On the occasion of Pope Francis's visit to Chile, the Metropolitan Cathedral Chapter requested conservation work on the Cathedral's vaulted ceiling to improve safety and the condition of the ornamentation after recent earthquakes, aiming to safeguard the many faithful who visit the Cathedral daily.
Practice breeds true knowledge. As architectural design is a highly practical discipline, designers must continuously refine their creative philosophies through hands-on experience. With this in mind, the forum was themed “On Practice,” aiming to showcase the extensive creative work of China IPPR’s Third Architectural Design Institute over the past year—highlighting outstanding designs, refining creative methodologies, and demonstrating team vitality. We hope this forum marks a promising beginning, encouraging more architects to step away from their computers, pick up the microphone, and actively participate. By sharing their built works and welcoming diverse dialogues, they can help realize a creative vision where theory and practice complement and enrich each other.
https://www.archdaily.com/1114720/practice-speaks-pursuing-the-essence-of-architecture韩爽 - HAN Shuang
Cortesia de Concurso Masterplan Orla do Lago Paranoá
The firm Estúdio 41 was named the winner of the Paranoá Lake Waterfront Master Plan Competition. The proposal features leisure facilities, restaurants, and observation areas for waterfront users. Out of the 22 projects evaluated by the jury, Thiago de Andrade, Secretary of Territory and Housing Management, explained that feasibility is one of the winning entry's greatest merits, as no major interventions will be needed to implement the plan. “It is very simple and takes the entire environmental context into account. The next step is to hire the winner to finalize the design by the end of the year.”
The winning team will sign a contract to detail the master plan, incorporating feedback from the jury, the Secretary of Territory and Housing Management, the Brasília Environmental Institute (Ibram), and the Federal District population, who will offer input through public consultations.
Read an excerpt from the winning project's description below.
Sinuous shapes, contemplative spaces, native vegetation. These are some of the characteristics of the gardens of Burle Marx, one of the most prominent architects and landscape architects in Brazilian history. Throughout his 85 years of life, he left his mark on various Brazilian cities, including Recife, where he lived for five years.
To recover this piece of history and promote the appreciation of local heritage, cultural producer Sandro Lins developed the app Patrimônio PE Mobile, launched in early August. The app features 12 squares in Recife designed by Burle Marx and gathers historical information and data about their gardens and themes, compiled by professors Julieta Leite and Ana Rita de Sá Carneiro from the Department of Architecture and Urbanism at the Federal University of Pernambuco (UFPE).
The city of Groningen, located in the north of the Netherlands, is an international benchmark for urban mobility. With just over 200,000 inhabitants, Groningen is considered the country's cycling capital—roughly 61% of all trips in the city are made by bicycle.
This shift in mindset dates back to the 1970s, when Dutch cities began to be dominated by cars and local realities were altered. The trend at the time was to redevelop older neighborhoods to make room for vehicles traveling to the center.
https://www.archdaily.com/1114738/groningen-a-dutch-benchmark-for-urban-mobilityLucas Augusto
Located in the heart of this neighborhood, at Marsella #59, Vitrina arose from the desire to create a design-focused exhibition space that goes beyond commercial interests. Inspired by early 20th-century department store window displays, this exhibition fosters a dialogue between designers, pedestrians, and the neighborhood regarding recent trends in the design scene and how each designer expresses their vision.
Vitrina features a 1.60m x 3.60m street-facing window and a 35-square-meter area enclosed by a 2.30m-high curtain, aiming to serve as a transitional space between the street and the interior, design and the user, and the pedestrian and the city. Every six weeks, the work of two designers or collectives will be presented, fostering a dialogue or a conceptual confrontation.
The Ministry of the Environment has launched an online guide to urban agriculture. The booklet compiles techniques, reading recommendations, initiative mapping, and other resources on urban gardens.
The guide aims to encourage new initiatives and support existing ones, including through an interactive map that showcases inspiring preservation, restoration, and food production projects in cities.
Spanish architect Rafael Moneo, winner of the 1996 Pritzker Prize, will design the new expansion of Madrid's Atocha railway station, as confirmed to the Spanish media by the Minister of Public Works, Íñigo de la Serna.
This latest expansion includes new platforms for the AVE—the high-speed rail network operated by the state-owned company Renfe—and will mark Moneo’s third intervention at the Spanish capital’s main railway station.
