Safdie Architects has officially opened the new campus headquarters for Surbana Jurong, Singapore’s leading architecture, urban design, and infrastructure firm. The project expands Safdie Architects’ vision of 'for everyone a garden' into the workplace with a design that draws on the tranquility of the site’s previously undeveloped natural setting to foster shared moments of engagement and creativity. Achieving Green Mark (Super Low Energy) certification, the campus is the flagship development of the emerging Jurong Innovation District, envisioned as the first business park set in a tropical rainforest.
The development marks Safdie Architects' sixth project in Singapore and enhances the firm's prominent built portfolio in the city-state, which already includes Marina Bay Sands, Sky Habitat, and the Jewel at Changi Airport. On the occasion of the opening, ArchDaily spoke to Charu Kokate, Partner at Safdie Architects, who leads efforts in the Singapore region, about the firm's unique development footprint and building philosophy.
When delving into the envelope of construction and examining how the interior relates to the exterior, the concept of greenhouses emerges as an opportunity to cultivate life indoors, whether dependent on external factors or not. Defined as spaces enclosed by glass or other transparent plastic materials, greenhouses facilitate the growth of vegetables and ornamental plants even during periods of adverse external weather conditions. However, what does designing for plants involve? Climate, species, structural design, and the type of covering are just a few of the considerations to take into account.
As a highly transparent material that stands up to all but the most extreme of weather conditions, is easily formed into any size or shape, and, once formed, will last for thousands of years, glass is still one of the most innovative and crucial materials used in architecture. Although contemporary building practices allow us to form huge, glittering skyscrapers of glass that rise hundreds of meters into the air, the ancient material’s original purpose – to welcome light into weathertight and secure interiors – remains its most important more than a thousand years on.
As important as glass is to almost every typology of architecture in the form of windows, when it comes to the roof of a building, the use of glass is not so simple. We’ve understood the power and danger of combining light and glass ever since we saw a magnifying glass used to concentrate the heat of sunlight into incredibly high temperatures in children’s cartoons. Under a glass roof, the solar gain can make for uncomfortable internal environments without the correct protective precautions.
For most people, modern living requires spending most of the day in interior spaces - in fact, according to a report by the Environmental Protection Agency, the average person spends around 90% of their life indoors. As a result, this implies missing out on health benefits associated with sunlight exposure, such as vitamin D absorption, regulation of circadian rhythms, higher energy levels and even improved mood. Thus, one option is to increase the amount of time we spend outdoors. But because most daily functions are carried out inside buildings, it is crucial to incorporate and prioritize natural lighting in interiors.
In the history of modern architecture, Louis I. Kahn is regarded as the undisputed master of monumentality in the United States. At the height of his career, Kahn managed to create a unique type of architecture, often awe-inspiring, but avoiding overdone grandiosity, expressing its constructive system, yet avoiding structural exhibitionism, steeped in history but developed with a new language and system of forms. His interest in light as a functional element and the specific qualities of materials extended beyond his buildings, in all the objects he created to populate them following their intrinsic spirit. To celebrate this legacy, Form Portfolios has now launched “Monumental Modernism,” the first collection of lighting, objects, and furniture modeled after those discovered in Louis I. Kahn’s buildings.
In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While James Turrell, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of light art isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of Light Collective.
After founding the platform "Women in Lighting" their book "Women Light Artists," takes a bold step in introducing us to 40 creative women whose work radiates with responsive ingenuity and brilliance. The book offers a captivating spectrum of projects from interactive pools to the play of colorful daylight shadows dancing across a bridge in London, from the peaceful projection onto an iconic Berlin landmark to the vivid rainbow arching above Manhattan's skyline, each work embodies a unique dialogue between light and space. The luminous journey offers a valuable tribute to the power of female artists who, for far too long, have remained in the shadows.
In the world of interior design and architecture, lighting has evolved from a mere functional necessity into a powerful tool for creating pleasant environments, accentuating design elements, and setting the mood for occupants. Embedded lighting systems have been a game-changer in this regard, especially when combined with LED technology, offering countless possibilities to transform spaces. LED strips, in particular, have revolutionized lighting by providing energy efficiency, longevity, versatility, and customization that was previously challenging with traditional lamp-based lighting. They have fundamentally changed how we illuminate homes, offices, and businesses, ushering in a new era in lighting technology.
In the realm of architecture and interior design, lighting is a pivotal force in enhancing the overall atmosphere of a space. A harmonious interplay of light and design can elevate the ambiance and functionality of any architectural environment. Through meticulous attention to detail and innovative design principles, architects and designers can craft spaces that are not only visually stunning but also experientially enriching. By carefully considering these factors, creative architectural spaces can be brought to life, evoking emotions and transforming the way we perceive and interact with our surroundings.
