Produce personalized presentation boards that distill complex concepts into simple visual representations with a few helpful tools and effects.

Years ago, architects made the move from hand-drawn plans to CAD. The time they saved and efficiencies they gained transformed the industry. Today, you’ll be hard-pressed to find an architect that solely works using the traditional pen-and-paper methods. That digital shift has continued to develop.

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The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by Scott Mitchell, Founder and Chief Executive Officer of Scott Mitchell Studio, to discuss his designs; his early interests in architecture; his office; influential people in his life; the power of thoughtful architecture; and much more.

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Today, one of the most popular initiatives regarding public space, participatory design and activism in the city is the so-called citizen urbanism or tactical urbanism. The approach proposes to trigger, through limited and low-cost interventions, long-term changes in public space, i.e. short-term action, long-term change (Street Plans, 2013).

The strategy used is to create temporary scenarios that make visible a specific problem and the formation of specific interventions to solve it, seeking to incorporate the community to give it relevance and promote its sustainability over time and, in this way, raise the discussion about the benefits of the projects for the quality of life in the context in which they are inserted.

Improving people's quality of life is one of the biggest goals of professionals in Architecture and Urbanism. When planning cities, creating housing or carrying out a simple refurbishment, we seek to improve the built space regardless of scale. The Urban Rehabilitation of Alto de Bomba, carried out in the city of Mindelo, Cape Verde, arose from the need to combat the precariousness found previously in the place. A project that required the immersion of the team in the daily life of the city and resulted in an inspiring proof of how much architecture can reveal better ways of living the city and acting directly in society. No wonder it received the Work of the Year Award in 2022, chosen by our readers as the winner among hundreds of competing projects.

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This article was originally published on Common Edge.

Can a piece of infrastructure literally kill a city? This is the question that writer Jim Krueger poses in his recent podcast, The Road That Killed a City. The place in question is Krueger’s current hometown—Hartford, Connecticut—which he grew up next to in the leafy suburb of West Hartford. Kruerger has lived in both towns, and that helps to balance the amazing story he uncovers about how Connecticut’s capital was impaled by a roadway (actually, two: east/west I-84 and north/south I-91 converge in Hartford in a sort of arterial highway ground zero). I spoke with Krueger about what prompted the podcast, some of what he uncovered about the history of this ill-fated urban “improvement,” and the legacy of a highway that continues to thwart Hartford’s rebirth—an inheritance shared by many cities across North America.

Greatly driven by the Covid-19 pandemic, interior design trends that prioritize comfort and well-being have become more prominent than ever in recent years. With former confinement restrictions and the rise of hybrid work, the amount of time spent indoors to carry out daily functions has risen drastically, forcing many to adapt their living spaces accordingly. As a result, demand has focused on residential interiors that foster calmness, peace and warmth, as well as on products and design elements that successfully meet these new needs. But how to achieve this? While there are many ways to promote comfort inside the home, one method has been indisputably proven to be the most successful: bringing nature in.

Windows are the elements that connect us to the outside world. It is from them that views are framed, privacy, lighting and natural ventilation are defined. Nowadays in the construction market we find different types of openings. Find out how to choose the type that best fits your project needs here.

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When browsing the 3D printing tag on ArchDaily, it is clear that this technology has developed at an incredibly fast pace. If in the early years we observed the concept as a distant possibility for the future or with small-scale examples, in recent years we have observed entire printed buildings and increasingly complex volumes being produced. Developed by reading a computer file, the fabrication is carried out through additive manufacturing with concrete - or other construction materials - and presents numerous difficulties in providing an efficient process that enables the constructive technique to become widespread. The pavilion printed by the Huizenprinters consortium, for example, illustrates this process well.

Architect Mariam Kamara—founder of Niamey, Niger-based firm Atelier Masōmī—is a contrarian of design pedagogy as it is largely practiced today. To Kamara, modern is not synonymous with European forms, architecture is not only for Westerners to define, and the so-called canon of great buildings actually ignores most of the built world. The Niger-based architect's rapidly growing practice informs a series of lectures she has delivered recently at MIT, Columbia University GSAPP, the African Futures Institute in Ghana, and Harvard GSD.

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Although some may question it, architecture is essentially a service industry. And like in all services, the process itself (meetings, invoices, payments) can be just as important as the end result (the finished project). At the end of the day, if you offer a coherent, efficient and well-structured service that complements a good design, clients will be satisfied and are likely to return. They will also spread the word and recommend the office, which is ultimately the best way for design professionals to build a good reputation and attract new customers.

Many boxes must be checked to provide a good service. But perhaps one of the most crucial involves billing and payments, which are vital for cashflow and thus fundamental for businesses. In project-based industries like architecture and design, fees are usually paid out in various installments defined by specific time frames, from the initial design delivery to construction. Therefore, receiving a consistent, predictable income in all stages is indispensable; it avoids non-payments and delays that can hinder project delivery and cause complicated situations.

Nothing is more representative for an office than carrying the name of the country on its identity. Far from seeming banal, the architecture of Brazil in Brasil Arquitetura undergoes a thorough analysis that highlights aspects of Brazilian culture and society.

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Even before we got used to remote work, some offices were already concerned about the well-being of their teams and how to attract new talent to work in their physical spaces. In this context, the decompression rooms had already become fundamental parts of the architectural program to demonstrate that the company is concerned with encouraging people to live together, relieving everyday pressure and bringing moments of pleasure during the workday. Currently, when many have already returned to the offices, environments like this have become increasingly essential to ensure the well-being of the employee, as well as improve their performance.

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Without a doubt, pivot doors are more in style than ever. Rotating on a vertical axis with nearly invisible components, these swinging doors are characterized by their clean lines, contemporary aesthetic and endless design possibilities – features that make them ideal for a wide array of applications, especially as grand design statements. They particularly stand out, however, for their beautiful and elegant movement that allows smooth transitions between spaces, setting them apart from regular hinged doors. To ensure that this characteristic motion is achieved, two steps are indispensable: selecting high-quality hardware and installing it properly.

Brick has positioned itself as one of the materials that characterise and identify Argentinean and Latin American architectural culture. The diversity and versatility of masonry in our region have given rise to great heterogeneity in its uses and applications: structural walls, partitions, enclosures, screens, envelopes, skins, roofs, vaults, domes and floors allow us to visualise the great adaptability of this material in order to adapt to the particular requirements of each project.

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