After producing major revisions on a previously rejected design, BIG have had their second design rejected for the Kimball Art Center in Park City, Utah. City Hall rejected the design on the basis of appearance, arguing that it did not relate to the historic city centre "aesthetically, visually or historically." The second design by BIG marked a complete departure from the original that was selected as the winner of an architectural contest hosted by the Kimball Art Center.
As a student of architecture, the formative years of study are a period of wild experimentation, bizarre use of materials, and most importantly, a time to make mistakes. Work from this period in the life of an architect rarely floats to the surface - unless you're Zaha Hadid or Frank Gehry, that is. A treasure trove of early architectural drawings from the world's leading architects has recently been unearthed from the private collection of former Architectural Association Chairman Alvin Boyarsky. The collection is slated to be shown at the Kemper Art Museum, Washington University, St. Louis, as a part of the exhibition Drawing Ambience: Alvin Boyarsky and the Architectural Association from September 12th to January 4th, 2015.
Take a look at the complete set of architects and drawings for the exhibition after the break.
In an interview with Rowan Moore for The Observer, British born architect David Adjaye discusses his work, personality and ambitions as head of the one of the fastest growing internationally operating practices. With Moore's immersive descriptions and expertly written narrative, the "breadth of Adjaye's vision" becomes apparent. Featuring precise descriptions of some his upcoming projects, including the designs for the Smithsonian's National Museum of African American History and Culture and a number of smaller buildings in London, Moore's discussion ultimately explores Adjaye's early (and successful) steps into the African architectural market. You can read the interview in full here.
What influence do art and space have on the contemporary architectural design process? MoMA's most recent exhibition on architecture and design Conceptions of Space strives to answer this question. Themed under the umbrella of spatial relations, Curator Pedro Gadanho ruminates on the subject in a broad and philosophical sense. The exhibition delves into the topic using an interdisciplinary approach, incorporating research from French philosopher Michel Foucault on the subject of the expanded field. The exhibition aims to explore the relationship between the development of space and its deep-seated roots in the creative arts.
We sat down with Leong Leong Architecture, designers of the US Pavilion at the 2014 Venice Biennale to discuss their concept for OfficeUS. Commissioned by Storefront for Art and Architecture, Leong Leong was tasked with designing a temporary and multi-functional space for architectural practice and exhibition. The minimal, airy US Pavilion features over 1000 projects designed by American architects abroad, set amongst a functional office space.
New York-based firm Biber Architects has unveiled its design for the US pavilion - "American Food 2.0: United to Feed the Planet" - at the Milan Expo 2015. An airy, barn-inspired structure, the design represents the pavilion’s food-centric theme, focusing on a farm-to-table food model and sustainable production.
The Academy of Neuroscience for Architecture (ANFA) will have their 2nd international conference between September 18 and September 20 in La Jolla, California.
Mayor de Blasio has declared a “total reset” for public housing in New York. At the same time, the decline of affordable housing options has become New Yorkers' greatest concern.
Rafiq Azam is the principal of SHATOTTO architecture for green living, based in Dhaka, Bangladesh. He will introduce us to his work and city, which is also home to works by Louis Kahn. Azam’s “green” is not about global ratings or the current sustainability trend. It is his response to the sky, water, and vegetation that surround him and his city. There is an apparent simplicity in Azam’s work that disguises and belies a complex fabric revealing the wonders of the cosmos.
The Philadelphia Museum of Art has revealed Frank Gehry's designs for a 169,000 square foot expansion that will see the museum dig down to create a new set of galleries underneath its existing footprint. Already an unusual choice for a project whose brief called to preserve the architectural integrity of the existing building, Gehry's design is an unexpectedly muted intervention, focusing on interior rearrangement and additions that are in keeping with the 86 year-old building's aesthetic.
Perhaps the most dramatic alteration proposed by Gehry is a plan to punch a hole through the museum's famous 'Rocky steps', the iconic training location from the Rocky film series, creating a window into the new subterranean galleries; however as the $350 million project will by necessity by undertaken in stages, this intervention is likely to be a subject of discussion for some time.
More on the design after the break
SuperPuesto is a temporary pavilion by Terence Gower commissioned by The Bronx Museum of the Arts in collaboration with the Andrew Freedman Home for Beyond the Supersquare, the first U.S. museum exhibition to examine the complicated legacies of modernist architecture in Latin America and the Caribbean through the perspectives of 30 contemporary artists. With the goal of providing an immersive space for visitors to experience the exhibition’s artistic and architectural themes, SuperPuesto also serves as an annex for educational and public programs related to Beyond the Supersquare.
The 61×61 foot maze, housed in the building’s grand atrium, will be open to visitors until September 1st. See more images and video, after the break...
Peter Zumthor and the Los Angeles County Museum of Art (LACMA) have revealed a revised design for the museum's $650 million new home on Museum Row in Los Angeles. The new design still features the sinuous glass and grey concrete slab raised a full story off the ground, but under the new proposal part of the museum would bridge Wilshire Boulevard to touch down on what is currently a car park opposite.
The change comes in response to criticisms that the previous design would put the neighboring La Brea Tar Pits at risk, threatening their status as an active paleontological research site and a popular tourist destination. The shape of the new design removes this risk by withdrawing from the boundary with the adjacent tar pits, without compromising on floor space in the museum.
More on the revised design after the break
Happy 4th of July! To celebrate the USA's Independence Day, our editors have selected their favorite projects located in the USA, from architecture classics to extraordinary newcomers. Enjoy them all, after the break!
This weekend, at the AIA's national conference in Chicago, Russell A Davidson was elected the AIA's 2016 president. Davidson, who served as the AIA's Vice President in 2012-13 and president of AIA's New York State chapter in 2007, will be joined by William J Bates and Francis M Pitts as Vice presidents, and John A Padilla as AIA Secretary.
The Emerging New York Architects (ENYA) committee of the AIA New York Chapter is pleased to announce the opening of its sixth biennial design ideas competition exhibition, QueensWay Connection: Elevating the Public Realm on Thursday, July 17 at 6:00 PM at the Center for Architecture.
Today, Chicago Mayor Rahm Emanuel will announce plans for a new international architecture exhibition in his city which hopes to rival the reach and influence of the Venice Architecture Biennale. The first Chicago Architecture Biennial is planned to be held in late 2015, and will be co-curated by Director of the Graham Foundation Sarah Herda, and Joseph Grima, former editor-in-chief of Domus Magazine and co-curator of the 2012 Istanbul Design Biennial.
More on the plans for the Chicago Architecture Biennial after the break
The US Architecture Billings Index showed a significant improvement in May, jumping to a score of 52.6 and showing some growth after two consecutive months of contraction. As the American Institute of Architects (AIA) reports, its two new measures of growth also showed positive results: the Project Inquiries Index rose to 63.2; and the Design Contracts Index - despite dropping slightly from last month's 54.6 - still showed growth at 52.5 points.
"Volatility continues to be the watchword in the design and construction markets, with firms in some regions of the country, and serving some sectors of the industry, reporting strong growth, while others are indicating continued weakness," said AIA Chief Economist Kermit Baker, Hon. AIA, PhD. "However, overall, it appears that activity has recovered from the winter slump, and design professions should see more positive than negative numbers in the coming months."
A breakdown of regional and sector highlights, after the break