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In the field of urban planning, data collection and management have ushered in a new era in the analysis of urban form, unlocking new resources to understand, evaluate, monitor, and manage the development and evolution of cities. Many countries offer open access to their catalogs and datasets with up-to-date information on their cities, allowing anyone in the world to access records with data on the built environment. Since visual culture has prevailed as a means of interpretation and communication in urban planning, translating this data into graphics and synthesizing the information into visual maps is a task that has been widely embraced by cartographers, urban planners, and architects.

Shenzhen, as the modern metropolis in southeastern China that links Hong Kong to China’s mainland, has undergone rapid real estate development and intensive construction bidding in recent years.

“Shenzhen Ten Cultural Facilities of New Era” serves as a significant international design competition that has attracted much attention and investment from many high-level active architects worldwide.

This article by Carlos David Montoya Valencia and Gloria Aponte García was originally published under the title "La naturaleza, sustrato del paisaje urbano. Propuesta de un Índice de Vínculo de las Ciudades con la Naturaleza" in the 24th issue of the Dearq journal on January 1, 2019 (DOI: https://doi.org/10.18389/dearq24.2019.01).

We present it below as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

What if we could visit any building, regardless of whether it was ever built? Or, even after it has been demolished? This video and link below focus on a single house — the One Half House — designed by John Hejduk, to resurrect and explore. It uses the program Enscape to walk through the building in order to preserve and distribute the experience of architecture that does not exist in built form. The video offers a timeline to contextualize the role of the house in John Hejduk’s career and work, an analysis of the building, and initial reactions to walking through the building for the first time. In particular, the One Half House was pivotal for thinking about how architectural volumes might relate in space without the ordering device of a grid or a wall. What magic and other lessons are lurking in the design, hidden until we could experience it?

The 17th Venice Architecture Biennale debuted last week, showcasing a diverse and inspiring array of possible answers to the question “How will we live together”. Despite the many hurdles inflicted by the pandemic, this year’s edition of the event broadens the scope and reach of the Biennale, restating its role as a platform for inquiry, exploration, and disruptive thinking in architecture. Archdaily had the opportunity to meet in Venice with one of the co-curators of the US Pavilion, architect, author, and University of Illinois professor Paul Andersen, to discuss the idea behind the Pavilion and how it reflects the overarching theme of the Biennale.

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A vault is a constructive technique that is achieved by compressing the materials forming it together. While this technique has existed since the time of the ancient Romans, certain types of vaulted ceilings, such as the Catalan or Valencian timbral vault, only reached popularity in some areas of the world at the start of the 19th century thanks to their lost cost and ready availability. With the ability to span over 30 meters and add substantial height to structures, vaulted ceilings became a go-to for the construction of industrial spaces such as workshops, factories, and warehouses.

Senshang Architecture Design is a creative and passionate emerging architecture practice focusing on human habitats and the rapid development of both urban and rural environments. The practice primarily engages in architecture, interior, master planning, and landscape design. We emphasize the integration of practice and theory, prioritizing design value and spatial experience within the contemporary social context. Over years of exploration and experience in urban renewal and rural practice, the firm has gained recognition from various sectors. From rural construction and urban regeneration to agritourism, cultural-creative development, and the renovation and adaptive reuse of self-built housing, we approach every project with a developmental perspective and a critical attitude toward design.

This article was originally published on Common Edge.

Martin Pederson interviewed this week Antonis Antoniou and Steven Heller, author of Decoding Manhattan, a new book that compiles over 250 architectural maps, diagrams, and graphics of the island of Manhattan in New York City, talking about the origin story of the book, the process of research, and the collaboration.

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Designated a National Monument in 2010, the National Headquarters of the Chilean Association of Architects (Colegio de Arquitectos de Chile) is a 1920 masterpiece by the prominent architect Luciano Kulczewski García. This Art Nouveau icon originally comprised two residences, each featuring a grand double-height hall illuminated by large windows, with five commercial spaces on the first floor.

