
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

The current architectural production faces several paradigms and one of them is aesthetic. In a scenario of constant uncertainty, buildings with projections, holograms, or completely automatic ones that science fiction has shown so much, seem more and more distant from reality. Nowadays, the search for greater identification with the built space has been amplified instead of idealizing the new for the new. Therefore, looking at the past has presented different perspectives and it is in this scope that perhaps we can imagine a new futuristic aesthetic.

An ancient Indian folktale narrates the story of a demigod, Hiranyakashipu, who was granted a boon of indestructibility. He wished for his death to never be brought about by any weapon, human or animal, not at day or night, and neither inside nor outside his residence. To cease his wrathful ways, Lord Vishnu took the form of a half-human-half-animal to slay the demigod at twilight at the threshold of his house.
Threshold architectural spaces have always held deep cultural meaning to the people of India. In-between spaces are found in the midst of daily activities as courtyards, stairways, and verandas. The entrance to the house is revered by Indians of all social backgrounds. Throughout the country’s varied landscape, transitional entry spaces are flanked by distinctive front verandas that merge the street with the house.

This article was originally published on Common Edge.
Despite its dazzling collection of masterpieces, London’s National Gallery has been cursed with a series of ill-advised architectural schemes over its two-century existence. Only once have its leaders made a truly inspired and visionary choice: in the mid-1980s, the gallery held a competition, won by Venturi, Rauch and Scott Brown (VRSB) of Philadelphia, to build a special collections building.
The addition was constructed from 1988 to 1991, using funds donated by the Sainsbury family as a gift to the nation and was immediately hailed as one of the finest buildings of its type erected in the 20th century. It has remained popular with Londoners and has served well as an expansion of William Wilkins’s undistinguished classical building ever since. Experts on the work of Robert Venturi, John Rauch, and Denise Scott Brown consider it one of their masterpieces. Apparently, the National Gallery has a different opinion.
The new NOA outdoor living centre in Belgium offers boundless inspiration for the realisation of creative outdoor concepts, thanks to the collaboration of 24 high-end outdoor-living brands. Watch the video to find out more.

What could be more familiar to any human being than food? Food connects landscape with culture, emotion, history, and overall planetary health. Sharing food and cooking for others is a fundamental act of care and a way of expressing generosity and hospitality, reminding us of how much we depend on one another. Food allows us to think simply about the complex relationships of our habitat, providing a common ground for people to connect just as they would in their own homes: around the kitchen table.

No city is like New York. As an amalgam of different cultures, it is one of the most diverse in the world. New York is also facing social and environmental challenges that range from the need for new housing and transportation demands, to rising sea levels and storm surges. As the global pandemic further underlined the importance of design in shaping public life, city officials and planners are looking at a range of approaches and models for urban development and renewed growth.

Window displays are the means of communication with the customers, the transition layer between the street and the store. From its emergence in the 2nd century, in the Roman Empire, until today, many changes have taken place until we reach the current windows, which not only display products, but also the identity of brands. Here is what to consider when designing a showcase.
The story of the memorable curtain brightening up the DAAily bar at Swiss Corner during Milan Design Week is about more than just its colourful, natural patterns. As the Swiss-born artist Douglas Mandry, creator of the work in collaboration with Bally and Christian Fischbacher, explained during his Live Talk alongside the installation at the DAAily bar, "My work is driven by the global change we’re facing, addressing issues of climate change and environmental consciousness through visible elements."

The city is in constant flux: monuments disappear, landmarks are forgotten, and new symbols emerge, prompting streets, plazas, and walls to redefine the urban landscape. In doing so, they offer new reference points, narratives, and ways of understanding the city, our history, and our society.
Thinking, discussing, and reconfiguring the city through art involves a series of processes. Researching territories, their inhabitants, sociocultural environments, and relational dynamics are essential pillars when designing and implementing installations that impact the city. The proliferation of large-scale artistic interventions that prioritize the purely aesthetic forces us to reflect on what we encounter in public spaces and how these encounters affect our daily lives.

As the largest city in the United States, New York City is one of the most diverse and vibrant cities in the world, recognized by many as the center for global media, culture, fashion art, and finance. The city was founded in 1624 by settlers from the Dutch Republic and has since grown into “the city that never sleeps”.
While almost every style of architecture exists in New York City, the metropolis is most well known for its skyscrapers, both in historical styles such as Neoclassical and Art Deco and in their varied contemporary expressions. The first building to bring the world's tallest title to New York was the New York World Building, in 1890. Later, New York City was home to the world's tallest building for 75 continuous years, starting with the Park Row Building in 1899.

An empty wall is not always a breath of air, at times it can give a cold feeling of missing something. And that is why it presents itself as a space to be occupied to bring more originality and greater character to your space. The question is: how can we intervene in it? Below, we have gathered some ideas from various projects to inspire you.

Skyscrapers are an unmissable characteristic of contemporary settlements. From São Paolo to New York, from Seoul to Dubai – these towering structures are a ubiquitous part of the urban fabric. The conventional image one has of these structures is of curtain-walled facades, but in Yemen – an ancient example goes against this trend. Central Yemen is home to the city of Shibam, surrounded by a fortified wall. It’s also home to a dazzling example of architectural ingenuity – tower houses that date back to the 16th century, stretching up to seven stories high.

