For Mauricio Pezo and Sofía Von Ellrichshausen, the architect's job is about much more than dealing with functional issues, as well as social issues, sustainability, and safety. “Of course architecture from its very essence is solving problems, and the problems constantly change,” says von Ellrichshausen in this interview with The Architectural Reviewoutside their Vara Pavilion at the 2016 Venice Biennale. “But probably the life span of architecture is many times larger than the problem that it addresses initially. Therefore we think of architecture more in terms of this larger span and hopefully it might embody a set of values and not necessarily propose a solution.”
“Utopia”: the word was coined by Sir Thomas More in 1516 when he started questioning the possibility of a perfect world where society would suffer no wars or insecurities, a place where everyone would prosper and fulfill both individual and collective ambitions. Yet such a perfect society can only exist with the creation of perfect built infrastructure, which possibly explains why architects have often fantasized on megastructures and how to “order” this dreamed society.
Megastructures, as imagined after World War 2 by the CIAM international congress and Team 10, are now regularly revived with the intent to solve social issues on a mass scale. Notably, architecture students have shown a renewed interest for walking cities as first conceived by Ron Herron of Archigram in the 1960s, assuming that megastructures could solve major crises in remote areas. Just as ETSA Madrid student Manuel Dominguez developed a nomadic city to encourage reforestation in Spain for his 2013 thesis project, Woodbury University graduate Rana Ahmadi has recently designed a walking city that would destroy land mines on its way. But these utopian projects also involve a considerable amount of technology, raising the question of how megastructures and technology can work together to give societies a new beginning.
Florida is a state in denial. Miami is in the midst of one of the largest building booms in the region's history. Dense crane canopies pepper the city's skyline as they soar over forthcoming white, gold, and aqua clad "high end" residential and hotel towers. This massive stream of investment dollars is downright paradoxical considering the impending calamity that surrounds Southern Florida: The National Oceanic and Atmospheric Administration predicts that the sea level could likely increase almost 35 inches (0.89 meters) by mid-century. If current trends continue, that number is anticipated to rise to up to 80 inches (2.0 meters) by the year 2100, threatening the habitability of the entire metro area.
Given that harrowing scenario, Miami is either refusing to acknowledge the inevitable, or desperately trying to become relevant enough to be saved—not that saving the city is actually feasible. The region sits on extremely porous limestone which pretty much rules out the option of a Netherlands style sea wall. If the Atlantic couldn’t make any horizontal inroads, the rising tide would simply bubble up from below. Miami’s pancake topography doesn’t stand a chance.
Montreal 1967 World's Fair, "Man and His World," Buckminster Fuller's Geodesic Dome With Solar Experimental House, 2012. Image Courtesy of Jade Doskow
It is the relation between the mind, which Bucky so often talked about, and experience or experiencing that I found to be the key that unlocks his work and inspired my own.
As Buckminster Fuller explained in an 1965 interview with Studs Terkel, his relationship with his daughter was very close. Now, in a previously-unpublished essay written in 1995, the daughter of "Bucky" Allegra Fuller Snyder has shared her father’s best lessons with Metropolis Magazine - explaining how she has adopted her father's approach to learning and understanding the world. Both of them engaged in “experiencing” the living environment, “involving one’s whole self, not being present at, or observing, something, but “doing” that thing.”
At any given moment when walking through Roberto Burle Marx: Brazilian Modernistat the Jewish Museum in New York, one may hear a soft rushing of waves, mixed with the murmur of an open-air crowd. A narration in Portuguese, both spoken and sung, will drift breezily in and out. This is the soundscape of Plages, a 2001 video by artist Dominique Gonzalez-Foerster. Shot from an aerial perspective above Copacabana Beach, the film shows the popular Rio de Janeiro waterfront not in its usual sunlit splendor but in the artificially lit nocturne of New Year’s Eve 2000. Celebrators teem in the space between city and ocean, in the moment between one year and the next, moving in dynamic patterns amid the immense designs laid out by Roberto Burle Marx.
As A Quincy Jones rightly said, “There’s no unimportant architecture”.[1] The late architect worked alongside his colleague, Frederick E. Emmons, putting their hearts and souls into the design of Case Study House #24, but sadly it was never built. The location in which Case Study House #24 was to be constructed was once a part of the Rolling Hills Ranch, the area which is now popularly known as San Fernando Valley.
The design of the house started with the surrounding environment, which is richly brought out in the architectural drawings by the architects. The region with its lush green vegetation invites swimming, barbecuing, horse riding and other such outdoor activities.
For religious societies, heritage and traditions play an important role in maintaining identity, culture and allowing for the community's self-improvement, both spiritually but also in a spatial sense. Therefore, the way people occupy the place in which they live leads to the material fulfillment of religious aims.
With the creation of a place that follows their sacred order—the Jetavana—the community can be enriched while performing their traditions and rituals in a specific and proper way through architecture.
https://www.archdaily.com/792266/project-of-the-month-jetavanAD Editorial Team
For those of us that aren’t based out of a university—and even for many who are—finding research resources that cover the topic you're interested in can be a challenge. But they can be found, and thanks to the internet your search no longer needs to be limited to nearby libraries. In fact, many world-renowned libraries and magazines are now working to digitize important parts of their collection, while a number of online organizations have sprung up with missions to improve access to information. To help you identify some of the most useful, we’ve put together a list of 18 free websites that offer scholarly articles, publications, photos, videos, and much more.