India is rethinking the future of housing through new typologies. Defined by historical and cultural influences, the country's contemporary architecture centers on discussions of how best to modernize. Built over millennia, India's housing projects are made to address diverse scales, programs and functions. Exploring a revitalized urban landscape, these modern housing projects have begun to set a new tone for the future.

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The terms space and place are often used interchangeably, but they can mean different things depending on the context in which they are used. Placemaking shows that the creation of places transcends the material dimension and involves aspects such as sociability, uses, activities, access, connections, comfort, and image, to create bonds between people and a sense of place.

In April 2021, the A8 Design Center at Luxe Lakes in Chengdu presented the exhibition "2 Kilometers of Lakeshore: Southwest Independent Architects 2021 Luxe Lakes Cross-Disciplinary Joint Exhibition." **Thirty-one independent architects** were invited to create installations along the Luxe Lakes waterfront. Working within a **budget of 30,000 RMB**, and drawing on self-reflection and their understanding of public space, they built **experimental, interactive, and experiential micro-spaces, presenting 31 unique perspectives on the world.** Through dialogue among the architects and with the public, the exhibition sought to further stimulate public engagement in design.

Following the exhibition visit, the A8 Design Center organized a hotpot gathering under a bridge with Chengdu's independent architects, sparking this dialogue. **We wanted to delve deeper into what this new generation of independent firms in non-first-tier cities is doing, how they are growing, and what they are thinking.**

Interviewer: Shuangyu Han
Part 1 Interviewees: Yun Lu (MUDA Architects), Youcai Pan (Wray Architecture), Hongduo Jin (Xd-Architects)
Part 2 Interviewees: Kefei Cai (Menkou Architects), Xiang Wang (TeKtonn Architecture), Yuejiu Li (a9a rchitects), Tang Zhang (YI JIE Atelier)

The massive new hub for lab research, by Behnisch Architekten, marks a new chapter of sustainable construction and campus planning. James McCown explores in his article originally published on Metropolis, Harvard's latest addition in the Boston campus, the new Science and Engineering Complex (SEC) designed by German-based firm Behnisch Architekten and centered on sustainability and well-being.

Videos

For its new Pendulum collection, CTO Lighting has teamed up with AD100 designer Dan Yeffet, for an Anglo-French collaboration that celebrates ‘a shared vision of materiality and pure form.’

Who would have thought that residents of São Paulo, one of the busiest cities in the world, would miss the hustle and bustle of the streets? Through a simple and elegant intervention, Brazilian architects Gustavo Cedroni and Martin Corullon of Metro explain how they supported one of the areas hardest hit by the pandemic, using small architectural gestures to bring life back to the street.

After being shut down for more than a year, museums across the world are beginning to show signs of reopening. Most architecture and design events that were scheduled for 2020 have been pushed a year or two, depending on the severity of the pandemic in their respective regions. But while museums are open to the public once again, administrators have installed numerous precaution measures to ensure the safety of visitors and curators, and to avoid potential re-closures.

As international travels have been revived by government officials, and tourism is expected to recover gradually, read on to discover 18 museums and exhibitions that have begun welcoming visitors into their exhibition spaces as of May 2021, and the procedures required from the attendees before and during visitations.

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This week, we feature job openings from two of China's leading architecture practices: Beijing-based People's Architecture Office (PAO) and Shenzhen-based Meng Architects. Known for their distinct design philosophies and active presence in different sectors of the architectural field, both offices are looking for talented architects to join their teams.

Italian manufacturer Foglie d'Oro brings high-quality, responsibly sourced materials and precision craftsmanship together with as much expertise as the elements in its high-end parquet floors.