The need to rapidly adapt to climate change has rightfully taken center stage. But the connections between climate change and stormwater management are often overlooked. Climate change impacts the hydrological cycle by increasing water scarcity and the frequency and intensity of flooding while contaminating waterways. Better managing stormwater is key to managing water resources and protecting our safety and the health of our environment.

Slow living is a trend inspired by growing interests in mindfulness and sustainability – and our growing cultural need to escape from the negative effects of fast-paced digital living and high consumption. Yet how exactly can the design of our interior and exterior spaces interpret this trend and help us slow down?

Founded in 2004 by Chinese architect Ma Yansong, MAD Architects is led by Ma Yansong, Dang Qun, and Yosuke Hayano. The practice is dedicated to exploring the future of architecture, integrating Eastern philosophy into contemporary design, and creating spaces that foster a deep dialogue between humanity, nature, and the environment. Every day, across our Beijing, Los Angeles, and Rome offices, our architects channel their passion into expressing our unique vision of spatial design, crafting fluid, visionary, and technologically advanced architectural environments.
MAD Architects is a global studio of talented architects, designers, and creative thinkers. We are dedicated to impact the experience and understanding of the built space that surrounds us, and from there we develop visionary, fluid, and technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature.
Ranging from large-scale masterplans to imaginative urban complexes, museums, opera houses, social housing, historic renovations, and art installations, MAD maintains a unique design perspective while striving to achieve a harmonious balance between humanity, the city, and the environment. Currently, MAD's global projects include the Lucas Museum of Narrative Art, Shenzhen Bay Cultural Plaza, Jiaxing Railway Station, Yiwu Grand Theater, the Cloudscape of Haikou, and residential developments in Paris, Rome, and Los Angeles.
Our team of 130 works across offices in Beijing, Los Angeles, and Rome. Our projects range from large-scale urban developments and masterplans to imaginative civic, cultural, residential and hospitality buildings of varying scale. We endeavor to improve the balance between people, their built environment, and their natural surroundings.

Imagine explaining to someone 25 years ago what the professions of social media manager, uber driver, or drone operator are all about in 2020. Technology combined with population demands, resource scarcity, urbanization and other factors have created a number of new jobs and radically changed others. Research claims that 65% of children entering elementary school today will end up working in jobs that don't yet exist.

Over the years, interior design has evolved according to the needs that arise, but above all according to the experiences it seeks to evoke in the user. In the last two years we have witnessed a radical change and a special interest in this subject because the pandemic forced us to pay specific attention to the configuration of the places we inhabit. This brought about much more holistic designs that seek to address the wellbeing of the user, combining colours, sensory experiences, technology and natural elements that promote health.

When the first commercial planes took flight, so did architecture. Like many other moments of technological advancement, the fascination with soaring through the skies heavily influenced the design movements of the last fifty years- not only in terms of how we design airports and think about the airline passenger experience, but the aesthetics of aviation and how the fabrics, textures, and high-end details would influence our lives on the ground.
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Achieving the best use of space, reducing the footprint of the buildings that are constructed and designing an optimal distribution that can meet the needs of their inhabitants are some of the requirements and challenges faced, day after day, by architects around the world. Through the implementation of certain materials, the definition of the morphology or even the geographical and natural conditions of the terrain, it is possible to carry out various strategies that make it possible to design homes with the comfort that their users need and in the smallest amount of square metres possible.

Within South America, different dates have been established to pay tribute to and honour the career, life and work of architecture professionals. While in Uruguay it is celebrated every 27th of November in relation to the creation of the first Faculty of Architecture, in Brazil every 15th of December in homage to the birth of Oscar Niemeyer or in Chile every 4th of August for the founding of the College of Architects, the Argentine Federation of Architects' Associations (FADEA) kept the 1st of July to commemorate the Day of the Argentinean Architect, respecting the establishment of the International Day of Architecture, established by the International Union of Architects (UIA) in 1985.

At a hospital, patients are always one conversation away from good or bad news. When not being rushed into treatment rooms, the sick are often left to feel stressed about their health. Healthcare workers have one of the most stressful jobs, with sudden changes in patient conditions. The general atmosphere in traditional hospitals seems tense and worrisome, and this has an adverse effect on patients’ well-being.

Everybody talks about Metaverse, but hardly anyone agrees on what it is. For the moment, it is still enigmatic, however, it seems like its ambiguity is its strength. Not a day goes by without a new article or a video on this subject, trying to convince people that Metaverse will inevitably become a part of our daily lives soon. Architects and designers are essential parties to the ongoing discussion as it is a spatial innovation that requires the Internet to be redesigned as a 3D environment.

The capsule hotel is typically representative of the image that many people have of Japan, combining dense use of space, technical ingenuity, and a futuristic vibe. Capsule hotels, also known as pod hotels, are one of Japan’s best-known and unique types of lodgings. Typically located around major public transportation hubs in large metropolitan cities, they target individuals looking for a low-budget, single-night stay.

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina discuss undergraduate architecture thesis projects and studios, covering the differences between thesis projects, capstone projects, and dissertations; how to select a thesis topic; how to choose the right studio/professor; the value of doing a thesis; the unique challenges of thesis; and more.