Produce personalized presentation boards that distill complex concepts into simple visual representations with a few helpful tools and effects.

London-based Weston Williamson+Partners (WW+P) has won the “Route 2020” competition for the Expo 2020 Dubai rail link, a 15-kilometer, £2.2 billion metro Expolink in the United Arab Emirates.

Working in collaboration with global engineer CH2M, Alstom, and Acciona and Gulermack, the firm was selected ahead of ten rival bids for the high-profile project, which will connect Nakheel Harbor & Tower with the World’s Fair site.

U.S.-based firm Sasaki has won the international competition to redesign Suzhou Creek—also known as the Wusong River—in Shanghai, China, which was historically one of the city’s most vital water routes, but which, in recent decades, suffered severe pollution and neglect. After receiving a grant from the Asian Development Bank, the waterway has been cleaned and is now in the process of becoming a new centerpiece for Shanghai.

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After working for OMA, BIG, FR-EE and REX, architect-turned-artist Se Yoon Park has dedicated the last three years to Light, Darkness, and the Tree, a sculpture series employing digital fabrication techniques to express an allegory for life. With assistants, Vladislav Markov, Kelly Koh, David Temann Lu, Ramon Rivera, Kara Moats, and Insil Jang, Park uses dynamic light and shadow to capture movement on surfaces that contort, split and disappear into each other.

In this video from CNN Style, London designers Edward Barber and Jay Osgerby discuss Forecast, a wind-powered installation they created in collaboration with V&A Museum for the first London Design Biennale. With the intent to help city residents find their way “at a time of turbulence,” the installation responds to the Biennale's theme "Utopia by Design."

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Recent years have seen a rapidly increasing interest in the architecture of the former Soviet Union. Thanks to the internet, enthusiasts of architectural history are now able to discover unknown buildings on a daily basis, and with the cultural and historical break caused by the collapse of the Soviet Union, each photograph of a neglected and decaying edifice can feel like an undiscovered gem. However, often it can be difficult to find more information about these buildings and to understand their place in the arc of architectural history.

That was the reason behind the creation of Socialist Modernism, a research platform started by BACU - Birou pentru Artă şi Cercetare Urbană (Bureau for Art and Urban Research) which "focuses on those modernist trends from Central and Eastern Europe which are insufficiently explored in the broader context of global architecture." Socialist Modernism already consists of a website on which BACU has cataloged a number of remarkable and little-known buildings. However, now the team is raising funds on Indiegogo's Generosity platform for the next step in their research project. With this money they hope to create an app on which users can add new sites and buildings to the database.

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Take a walk through the Hub Performance and Exhibition Center, designed by Neri&Hu Design and Research Office, in the dynamic Hongqiao District of Shanghai, China. The video, produced with Pedro Pegenaute, showcases the Center's nature-inspired interior, featuring dramatic lighting and views framed by walnut- and oak-covered aluminum branches recalling forest canopies.

Sam Jacob Studio has created a replica of Adolf Loos’ unrealized 1921 mausoleum in Highgate Cemetary, London, which is home to the graves of Karl Marx and Malcolm McLaren, amongst other notable figures.

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Proctor and Matthews Architects have released its plans for 140 homes in the first development phase of Mountfield Park, a major urban extension of Canterbury, England as a 21st-century garden city.

Inspired by the local landscape and vernacular forms, namely nearby courtyard farms and the site’s existing landscape of hops fields and fruit orchards, this first phase of the development will feature six residential clusters with houses interconnected around an orchard landscape. These clusters will be configured as a series of stepped terraces, in response to the site’s topography.

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A photo posted by Ashgabat International Airport (@ashgabatairport) on Sep 16, 2016 at 2:04pm PDT

Designing airports based on flight-inspired, aerodynamic forms is nothing new – in fact, that has been the concept behind some of history’s most beautiful airport terminals, such as Eero Saarinen’s iconic TWA Terminal in New York. But until now, no airport building has been quite so literal with its symbolism as the recently unveiled Ashgabat International Airport.

The new terminal building in Turkmenistan's capital takes the form of a soaring falcon, echoing the mascot of the national airline carrier. And at a cost of $2.3 billion USD, the structure has already drummed up some controversy – critics claim the building is much larger than needed to handle the country’s relative low traffic rates.

See some images of the bird-shaped building below.

Santiago Calatrava has unveiled plans for a new office building in the city center of Zurich, Switzerland. The new five-story building will be integrated into Stadelhofen Station, the transit hub and city landmark also designed by Calatrava in 1990.

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This article was originally published by 6sqft as "PHOTOS: After two-year renovation, NYPL’s historic Rose Main Reading Room will reopen October 5th."

After being closed for a two-year restoration, the New York Public Library’s historic Rose Main Reading Room and Bill Blass Public Catalog Room will reopen to the public ahead of schedule on Wednesday, October 5th at 10am.

The $12 million project, managed by Tishman Construction Corporation, came about in May 2014 when an ornamental plaster rosette fell 52 feet from the Reading Room’s ceiling. In addition to recreating and replacing this piece, all 900 rosettes in both rooms were reinforced with steel cables. Other work included the recreation of a 27′ x 33′ James Wall Finn mural on the ceiling of the Catalog Room and the restoration of the chandeliers. To mark the occasion, the NYPL has shared an incredible collection of photographs documenting the restoration work and the Rose Main Reading Room with nearly all scaffolding removed.

