Jonathan Yeung's architectural journey began through his deep appreciation for the physical and bodily experience of moving through carefully crafted spaces. Having grown up and studied across diverse places—Hong Kong, Kyoto, Cambridge, and Berkeley—he developed a sensitivity to how architecture resonates culturally, often in ways that transcend straightforward explanation. For Jonathan, architecture evolved from an embodied experience to a powerful form of expression, encompassing design, construction, and writing. Editorial work has naturally become an extension of this exploration, offering him a platform to reflect on architectural ideas from multiple perspectives.

He approaches editorial curation with a focus on issues that remain persistently relevant—topics that invite complex, multi-layered conversations grounded in social, cultural, or architectural dilemmas. He looks for projects marked by intentionality and excellence: works that push boundaries, refine the everyday into something exceptional, or reveal subtle spatial and material nuances that shape our experience of the built environment. His interest in architectural detailing stands out as a recurring theme, highlighting the craft and precision that contribute to enduring, timeless spaces often overlooked in broader discourse.

As the world grows in complexity, multiplying both its challenges and opportunities for innovation, so does the architecture profession. Positioned as mediators in a complex system, architects increasingly step out of the traditional office and into laboratories, town halls, and communities. They are developing new materials, reassessing urban policies, and responding directly to society's most pressing needs.

Susanna Moreira's path into architecture was shaped early by her involvement in architectural theory and research during her undergraduate studies. Born in Salvador, Brazil, she has also lived and studied in Milan and São Paulo—experiences that have enriched her understanding of the dynamic intersections between art, architecture, and urban environments. These interdisciplinary interests continue to inform her curatorial approach and editorial work.

As ArchDaily's Project Curator for Portuguese-speaking countries, Susanna seeks out projects that offer meaningful contributions to architectural discourse. She values originality, quality, and relevance, always questioning what lessons a project might offer in terms of innovative materials, construction techniques, or conceptual approaches. In an era of information overload, she believes careful curation is essential to build trust, enhance learning, and highlight work that truly stands out.

Born in Sudan and currently based in London, Mohieldin Gamal brings a unique perspective to architecture shaped by his deep connection to both his homeland and global practice. His early fascination with architecture began in 1995, during the construction of his primary school, where he first encountered the significance of materiality, climatic design, and historical context. These formative experiences laid the foundation for his multifaceted approach to architecture as both a practitioner and a writer.

Mohieldin studied architecture at the University of Nottingham and gained valuable experience working with prominent UK firms. In 2021, he returned to Sudan to teach at the University of Khartoum and helped establish the Sudan Chapter of Docomomo, underscoring his commitment to preserving and promoting Sudanese architectural heritage. His work focuses on exploring underreported architecture and the complex historical, political, and economic forces that shape building practices in Africa and beyond.

Born and based in the Transylvanian region of Romania, Maria-Cristina approaches architecture with a rich, multifaceted perspective shaped by a diverse academic and professional journey. Holding master's degrees from UTCN and KU Leuven, she has combined rigorous architectural training with a broad curiosity that spans both the creative and analytical aspects of the discipline. Early in her career, she worked in small and medium-sized architecture offices, gaining valuable practical experience, before transitioning into editorial work at ArchDaily in 2022. Since then, she has advanced to Managing Editor, all while pursuing a Ph.D. in architectural studies and serving as a teaching assistant, reflecting her deep commitment to both practice and scholarship.

Maria-Cristina's approach to architecture is rooted in an understanding of its complexity and diversity. She sees architecture not as a fixed definition but as an evolving field where structures, physics, materials, aesthetics, philosophy, and human experience intertwine. Her interest in editorial work grew from this worldview, discovering that writing and designing share parallels: both involve constructing ideas that connect and support one another, much like the elements of a building. Through this lens, she finds joy in crafting essays that communicate complex ideas clearly and simply, emphasizing the uniqueness of concepts rather than words.

Romullo Baratto's architectural journey began early, influenced by a family environment steeped in engineering and architectural practice. Growing up surrounded by blueprints and models, he developed a foundational appreciation for the technical and creative aspects of the built environment. While his academic path led him to explore film and writing alongside architecture, these multidisciplinary interests naturally converged in editorial work. Starting as a freelance translator for ArchDaily, Romullo's alignment with the platform's mission led him to join as Editor for the Brazilian site, where he guided the publication to become the first media outlet to receive the prestigious FNA Award.

