This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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Oxford-born designer, Jay Osgerby has achieved virtually everything there is to achieve in the world of design. Together with his partner Edward Barber, Osgerby runs the internationally renowned Barber & Osgerby design studio. From diverse designs for well-known manufacturers such as Vitra and B&B Italia to the official torch for the 2012 Olympic Games in London and a two-pound coin commemorating the 150th anniversary of the London Underground, Osgerby and his partner have been almost restless in their creation of numerous icons. “I find it quite difficult to not think about work. I’m always thinking about what’s next. I’m terrible at stopping and just thinking.”

With the right configuration of materials and shapes, small enclosure, such as bathrooms, have unending design potential. Progressively, architects and designers are striving to make washrooms more welcoming and attractive places for its users. Often times we will hear clients ask for their bathroom to be somewhat of a personal spa. This week we have compiled 10 compelling images of bathrooms from all over the world. Bathrooms whose materials, patterns, colors, shapes, and textures begin to tell a story. Below, photographs by Peter Clarke, José Hevia, and Erieta Attali.

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Dealing with the context of a project’s site is an essential part of architecture, be it by denying or incorporating preexisting elements and the environment’s conditions in the design. However, understanding what lies around as an active agent of the decisions and space organization goes beyond simply considering the good views, natural ventilation, solar orientation, etc; it is about seeing these conditions as co-authors.

These cases are most notable when practices think of the architecture's surrounding environment as an active agent. 

The third edition of the EA USS Workshop, organized by the School of Architecture at Universidad San Sebastián (Chile), featured Belgian architect Kersten Geers, founding partner of OFFICE KGDVS. In addition to participating in a series of discussions with workshop attendees, Geers held a public conversation with Enrique Walker and delivered a keynote lecture presenting his work and architectural reflections.

The 2018 edition brought together 14 teams, 11 of which represented domestic architecture schools, while 3 came from international institutions in Peru, Argentina, and Costa Rica—totaling 96 participants, including students and faculty advisors. To foster the development of projects capable of driving debate, each day of the workshop addressed a distinct theme, beginning with strategies led by Ernesto Silva, Director of the Santiago campus of EA USS, followed by the materialization of the project, led by Albert Tidy, Dean of the USS Faculty of Architecture.

To conclude, on Friday, October 26, an exhibition of the work produced by the teams was held, alongside an engaging conversation between Enrique Walker and Kersten Geers. The event wrapped up with a social gathering to celebrate the meeting of the schools and the high quality of the projects.

As the year comes to a close, we look back... what captivated us most? After presenting the best architecture of the year, we now focus on identifying representative projects. Among the wide range of Peruvian works published in 2018, those that had the greatest impact on our platform span various scales and typologies. Below, you will find everything from a private house to a public library, by both established and emerging architects—reflecting architecture for everyone.

May the work continue.

It is time to say goodbye to 2018. Following our showcase of the best architecture of the year, we have gathered the Chilean projects that generated the most engagement on our social media platforms. Indeed, in the architectural field, understanding where design is heading requires looking at its key works and observing how the public has responded to them.

Goodbye 2018, hello 2019.

Can tablets help architects better conceive and execute their designs? If you’re skeptical, you’re not alone. To a certain extent, architects are still unsure if meaningful work can be created on an iPad. As the novel of virtual reality wears off, it’s worth asking if portable augmented reality is the push forward that will combine the best of traditional and digital architectural technology. So beyond their utility as lightweight, untethered screens, what can tablets offer the professional architect?

In late 2017, Colombian architect Antonio Yemail and his team moved to a new office in Bogotá. After eleven years of working in a single, open-plan space where all activities overlapped, the move became an opportunity to inventory, reconstruct, destroy, and document design processes through their physical models.

Out of 150 models produced over the years, 90 were restored and photographed again. "It is the primary visual record of how our design inclinations have evolved and linked together, because as Álvaro Siza says, a project is the model for the next," Yemail explains in a conversation with ArchDaily.

Every Sunday morning, 120 kilometers of Bogotá are transformed into an extensive cycling circuit. This is La Ciclovía, a cultural and recreational initiative in which some of the Colombian capital's streets are designated as wide bike paths, allowing both residents and tourists to travel across Bogotá by bicycle.

In a radio interview broadcast by RCN, architect Jaime Ortiz recalls the origins of the ciclovía in the 1970s, when it emerged as a proposal developed alongside other architects to open up major avenues as cycling spaces every Sunday.

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During the design process of a building, design professionals from various disciplines are called upon to propose solutions that ensure client requirements and expectations are met.

Design decisions, which until the 1980s were often not grounded in objective criteria, have gradually become more evidence-based. This shift aims to reduce design and execution errors, material waste, and operational inefficiencies, while also systemically recognizing best practices.

Architects use meshes and nets as a way to brighten up homes, hostels, and even office spaces. Functioning as a hammock, mesh establish a connection between floor levels. This playful feature often creates unexpected places for leisure, escape, and rest. Below, we've selected 17 projects that feature nets and meshes.

Dear readers,

As the end of the year approaches, we would like to thank you all once again for making 2018 our best year yet. Thanks to your continuous support and our close connection with our readers, we now reach far more architects around the world, inspiring them to create better urban environments.

This article was originally published on CommonEdge as "When Buildings Are Shaped More by Code than by Architects."

Architects are often driven by forces which are stronger than aesthetics or even client whims and desires. To some extent we’re captive to the tools and materials we use, and the legal limitations placed on us as architects. Today a new code definition has changed one type of building in all of the ways architects usually control.