In April 2021, the A8 Design Center in Chengdu presented "2-Kilometer Lakeshore: 2021 Luxelakes Cross-disciplinary Exhibition of Independent Architects from Southwest China." The exhibition invited 31 independent architects to build experimental, interactive, and experiential micro-spaces along the Luxelakes waterfront, offering 31 distinct perspectives on the world. Operating under a tight budget of 30,000 RMB, the architects infused their creations with self-reflection and their own understanding of publicness. By facilitating dialogue among the architects and between the architects and the public, the exhibition sought to further stimulate public engagement with design.

Through the works of these 31 local young architects with global perspectives, we witness the diverse values of a new generation and their multi-dimensional thinking on architecture. Limu Architectural Lab deconstructs architecture into columns, plinths, roofs, and envelopes, dissolving pure form; Uyoung Architects boldly deploys pink walls to establish relationships of "seeing and being seen" and "hearing and being heard" with the environment; Bai Yang uses 70 hemlock logs to support an "iron hat"; TEKTONN ARCHITECTS uses 150 bamboo poles to construct an accessible rest area; Fanzhu Design uses iron to create three continuous arched spaces that offer shelter and passage; 00Group creates an enclosed, mirrored space; MUDA-Architects builds a "periscope" by the lake, featuring a bubble wrap facade that invites tactile interaction.

Popularly known as the lotus, the aquatic species Nelumbo nucifera has a useful particularity. Its leaves are self-cleaning, or ultra-hydrophobic. This means that no particles of dirt or water adhere to its leaf, which is especially useful in the humid and muddy environments where the plant typically grows. However, this effect does not derive from a perfectly smooth surface or a resinous layer on the leaves. The lotus is, in fact, full of tiny folds that reduce the area of the contact surface and repel all the particles that try to adhere there. The lotus effect has been studied by nanotechnologists in order to apply this same effect to products, such as surfaces, paints, fabrics, and tiles that can easily clean themselves. As trivial as this may seem, when we think of the resources applied to cleaning skyscraper glass or even of the reduction in photovoltaic energy generation due to dust on solar panels, we can get a sense of the infinite possibilities that hydrophobic surfaces could represent.

Nature, over billions of years, has developed adaptive solutions that are beginning to be understood by us with new technologies applied to the needs of areas such as the construction industry. When professionals such as scientists, biologists, engineers, architects, and others join forces and focus on understanding aspects of nature, with an empathetic and respectful view, the results can be impressive.

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Whether made from natural or synthetic fibers, textiles have played a part in architectural design since time immemorial; however, it wasn't until the era of industrialization and advancements in technology that high-quality textiles could be made and utilized en masse. Most often, they have been used to enclose temporary structures like medical tents and emergency housing thanks to their mobility and ease of assembly.

Almost 80% of South America is tropical land. In Peru, close to two-thirds is covered by the Amazon rainforest, more than in any other country. These landscape conditions give rise to unique living conditions, and in turn, shape Peru’s contemporary architecture. Today, new homes are built to embrace nature and create space for everyday life.

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The 2021 Venice Architecture Biennale finally opened its doors to the public, on May 22nd, despite all odds and after two postponements. Presenting 115 different responses to “How will we live together”, the architectural exhibition gathered innovative answers from across the globe, all arising from a common determination to change the status quo. Bringing people who face the same issues together to partake in a vital exchange of ideas, the 17th edition has amplified the role and status of the Biennale as the biggest platform for architecture.

Onsite, in Venice, ArchDaily had the chance to meet with curator Hashim Sarkis, to discuss once more the ever-growing relevance of the biennale, different overlapping scales and fields, recurring qualities, and the international language of architecture. Hoping that “people will walk out of the biennale with a stronger belief in architecture as being a medium that can make a difference”, Sarkis in his third interview talks of a collective imaginary that can inspire new spatial contracts.

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Text Courtesy of Reutov Design. Among the endless movement of millions of people and cars, you often want to get in touch with nature. Here is an oasis in the midst of a raging stream. The concept of the cafe, developed by ReutovDesign studio, combines a creative interpretation of modern design and natural style.

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