscaping Competition for the New Museum of Santiago (NUMU, Nuevo Museo de Santiago), a cultural project that will house the Fundacion Engel art collection in the Bicentennial Park in Santiago, Chile.

Little has been said about the contribution of scaffolding to the history of construction. These structures are generally treated as mere equipment and, as a result, their records are very scarce. Without scaffolding, however, it would be almost impossible to construct most of the buildings we know. Scaffolding allows workers to reach and move materials at difficult points in a construction, providing safety and comfort. But in addition to its role as a support structure for buildings, we have also seen that scaffolding can be used for mobile, temporary, and even permanent structures. Below, we explain its history and possibilities for use.

It is difficult to start any retrospective text on 2020 without sounding too cliché. While facing an invisible enemy that changed everyone’s lives, this past year has taught us that humanity is more fragile than we ever imagined. At Archdaily, it’s our job to synthesize how the buildings and the world we live in will be impacted by COVID-19 not only in the short term but in the distant future as well. Has our perception of the built environment changed this year? And has our relationship with the tectonics of buildings changed with all of the obstacles we’ve faced along the way?

On December 9, Pantone announced its color(s) of the year for 2021: PANTONE 17-5104 Ultimate Gray and PANTONE 13-0647 Illuminating. Selecting two colors for only the second time in 22 years, Pantone described the chosen yellow and gray as independent but complementary, representing a theme of unity and mutual support. Whereas PANTONE 13-0647 Illuminating is bright and vivacious, PANTONE 17-5104 Ultimate Gray is firm and dependable, the marriage of which represents strength, optimism, and fortitude following a markedly challenging year. In architecture, this palette combining playfulness and solemnity has been used in social spaces, domestic spaces, care spaces, and more to communicate similar themes of resilience and positivity.

Below are 14 examples of projects using Pantone’s 2021 colors of the year.

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This year, real-time became really important. For architects and arch-viz artists, the ability to explore and design interactively is nothing short of game-changing, drastically shortening project life cycles and making it easier to present and discuss ideas with co-workers and clients. With remote collaboration becoming a normal part of day-to-day life, real-time views of projects have become invaluable.

Cities would be nothing without the sense of experimentation and the future-forward push to always break the status quo in demand of a better urban life. As many successful urban designs and strategies as there have been, the world has also seen some not-so-successful ones, that have been pushed to the sidelines becoming a forgotten memory over time. While we look ahead and speculate about what the future of cities could and should be, maybe it’s time to take the lessons learned from these failed projects and pay homage to their misfortunes, so that history’s mistakes aren’t repeated in the present day.

In light of today's climate emergency, our current urban model—defined by rapid, uncontrolled growth that fosters social segregation and harms the environment—must be replaced.

Against this backdrop, the concept of Sustainable Transit-Oriented Development (TOD) emerges to break with existing spatial planning paradigms. As the name suggests, TOD proposes action strategies that integrate urban design with transport and mobility planning, which can be implemented through public policies or urban projects. 

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Thanks to its aesthetic qualities and malleability, concrete is the darling of the world's builders and architects. In Argentina in particular, concrete's durability and adaptability to a range of climatic conditions makes it one of the most sought after construction materials, demonstrated by, not only the country's countless museums, hotels, hospitals, but by its residential and smaller-scale buildings as well.

The following text contributes to the debate on a topic crucial to understanding the Portuguese presence in the world: urbanization processes. Focusing on the landscape of Cochin as a case study, we seek to build alternative pathways for thinking about “Portuguese” cities around the globe and their relations with the diverse agents and cultures with whom the Portuguese interacted during their overseas activities across practically the entire planet. Amid this sea of options, the choice of Cochin is guided by two main aspects.

First, Cochin was the first location where the Portuguese established a solid foothold in the Indian Ocean, in the early sixteenth century. While the Portuguese had previously accumulated a wealth of experience on the West African coast and the Atlantic islands, the same could not be said of the Indian Ocean: Cochin served as the first permanent laboratory of the Portuguese experience on Asian shores. In this context, the case allows us to analyze how the Portuguese accommodated themselves to an unfamiliar environment, as well as to debate their strategies and instruments.

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Tucked beneath the dense trees of Al-Ozer Forest in Mount Lebanon, Byblos-based architects and visual artists of JPAG Atelier created a secluded retreat away from humans and the chaos of the urban life. The Earth Chapel is a unique sanctuary that lets its visitors experience both the simplicity of the architecture and the richness of the surrounding landscapes, all at once.

The pandemic provided a unique circumstance for city-scale experiments regarding mobility, while immediate responses showed the transformative power of tactical urbanism. In many cities, the measures meant to ensure social distancing are to be kept in place post-pandemic, paving the path towards recovery with less traffic and more outdoor activities. How did the pressure of rethinking streets, functions, and transportation systems transform public space in 2020?

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Inner courtyards and gardens can provide many benefits, such as natural light, better ventilation, and increased contact with nature without losing privacy. 

For companies or leasers that own large buildings, building maintenance can seem daunting, costly, or even superfluous, particularly when building functions appear to be running smoothly. But proper and consistent building maintenance is imperative for a number of reasons. Buildings inherently function less effectively over time due to natural causes such as climate, daily occupant use, mechanical obsolescence, and more. When left unresolved, these issues can devalue user experiences, create dangerous and unhealthy environments, and even incur costs higher and more sudden than consistent building maintenance costs.

Five emerging architecture studio profiles from Portugal, Spain, France, and the Czech Republic have been chosen by New Generations, a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.

His latest project for AGROB BUCHTAL has led Sebastian Herkner into a new field, one where a symbiosis of creativity and physics saw the go-to product designer dig out his old maths book.

The first architecture course in Brazil was established more than 200 years ago as part of the "French Mission" of 1816. The Royal School of Sciences, Arts, and Crafts of Rio de Janeiro offered the only course in the country for over fifty years. It was an institution geared toward educating the Brazilian elite, lacking any research purpose, and training an "architect-artist in service of the court."

According to architect and researcher Sônia Marques, the requirements for admission to the Royal School were "knowing how to read, write, and count," and the curriculum of the architecture course consisted of subjects such as: ornamental drawing, ornamental sculpture, archaeology and applied mathematics, perspective and shadows, and stereotomy (the technique of cutting construction materials), among others. Its foundation aimed to meet the needs of a clientele consuming symbolic goods—a demographic developed and fostered primarily by the recent presence of the Portuguese court in Brazil. [1]

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Building more equitable futures begins with community. For international practice Woods Bagot, the firm's three US studios are now each run by women, and their combined leadership is creating more inclusive and dynamic designs that rethink past traditions. Each Director has taken the reins before the global pandemic was underway, and now the trio is working to rethink how the practice can address diverse challenges in New York, San Francisco and Los Angeles.

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