Bixiga, one of São Paulo's most traditional neighborhoods, has gained significant historical and tourist importance over the years, thanks to its cantinas, street festivals, and vibrant cultural scene. However, many of the neighborhood's other layers and histories are harder to discover and access. Recognizing these numerous attractions, heritage sites, and the overall complexity of the area, and believing in the importance of walking, the NGO SampaPé! has launched the "Bixiga a Pé!" map, which highlights Bixiga's diverse historical and cultural layers for those exploring the neighborhood on foot.
The communications department of the BioBío Regional Theater has shared a series of photos with us showing the light and color testing process ahead of the venue's upcoming opening, which is tentatively scheduled to take place between March 1 and 6, 2018, in Concepción, Chile.
Conceptualized by Smiljan Radic, Eduardo Castillo, and Gabriela Medrano as an 'urban lantern' that seeks to enhance the connection between the city and the banks of the BioBío River, the 10,000-square-meter building fills the void left by the loss of the former Concepción Theater, which was located at the intersection of Barros Arana and Orompello streets and later replaced by a shopping mall.
Over the past three weeks, we received a total of 230,000 votes from our readers to select the winners of the ArchDaily 2018 Building of the Year Awards in China. With a readership composed largely of industry professionals, voters selected the three most exemplary projects from more than 300 Chinese works published on ArchDaily.cn in 2017. As a peer-voted accolade, this recognition carries significant weight.
https://www.archdaily.com/1114625/2018-archdaily-china-building-of-the-year-awards-winners-announcedJoanna Wong
Fernando Guerra, one of the most prolific photographers in the field of architecture, is set to be the subject of a documentary directed by Sara Nunes and produced by Portugal's Building Pictures. The Flying Photographer, the film's working title, is drawn from a dedication by Álvaro Siza, an architect whose works and life Guerra has been extensively documenting.
On February 10, the Akademie der Künste (Academy of Arts) in Berlin opened the Spanish photography exhibition UNFINISHED, which won the Golden Lion at the 2016 Venice Biennale.
Spain is one of the countries where the economic crisis has most severely affected architectural practice. Many publicly and privately funded buildings were under construction when the crisis hit, and a large number of them were left unfinished.
Alfred Willer, a Czech architect who built his career in Brazil, has his story told in the feature-length documentary Red Trees [Red Trees], directed by his daughter, designer Marina Willer. After making its world premiere at the 2017 Cannes Film Festival and opening in theaters in New York, Los Angeles, and Miami, the documentary will have its national premiere on March 29.
An urban opera performed by residents and a cyberfeminism project in a stigmatized neighborhood are among the initiatives comprising Imagina Madrid, a project where creators, organizations, and residents join forces to artistically intervene in deteriorated public spaces on Madrid’s outskirts.
Promoted by the Madrid City Council's Department of Culture and Sports and coordinated by Intermediae, Imagina Madrid has structured a decentralized, collaborative, and multidisciplinary methodology to define its interventions. This approach is grounded in Elinor Ostrom's research on the economics of the commons and what sociologist Saskia Sassen describes as the "operational and rhetorical" openings that slip into the global city.
The Sesc Pompeia has just opened the exhibition bauhaus imaginista: Learning From. The exhibition is one of four "chapters" of the international project celebrating the centennial of the Bauhaus, the pioneering school of architecture, art, and design founded in Germany in 1919 and closed by the Nazi regime 14 years later.
The fourth edition of Open House Madrid has come to a close with record-breaking attendance. The open-door events, the Open House Madrid architecture congress, and more than 30 activities held throughout October drew nearly 82,000 visitors.
According to festival co-directors Paloma Gómez Marín and Pati Núñez, these figures confirm the city's interest in the initiative: “Open House Madrid includes a variety of activities that reach highly diverse audiences, from architects, interior designers, and students to residents curious to learn more about their surroundings. We are also seeing a growing number of visitors from outside Madrid who travel here specifically for the festival.”
We Are an Event is a fictional character born from the collaboration between Quentin Laurens-Berge and Lambert Moiroux, both French nationals. Created to address questions about the city in which they reside, this character acts as a sphere of exchange and a tool to establish distance from the work produced. As seen in their recent work, Quentin and Lambert belong to a generation of young architects questioning conventional modes of architectural production through an everyday perspective on aesthetics.