Now Managing Editor at ArchDaily Global, Romullo leads flagship initiatives such as the Building of the Year Awards, ArchDaily New Practices, and the ArchDaily Topics. He approaches editorial work with a commitment to elevating projects and narratives that offer fresh perspectives and provoke meaningful discourse—eschewing mere trend-chasing in favor of critical, nuanced storytelling that deepens professional understanding.

Christele Harrouk's path into architecture was shaped by the complex and ever-changing environment of her Lebanese upbringing—a place marked by contradictions, transformation, and resilience. Although her entry into architecture wasn't planned, the discipline quickly became a profound lens through which she understands the world and its complexities. Combining her passion for writing with her architectural and urban design expertise, Christele discovered a unique voice at the intersection of these fields, embracing editorial work as a powerful platform to influence discourse and amplify diverse narratives.

As Editor-in-Chief of ArchDaily, Christele is deeply committed to shaping architectural discourse through thoughtful curation. She looks for projects and stories that engage profoundly with context, culture, and social realities—seeking those that do more than present architecture as mere form or function. For her, the value lies in content that challenges prevailing narratives, amplifies marginalized voices, and fosters critical conversations across global communities. 

Based between Berlin and Vienna, Miwa Negoro brings a transcultural and transdisciplinary perspective to her role at ArchDaily, shaped by her architectural training and professional experiences across East Asia and Europe. Her work explores how built environments both reflect and challenge sociocultural contexts, positioning architecture as a dynamic dialogue between history, society, and future possibilities.

Miwa's curatorial approach emphasizes the interplay between regional context, design processes, and social relevance, alongside material and aesthetic considerations. She seeks projects that resonate beyond their immediate surroundings, offering insights that engage broader architectural discourse. By championing a diverse range of building types, scales, and geographic origins, Miwa actively works to broaden the scope of voices and narratives represented within the field.

Based in Mexico City, Enrique Tovar brings a multidisciplinary approach to architecture and editorial work shaped by his interest in history, society, art, and craftsmanship. His early experiences in a context where architecture is often self-built or negotiated gave him a nuanced understanding of the built environment as something fluid and evolving with use. This perspective naturally led him to editorial work, which he sees as an extension of architectural practice—one that captures the complexities and tensions that may not be visible in traditional design processes.

As Sponsored Team Editor at ArchDaily, Enrique explores the critical intersections between materials, construction systems, technology, and software. He is especially interested in how these elements influence contemporary architectural practices and the ways in which inclusive and universal design principles can expand the field's reach. His editorial focus encourages environments that respond to diverse bodies, experiences, and modes of inhabiting space, promoting architecture that challenges conventional norms and embraces broader social concerns.

© Ulises (@ulises.studio)

Artificial intelligence is becoming an undeniable presence in our daily lives. It teaches, generates content, and disrupts the fragile boundaries—both visual and imaginative—that once governed our interactions on social media. On platforms like Instagram, we witness a flood of imagery where every kind of speculative exercise is freely shared, recalibrating our understanding of the relationship between architecture and image. Amid this transformation, entire professions find themselves on uncertain ground, as AI begins to challenge areas once defined by human expertise.

Yet beneath this apparent abundance lies the opaque core of closed-source AI: an algorithmic black box that systematically conceals the origins of the data it consumes. As a result, its outputs are inevitably prone to factual distortions, anachronisms, and subtle or overt biases. This same machinery can hollow out the significance behind the languages and stylistic signatures of canonical architects—manifest, for instance, in AI-generated visions speculating how famed designers, living or dead, might have reimagined the Eiffel Tower. We shared one such image to observe and better understand how people—especially architects—respond to AI's current possibilities and limitations, and the ways it mimics architectural intent. The response was quite fascinating, revealing a mix of curiosity, concern, and critical reflection.

Hana Abdel's diverse background bridges interior architecture, art, and a deep appreciation for cultural heritage, shaping her distinctive approach to curating architecture content at ArchDaily. Originally from Lebanon and now based in Canada, Hana has spent more than a decade exploring interior architecture alongside artistic practices such as sculpture, ceramics, and drawing. Although she is no longer actively practicing interior architecture, these experiences continue to enrich her understanding of spatial narratives and the relationship between materiality and place.