The damage caused by Hurricane Katrina in 2005 can never be forgotten, but 10 years after the rebuilding of New Orleans started in 2006, a new architecture has emerged with cutting-edge designs being widely celebrated in the media. The Make It Right foundation (founded after the disaster to help with structural recovery) commissioned first-class architects such as Morphosis, Shigeru Ban, and David Adjaye to design safe and sustainable houses for New Orleans’ Lower 9th Ward. But Richard Campanella and Cassidy Rosen worry that this vision is detached from reality.
Far from the common dismissal of Margot Krasojevic’s work as (in her own words) “parametric futurist crap,” her work has always revolved around concepts of sustainability. As she explained to ArchDaily last year, she aims to focus on the ways that sustainable technology “will affect not just an architectural language but create a cross disciplinary dialogue and superimpose a typology in light of the ever-evolving technological era.” For the second project in a series of three proposals for the city of Belgrade Serbia, the architect is proposing a “Trolleybus Garden” that functions as a waiting shelter and park while simultaneously harnessing kinetic movement to produce electricity.
As Seoul’s population boomed, apartment blocks became commonplace. Photographer Manuel Alvarez Diestro spent 6 months exploring the city’s new towns, aiming to “reveal in visual terms the expansive nature of urbanization and the transformation of the landscape through the construction of these new housing developments of massive scale.”
Videos
Zaryadye Park / Diller Scofidio + Renfro. Image Courtesy of Zaryadye Park
When it comes to urbanism these days, people’s attention is increasingly turning to Moscow. The city clearly intends to become one of the world’s leading megacities in the near future and is employing all necessary means to achieve its goal, with the city government showing itself to be very willing to invest in important urban developments (though not without some criticism).
A key player in this plan has been the Moscow Urban Forum. Although the forum’s stated goal is to find adequate designs for future megacities, a major positive side-effect is that it enables the city to organize the best competitions, select the best designers, and build the best urban spaces to promote the city of Moscow. The Forum also publishes research and academic documents to inform Moscow’s future endeavors; for example, Archaeology of the Periphery, a publication inspired by the 2013 forum and released in 2014, notably influenced the urban development on the outskirts of Moscow, but also highlighted the importance of combining urban development with the existing landscape.
Introducing movement to drawings and diagrams is an excellent way to show the development and progress of ideas fundamental to a project. Animated GIFs can therefore be a useful tool to improve your project presentation, explaining in a lean way a large amount of complex information.
When it comes to architectural drawings, it's fundamental to understand what information needs to be highlighted and what is the best way to show it, getting rid of all the extra data to focus attention on the main asset. With that in mind, here is a list of 7 different types of animated GIF that really show off the best of every project.
It’s the Chilean architect Alejandro Aravena’s habit to look at architecture as a way to help people, and not to simply dazzle them with form. The ethos and practice of Aravena’s Santiago-based firm, Elemental, is essentially the blueprint for each national pavilion at this year’s Venice Architecture Biennale (through Nov. 27), which he is directing. His brief, “Reporting from the Front,” asks a simple question, one that’s increasingly difficult to address: How can the advancement of architecture, given physical needs and local contexts, actually improve the quality of people’s lives?
The question is central to how Aravena approaches his own work. Before he puts pen to paper, the economic, environmental, political, and social dimensions of the built environment are fully taken into account.
Perspective view of the Zamoskvorechye district of Moscow. Image Courtesy of Strelka Magazine
In this interview Nadya Nilina, a Russian architect, urban planner and educator specialising in large-scale masterplanning and historical preservation, traces the formation of Russian discourse on urbanism and discusses what goals might be set for the future of urbanisation in the country.
Alongside Prof. Dr. Ronald Wall, Nilina is curating the Urbanisation of Developing Countries course as part of the new Advanced Urban Design programme at Moscow's Strelka Institute, which will provide a detailed critical overview of Russian urban development over the last three hundred years. Urbanisation of Developing Countries is considered one of the key topics in urbanism today and represents a large and complex part of this discussion.
“OK, let me see your list.” I was fresh out of architecture school and working on my first project as a designer. It was one week before our design Development Deadline. The project manager asked me to draw up a list of remaining design issues.
“Here are the ten things I have left,” I said as I handed over the list. “It was hard to prioritize them. They’re all really important.” I was fortunate to be working with an experienced project manager who, in addition to being extremely patient with me, saw it as her responsibility to mold and shape green architecture graduates into fully functioning architects. Not an easy task...
So you’re convinced that BIM will be a good addition to your firm. Unlike more conventional CAD, BIM is composed of intelligent 3D models which make critical design and construction processes such as coordination, communication, and collaboration much easier and faster. However, for these reasons BIM is also seen by many as a more complicated software with a steep learning curve, with the potential to take a large chunk out of a firm’s operating budget during the transition period. So how do you actually transition an entire firm’s process to BIM? Here are ten steps to guide you on your way.
https://www.archdaily.com/791767/10-steps-to-simplify-your-firms-transition-to-bimAD Editorial Team
.jpg?1470992306 "Vara Pavilion / Pezo von Ellrichshausen. Image © Laurian Ghinitoiu")
.jpg?1471021982 "Vara Pavilion / Pezo von Ellrichshausen. Image © Laurian Ghinitoiu")
.jpg?1471021974 "Vara Pavilion / Pezo von Ellrichshausen. Image © Laurian Ghinitoiu")
.jpg?1470992306)
.jpg?1470233009 "An untitled work in collage, made in 1967, illustrates Burle Marx’s diverse artistic pursuits. Image Courtesy of Sítio Roberto Burle Marx, Rio de Janeiro")