“A drawing should be a key to the understanding of architecture – what is there to like or dislike, where do architects’ ideas come from, how do these ideas make it to paper, and what is important in this process.” - Sergei Tchoban

For the past month the Russian-German architect, artist, and collector Sergei Tchoban has been the focus of the exhibition, Sergei Tchoban: Drawing Buildings/Building Drawings, bringing together fifty of the architect’s large-scale urban fantasy drawings. These drawings, while intriguing for their technical and artistic value, also reflect Tchoban's deeply personal contemplations about the past, present, and future of his favorite cities - Saint Petersburg, Rome, Amsterdam, Venice, Berlin, New York – along with in-depth documentation of five realized projects (two museums, two exhibition pavilions, and a theater stage design.)

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The holiday season may be one of joy, but there's always a little panic involved as well. You want to treat your loved ones to a gift they'll treasure and appreciate, but where to start?

Readers, ArchDaily has you covered. This year we've separated our choices in sections to help you find that perfect gift for the picky (budding) architect in your life. Our choices - and links to where you can find them - after the break: 

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This article was originally published by Autodesk's Redshift publication.

In East London, The Trampery on the Gantry is doubling down on the “creative” aspect of creative reuse. Part of the massive broadcast center used during the 2012 Olympic Games, the former HVAC gantry structure has been retrofitted by architecture firm Hawkins\Brown as an arts and media innovation hub.

Slate is a mineral product, completely inert and ecological, with a simple and efficient production process. It is one of the most versatile natural products, adapting to any project as a coating material, from roof to floor and façade.

It is resistant to extreme temperatures, with a lifespan of 100 years and a high impermeability, slate guarantees a reliable performance in any climatic condition. Its diversity in shapes, sizes, and textures allow for a multiplicity of combinations inviting architects to awaken their creative side.

We've compiled a list of 7 exemplary homes that have used slate as a wrapping material.

As a follow up to A Glimpse Into the Weird World of Architecture Students' First Assignments I wanted to explore what architecture schools from around the world are looking for in creating their institution’s community of young architects.

Approximately 3,550 students enroll annually in the United States into an accredited Bachelor of Architecture (BArch) program according to the National Architectural Accrediting Board (NAAB) and about 70% of that enrollment eventually graduate with a degree in architecture. There are 51 Accredited BArch programs in the United States compared to over 2,000 architecture programs worldwide. The United States has such a minimum amount of architecture schools relative to the world. An interesting fact is there are twice as many Master of Architecture programs in the U.S., but the initial quantity of student enrollment into each program is very similar.

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On November 22, 1988, one of the most important and revered figures in the history of Mexican and international architecture died in Mexico City. Luis Barragán Morfín, born in Guadalajara and trained as a civil engineer left behind an extensive legacy of published works, conferences, buildings, houses, and gardens that remain relevant to this day. While Barragán was known for his far-reaching research in customs and traditions, above all, the architect spent his life in contemplation. His sensitivity to the world and continued effort to rewrite the mundane has made him a lasting figure in Mexico, and the world.

Undoubtedly, Luis Barragán's legacy represents something so complex and timeless that it continues to inspire and surprise architects across generations. It is because of this that, 30 years after his death, we've compiled this series of testimonies from some of Mexico's most prominent contemporary architects, allowing them to reflect on their favorites of Barragan's works and share just how his work has impacted and inspired theirs. 

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Urban Sketchers is an international non-profit organization dedicated to fostering a global community of artists who practice on-site drawings to enhance the artistic, narrative, and educational value of drawing. Connecting people from all over the world, the organization brings people in touch with their environment to illustrate drawings of their lived experiences. 

It was a city of untamed rivers: they seasonally burst their banks, shaping fertile, humid floodplains. When the waters receded, the ground became firm enough for a ball to roll and feet to run after it. It was in a São Paulo without rivers buried under sad slabs of concrete that futebol de várzea—floodplain football—emerged.

Tracing the history of várzea football in São Paulo means understanding how the city was built around imposing rivers like the Tietê. In the early 20th century, immigrant populations, Afro-Brazilians, and recently freed Black people occupied these territories, giving rise to neighborhoods like Barra Funda in the city's west zone. Far more than an amateur sport, it became established as a symbol of social organization and the struggle for the right to the city, at a time when space in the capital was beginning to be contested and feel the pressures of gentrification.

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'Syllogisms' is an architecture and illustration project that draws its research from archives, publications, and photographs concerning the history of modern construction in Mexico. It presents a graphic narrative on the continuity and transformation of seminal 20th-century works through the synthesis, interpretation, and juxtaposition of their ideals. These pairings confront thought and form with deductive inferences. The sum of their parts foreshadows critical meanings and architectural motifs for future reconstruction.

2018 has been a special year for ArchDaily in Colombia: not only did we celebrate the first three years of our local site in Bogotá alongside prominent architects, and are now poised to set a new annual traffic record, but we also launched ArchDaily Colombia's Instagram account—which, thanks to you, has already reached 10,000 followers in just six months.

To wrap up this great year, we have selected the most popular projects—measured by total engagement, excluding reposts—on @archdailyco:

This extract was originally published on Common Edge as "The Legacy of Christopher Alexander: Criteria for an Intelligent Architecture."

In his monumental four-volume book, The Nature of Order, Christopher Alexander talks about an intelligent architecture, responsive to human needs and sensibilities through adaptation to existing buildings and nature. This is a new way of viewing the world—a way of connecting to it, and to ourselves—yet it is very much the same as the most ancient ways of connecting.