In today's ever-evolving world, lighting has embraced a particular emphasis on new and streamlined proposals. Designed by Ramos & Bassols, the Spa collection by Vibia stands out for its adaptability, seamless design, and lighting performance. With its minimalist and refined form, the Spa LED lighting system offers compositional freedom, enabling designers to craft a wide range of atmospheres, from intimate corners dedicated to personal well-being to functional areas designed for general purposes.
https://www.archdaily.com/1003295/light-through-lines-seamless-design-for-creative-architectural-spacesEnrique Tovar
The use of light in religious constructions as an element of association with the divine has been present throughout the history of humanity. Historically, a series of temples from various religions have used this technique as an attempt to visually and perceptibly approach humans to a sacred and intangible dimension. Light is often given a spiritual connotation and significant symbolic force, capable of modifying people's relationships, perceptions, and experiences with their surroundings. Thus, it is an element that has been, and still is, used by architecture to create scenarios and effects in many religious spaces, especially churches.
From Thomas Edison's empty glass bulb to AI-controlled LEDs, hundreds of years of constant evolution have passed, which culminated in what we now know as artificial lighting. Edison could not have imagined how dependent we would become on his invention almost two centuries later. It led to a way of life where we spend up to 90% of our time in enclosed spaces deprived of natural light, such as shopping centers and offices. Places where artificial light remains constant throughout the day, without any variation of color temperature or luminous intensity are where artificial lighting practically eliminates day and night differences.
Light is part of various disciplines, shaping the world as we know it. In physics, it serves as a measure of speed and makes vision, and the recording of images by the eye and camera lens possible. Throughout art history, the representation of light - or its absence - has guided secular movements in various manifestations with equally different techniques and supports. This means that light - and its derivative shadow - can create environments, atmospheres and sensations, which can be perceived in objects and spaces. Light is also a part of architecture.
Light has been present in art for centuries. To think of the Baroque or Gothic without this element would be impossible. However, in the 20th century, artists began to explore light qualities and transformed them into a means of materializing art. Sculptures, immersive installations, and ways of shaping the environment through light, its colors and intensities brought new spatial perceptions by establishing a unique relationship with architecture.
Luis Barragán’s legacy lies in the way he uses light and color. Tadao Ando's sensitive approach to natural light established his own architectural language. James Turrell's dramatic interior transformations explore a unique perception of visual experiences where "light is not a tool to enable vision but rather something to look at itself". Olafur Eliasson's immersive installations play with the psychology of viewers using just light, water, and air. These architects and designers, among others, have reimagined how light is perceived, inspiring generations of architects to follow suit with the way they understand and employ light.
The simple activity of taking a walk in the evening can easily turn from a relaxing leisurely activity to a dangerous endeavor by removing just one element from the streetscape: public lighting. While not often recognized as defining aspect of urban environments, artificial illumination has played an essential role in defining the character of modern cities. Crime control, the appeal of nightlife, the rise of the shop window, revolutionary movements, utopias, and ideals of social equity are all concepts whose development is tightly linked to the history of public lighting. Technological advancements over the past centuries have continuously shaped the appearance and symbolism of streetlamps. Still, the this element has remains a constant throughout its history.
Whenever light falls on a surface there will be a shadow, no matter how insignificant its focus is. The outline will hardly be visible, but other shapes will come to the fore in this play of light and dark. In the case of being projected by solar dance, a latent dynamic is added to the shadows that can be used to intensify everyday phenomena, breaking the monotony of space. Orthogonal openings in a long corridor or woven pieces in a courtyard are examples of constructive elements that create patches of light and shadow, bringing in addition to aesthetic delight and thermal comfort to its users. In this way, it becomes evident that these intangible elements are essential parts of an environment that, long before Louis Kahn declared the power of shadows, was already being manipulated.
The motto of the Solar Decathlon Europe 21/22 was to convert and expand rather than to demolish and reconstruct. Recycling windows, using biodegradable materials for luminaires and connecting light with sensors represented just some innovative examples of the international university-level student competition in Wuppertal, Germany. For the first time, the competition presented an award for sustainable architectural lighting. This was a question of quality as much as quantity, and that applies equally to daylight and artificial light.
Lighting plays a crucial role in architecture: to allow users to see, safely inhabit spaces, and carry out their daily activities. But its power has long exceeded these basic functions, primarily driven by technological advances and new design trends that have led to greater innovation and creativity. Contemporary lighting design has the ability to completely transform a room, impacting visual comfort and setting the tone by defining volumes, drawing attention to texture and enhancing colors. It can also determine shape and size perception; for example, in a room that is particularly small, having extra lighting reflect off light-colored walls will help the space appear larger. Similarly, light has been proven to affect mood, concentration and overall well-being. Whereas an adequately illuminated environment is associated to warmth and improved energy levels, poor lighting can lead to health deficiencies, including headaches, eyestrain and even depression.
On August 27th, 1883, the volcano of Krakatoa in the Indonesian islands erupted. Ashes and rocks flew miles high. Barometers wobbled three and a half times as they recorded the atmospheric pressure wave circumnavigating the globe. The noise was heard across the Indian Ocean and Australia. And for years, small ash particles floated in the atmosphere, diffusing the sun’s light and scattering colors around the world.