As Manager of the Projects Curators team, Hana focuses on identifying architecture that tells compelling stories beyond aesthetics. Her editorial vision emphasizes projects that thoughtfully engage with cultural context, traditional techniques, and emerging voices, ensuring a diverse and inclusive representation. She is committed to shining a light on underrepresented communities and innovative practices that push the boundaries of architecture.

Time is running out! We invite you to take part in the ArchDaily 2025 Building of the Year Awards by casting your vote for the projects that have made the biggest impact on the built environment.

This year, ArchDaily's projects database has featured thousands of inspiring works, and thanks to your participation, 4,000 projects have been narrowed down to just 75 finalists—representing the best in each category. Now, it's time to choose the winners.

We invite you to participate in the ArchDaily 2025 Building of the Year Awards. We ask you to recognize and reward the projects that you feel are creating the largest impact in the built environment, that ArchDaily has published on our projects database in 2024. By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, from countries large and small, and architects of all descriptions. Over the coming weeks, your votes will result in 4000 projects being filtered down to just 15 – representing the best in each project category on ArchDaily.

Welcome to the ArchDaily Building of the Year Awards! Now in its 16th edition, this award continues to be the most democratic recognition in architecture, celebrating excellence and innovation across the built environment. With over 4,000 projects participating annually, it has become a global benchmark, powered by the voices of our passionate readers.

Each year, your votes shape the future of architecture, highlighting the most outstanding projects that push boundaries and redefine possibilities. As we embark on this journey once again, we invite you to be part of this collective celebration—honoring diversity, creativity, and ingenuity in architecture and design. Together, let's recognize and elevate the projects that inspire, challenge, and shape our world. Cast your vote and help define the architecture of today and tomorrow!

ArchDaily, part of DAAily platforms, is thrilled to announce an exciting transition. After nearly two decades of pioneering leadership, ArchDaily’s esteemed founder and current Editor-in-Chief, David Basulto, will be stepping down. Born and raised in Chile, David founded ArchDaily in 2005 and has been instrumental in shaping it into the globally recognized platform it is today.

Christele Harrouk, who has been an integral part of our team since 2019 and has served as Managing Editor since 2020, will step up as the new Editor-in-Chief of ArchDaily starting August 2024. Having worked closely with David over the years, Christele brings a wealth of experience and a fresh perspective that will guide ArchDaily’s editorial team into an exciting future.

ArchDaily’s teams look forward to the editorial vision Christele will bring and invite you to join in welcoming her to her new role.

ArchDaily is looking for a motivated and highly skilled architecture lover to join our content team, as a freelance external collaborator, situated anywhere globally, for our English website. This opportunity provides a unique chance to write engaging, thought-provoking, and insightful articles; focused on "empowering everyone who makes architecture happen to create a better quality of life", the main vision of ArchDaily.

ArchDaily is a digital project in constant evolution. As we grow, we are looking for new and talented writers and editors to engage our audience.

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Italian architect and industrial designer Gaetano Pesce has passed away at the age of 84, as announced today on the creator's official Instagram page. Known for the famous UP5 Chair (2000) by B&B Italia which can be compressed like a sponge, and the Organic Building in Osaka, Japan (1993), with a vertical garden irrigated by a complex, computer-controlled hydration system, Pesce dedicated over six decades to his craft, accumulating a portfolio that spanned architecture, product design, and art.

During Milan Design Week 2024, a monographic exhibition titled "Nice to See You" showing at Biblioteca Ambrosiana, is set to feature unreleased works of Gaetano Pesce. Additionally, Gaetano was presenting "L’Uomo Stanco" an outdoor installation in Piazza San Pio XI.

Make the most of Milano with our curated fair and city guides – put together by our expert team of architects and designers to make sure you know exactly what to see and where to go. As Designboom, Architonic, and ArchDaily, our core vision is to inspire, connect and empower. And while we can’t physically steer you in the right direction on the city streets or Salone del Mobile’s redesigned 2024 floor plans, we can make sure you have the optimal tools to locate the biggest discoveries, best new contacts, and most exciting stories: our two curated Milan guides, one to the fair and one to the city.

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