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Perched on Long Island City’s waterfront, Socrates Sculpture Park is celebrating its 30^th anniversary with its first permanent structure.

Its form? Cubes. 

LOT-EK architecture firm’s “The Cubes” — initially commissioned for New York's Whitney Museum of American Art — is composed of eighteen recycled shipping containers that create two levels of indoor space. The building's 960 square feet of flexible interior space promises a multi-functional facility, with most areas built for holding classes of up to 70 people.

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Dutch firm Froscen Architects has unveiled FOON HOUSE(S), a tiny house concept in Leiden, the Netherlands. To be built on a former communications bunker from World War II in the middle of the city, the design focuses on the adaptive reuse of a small concrete complex overgrown with ivy.

The project will consist of four separate micro-houses on top of the bunker, each with a floor space of about 38 square meters, and equipped with necessary facilities.

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In November 2014, a volcano on Fogo Island, Cape Verde, erupted, spewing forth massive amounts of lava and destroying the homes of hundreds of people from the nearby village of Chã das Caldeiras. One of the buildings in the volcano’s wake was the National Park Cultural and Administration Center – a sleek, dark building designed by OTO Architects and winner of the 2015 ArchDaily Building of the Year Award for Cultural Architecture.

Captivated by the lunar landscape and the sudden destruction of architecture, architect Adrian Kasperski has designed three new speculative projects that respond to the events and culture of the island: A Volcanism and Culture Centre, a Vineyard and Hotel, and a New village to replace the leveled Chã das Caldeiras.

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Today, the MacArthur Foundation announced the 23 recipients of their 2016 MacArthur Fellowship Grants, which are awarded annually “to encourage people of outstanding talent to pursue their own creative, intellectual, and professional inclinations.” Each fellowship comes with a stipend of $625,000 for the recipients to use for individual pursuits, paid out in equal quarterly installments over a five year period. Fellows are selected based on 3 criteria: exceptional creativity, promise for important future advances based on a track record of significant accomplishment, and potential for the fellowship to facilitate subsequent creative work.

This year’s fellows include artists, playwrights, geobiologists, poets, jewelrymakers, novelists and historians, but, for the fifth straight year, no architects. In the program’s 36 year history, just 6 recipients have come from architecture-related fields.

Rogers Partners Architects+Urban Designers and Nelson Byrd Woltz Landscape Architects have released preliminary designs for a new park floating above a divisive highway and commuter rail line in the Buckhead neighborhood of Atlanta, Georgia. A 2,400-foot-long elevated traverse, Buckhead Park Over GA400 aims to bring the community together with safe, convenient access to the amenities and cultural attractions in Buckhead.

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The Royal Institute of British Architects (RIBA) has announced Níall McLaughlin, founder of Níall McLaughlin Architects, as winner of the 2016 RIBA Charles Jencks Award. The award is given annually to an outstanding architect or practice "that has recently made a major contribution internationally to both the theory and practice of architecture."

“Niall McLaughlin is a great inspiration for architects today, especially the young, because of his masterful skill in drawing from all traditions – classicism, modernism, postmodernism,” said jury member and award namesake Charles Jencks. “All the “isms” are under his belt, not on his back, and he extends them all through the commitment to architecture as an art and professional practice.”

Previous winners of the award include Herzog & de Meuron (2015), Benedetta Tagliabue (2013), Rem Koolhaas (2012), Eric Owen Moss (2011), Steven Holl (2010), Charles Correa (2009), Wolf Prix (2008), Ben van Berkel and Caroline Bos (2007), Zaha Hadid (2006), Alejandro Zaera-Polo and Farshid Moussavi (2005), Peter Eisenman (2004) and Cecil Balmond (2003).

Construction is now underway on Skidmore, Owings & Merrill’s (SOM) OH-1 redevelopment project in the Ohtemachi District of Tokyo, Japan. Covering a 20,000 square meter (215,000 square foot) site, the project constitutes one of the largest revitalization projects in Tokyo’s history. The complex includes two high-rise, mixed-use buildings containing a luxury hotel, commercial office space, retail and cultural facilities, and is centered around a park and public area that will visually connect the development to the adjacent Imperial Palace East Gardens.

A photo posted by Wappato (@wappato) on Sep 19, 2016 at 1:19pm PDT

A year after the ancient city of Palmyra, Syria was destroyed by the Islamic State, a 3D-printed recreation of one of its most iconic structures has begun its world tour. Originally erected in London’s Trafalgar square in April, on Monday, the replica of Palmyra’s Arch of Triumph was unveiled in its new location outside city hall in New York City.

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An emerging sector of construction is developing new systems that manage to not only reduce construction times and costs, but also solve the housing problem in Mexico’s most disadvantaged areas. Originating from previously known construction techniques, national companies are venturing into international markets by proposing new models of construction that use fewer materials and have a greater structural strength and greater comfort. They’re also introducing smart materials adaptable to any construction need. 

As part of this new industry breakthrough, Juan Manuel Reyes from Armados Omega and architect Jorge Capistrán have developed a new, low-cost construction system which also reduces construction time by 50%. It uses single module blocks and doesn’t require binders, mixtures, or skilled labor.