Yesterday, July 30, 2019, Cristiano Toraldo di Francia died at 78 years of age —56 years ago the architect founded - together with Adolfo Natalini - one of the most important offices of radical post-war architecture in Italy, Superstudio, which, during the 60's and early 70's, focused on the form of a strong critique of the production methods of design and architecture. All this analysis was reflected in a very different way of representing architecture, collages, experiments, manifestos, furniture, stories, storyboards, etc. This approach has unleashed multiple discussions that remained valid to this day among the younger generations, which have resumed these modes of criticism to apply them to new ways of producing and thinking about architecture.

The relationship between the human body and architecture has always been a key element in architectural design and practice, however, the connection between the two wasn't documented or even accepted until the rise of ergonomics some years ago. Nowadays, the question is how is the body perceived in modern times? How does this perception influence the way we design the buildings and spaces that we inhabit? Too often, ergonomics is seen as a discipline that emphasizes the separation between body and object; however, not only is it the connection between them, it is also the pre-established blueprint that maximizes and synchronizes their productivity. At its most basic level, it's a technical discourse on the increasingly mechanized human dwelling. 

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The presence of Mexican architecture on the global scene is increasingly evident and strengthened by the ambassador architects who constantly represent Mexico in international events and exhibitions. Within these samples, you are able to see a constant concern to show contemporary values that denote a sense of responsibility, reinventing their own identity with the urgency of addressing current challenges.

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According to a statement published on the UNESCO page, the UNESCO World Heritage List is a legacy of monuments and sites of great natural and cultural wealth that belongs to all of humanity. The Sites inscribed on the World Heritage List fulfill a function of milestones on the planet, of symbols of the awareness of States and peoples about the meaning of those places and emblems of their attachment to collective property, as well as of the transmission of that heritage to future generations.

As we have seen throughout the history of architecture, ephemeral installations and pavilions are important tools for talking about specific moments in architecture in an almost immediate way. While it is true some pavilions have been so relevant that they broke with their ephemeral quality to become permanent, such as the German Pavilion in Barcelona, designed by Ludwig Mies van der Rohe and Lilly Reich, most are documented in photographs, plans and experiences to be rewritten in future projects.

"Soy de Azteca" (Or "I'm from Azteca") is a photographic project by Zaickz Moz that seeks to re-think the expressions of community and identity of the periphery of Mexico City—which is becoming more diffuse and overflows beyond its geographical limits. The objective of this project is to re-think the interpretations of community and identity of the residents of Ciudad Azteca (State of Mexico) manifested in private, public and urban spaces, through photographic series that addresses issues such as appropriation and modification of space habitable, urban development and the sense of community in the neighborhood of Ciudad Azteca.

The particular characteristics of a community give the inhabitants a sense of identity and belonging. Does this happen in any inhabited place? When observing that the history of Ciudad Azteca always exists in relation to Mexico City, it is worth asking if identifying traits have emerged among the inhabitants of Ciudad Azteca. As in other areas of the capital's periphery, it is possible to observe in this group of neighborhoods located in the municipality of Ecatepec the capacity of the locals to build and transform a space into a variety of forms of urban habitat.

The artist and writer Jill Magid presents a documentary dedicated to the life of the "artist among the architects": Luis Barragán, who is one of the most famous architects of the 20th century. Upon his death in 1988, much of his work was locked in a Swiss bunker, hidden from view of the world. In an attempt to resurrect Barragán's life and art, the redefinition of "The Proposal" limits creates an audacious proposal that becomes a fascinating work of art in itself, a cable negotiation act that explores how far it will go an artist to democratize access to art.

The Mexican architect Tatiana Bilbao – founder of the architecture firm based in Mexico City Tatiana Bilbao Estudio – has been awarded the eighth Marcus Prize. This recognition has been given to different world-renowned architects as Jeanne Gang (2017), Joshua Ramus (2015), Sou Fujimoto (2013), Diébédo Francis Kéré (2011), Alejandro Aravena (2010), Frank Barkow (2007), Winy Maas (2005) and seeks to recognize architects from all over the world whose trajectory is on the rise.

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Urban design is a branch of design intimately related to urban planning and landscape architecture; it focuses broadly on interpreting the form and public space with physical-aesthetic-functional criteria. Different experts in the field such as Jane Jacobs, Denise Scott Brown, Robert Venturi, Jaime Lerner, Jan Gehl, Kevin Lynch have devoted themselves to studying the needs of urban societies within the common spaces to give adequate responses to different contexts. These questions are renewed with new generations and the public space is transformed according to technological advances but what always remains is the sense of belonging of these sites that are only successful when users adopt them as own.

One of the most important factors when designing is the specific climate of the site, this can represent a difficulty when dealing with extreme climates and it is necessary to use insulating materials that adapt to changing conditions. However, when talking about Mexico and its privileged climate, this becomes an advantage for architects, allowing the creation of microclimates and spaces that fade into the transition of what is the inside and the outside.

Rozana Montiel has won the Global Award for Sustainable Architecture 2019, along with Werner Sobek, Ersen Gürsel, Ammar Khammash and Jorge Lobos. The award ceremony will take place on May 13, 2019 in Paris, France.

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Mexican architect Michel Rojkind has been named the senior vice president of architecture at WeWork. A native of Mexico City, Rojkind founded the Rojkind Arquitectos office in 2002 focusing on design, tactical and experiential innovation, maintaining an architectural vision that will shape integral experiences, connecting the complexities of each project to a deeper level to positively impact society and the environment. This vision was what led him to connect perfectly with the WeWork approach.

Mariam Kamara is the founder and director of Atelier Masōmī in Niamey, Niger, an architecture firm whose interests lie in designing solutions relevant to spatial problems inherent in the developing world, in a cultural, historical and climatic way. She is a founding member of the united4design collaborative office in Seattle, where she worked on two major projects in West Africa. Her tenure as Associate Associate Professor of Urban Studies at Brown University began in the spring of 2017.

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Yona Friedman is a French architect and urban planner with more than 92 years of experience that has led him to participate in numerous events, including the Venice Biennial and the Shanghai Biennial. One of his most important works was published in 1958, entitled L'Architecture Mobile, which exposed one of his most ambitious projects named: "La Ville Spatiale", a utopia that recycled mega-structures of existing cities to provide citizens with the chance to live with complete flexibility in their decisions.

Mextrópoli is a ludic and reflexive event that heightens the voices of architects, city planners and authorities to generate knowledge about the city that occupants inhabit. At Mextrópoli, public spaces are filled with pavilions, panel discussions that involve prominent actors in issues such as urbanism and public policy, as well as a strong selection of speakers. This program seeks to include all citizens. Students, activists, urban planners and architects are welcome to experience the extraordinary city.

In its sixth edition, the Mextrópoli Architecture and City Festival will propose new ways of thinking about the city as an open territory that is continually redefining its limits.