As part of a new exhibition at the National Building Museum in Washington D.C., twelve dollhouses tracing the history of British domesticity have been lent by London's Victoria & Albert Museum of Childhood. The show—Small Stories: At Home in a Dollhouse—spans 300 years and presents a miniature-sized, up-close-and-personal view of developments in architecture and design – from lavish country mansions, to an urban high-rise.
As part of a new exhibition at the National Building Museum in Washington D.C., a group of 24 American architects, designers and architects have been commissioned to create "dream homes" in the format of the contemporary dollhouse. Part of Small Stories: At Home in a Dollhouse, in which twelve historical dollhouses spanning the past 300 years from London's Victoria & Albert Museum of Childhood are being presented in the United States for the first time, these 21st Century interpretations intend to showcase a "diverse array of perspectives, demonstrating the limitless creativity of building in miniature."
Studio Gang has been selected to design next year’s installation of the Summer Block Party at the National Building Museum in Washington, D.C. The temporary exhibition will be the latest in the Museum’s annual series, after this year’s ICEBERGS by James Corner Field Operations, and previous installations like Snarkitecture’s The BEACH in 2015, and Bjarke Ingels Group’s BIG Maze in 2014.
Coinciding with the organization’s 60th anniversary this year, The Graham Foundation has announced the list of recipients of their 2016 Grants to Organizations, a total of $419,000 (USD) to be given to 31 exemplary projects from around the world. The Organization Grants are awarded to projects displaying “originality, capacity, feasibility and potential for impact” and are divided amongst four categories: Exhibition, Film/Video/New Media, Public Program, and Publication.
In its 60 years, the foundation has made significant impacts in the fields of art and architecture through the awarding of grants to outstanding projects, exhibitions and publications. They have expanded their exhibition programming in the past few years, including a display at the inaugural Chicago Architecture Biennal last year.
Continue after the break for the full list of recipients.
This year’s installment of the National Building Museum’s Summer Block Party Series, James Corner Field Operations’ ICEBERGS, is now open to the public. On display until September 5th, ICEBERGS takes the form of a shimmering, underwater world of glacial ice fields located in the museum’s expansive Great Hall to provide the public with an escape from the hot Washington, D.C. summer.
Building on the popularity of Snarkitecture's popular BEACH last year and BIG's massive Labyrinth in 2014, the National Building Museum's 2016 Summer Block Party installation has returned this year with "ICEBERGS," designed by James Corner Field Operations. ICEBERGS is an interactive underwater environment of glacial ice spanning the museum's Great Hall, and invites in the public to escape the hot Washington D.C. summer by exploring climbable bergs, ice chutes, caves, grottos and more.
Take a look at this time lapse video to see how the project came together.
The National Building Museum offers a new, one-of-a-kind destination with ICEBERGS, designed by James Corner Field Operations. Representing a beautiful underwater world of glacial ice spanning the Museum’s enormous Great Hall, the immersive installation features climbable bergs, “ice” chutes, caves and grottoes to explore, and much more.
Built by Women D.C. (BxW DC) is a crowd-sourced competition organized by the Beverly Willis Architecture Foundation (BWAF) to recognize and support the diverse women working in design and construction. This weekend, view the winners that are on display in the Great Hall. On Saturday, attend tours of projects selected as outstanding that will be included in the BWAF’s BxW archive. For more details and to register for the tours, visit go.nbm.org/BxWDC.
Re-Ball! is an open design competition to turn 650,000+ 3-inch, white, translucent plastic balls into a site-specific installation in the Dupont Underground’s 14,000-square-foot east platform. The balls were previously part of the National Building Museum’s blockbuster 2015 summer destination The Beach.
The winning concept will take the medium in a new direction, one that responds to the uniqueness of the installation site. From the open, light-filled box of the National Building Museum’s Great Hall to the curving concrete volume of the Dupont Underground's east platform, Re-Ball! entries should transform the constituent materials — and the space itself — into an entirely
Canstruction Timelapse: Architects Build Transportation-Inspired Sculptures at the National Building Museum
Twenty-four teams from Washington, DC-based architecture and design firms participated in CanstructionDC 2015 at the National Building Museum, building transportation-themed sculptures out of canned food. At the end of the display, the sculptures will be dismantled and the food will be donated to local hunger relief organizations. Watch the sculptures come together, including a Mayflower bean soup ship and a full-scale smart car, in the timelapse video above. Learn more on the National Building Museum website.
James Corner Field Operations has been chosen to design the National Building Museum's 2016 Summer Block Party installation. Just like its predecessors, including Snarkitecture's popular BEACH and BIG's massive Labyrinth, the installation will take over the Museum's Great Hall. With the design in its preliminary stages, little has been revealed. However, its mission is to "present innovative, interactive experiences that experiment with new ways of seeing and understanding the built environment."
“We are very excited about this opportunity to once again transform the Great Hall for summer spectacle and pleasure,” said James Corner, adding that “it will be a great challenge to surpass the genius of previous installations, but also an opportunity to explore something new and unexpected.”
Now through September 7, you can take a "swim" in a massive "BEACH" that has taken over the National Building Museum's Great Hall. Spanning 10,000-square-feet, the BEACH was created in partnership with Brooklyn-based Snarkitecture to offer the people of Washington D.C. a one-of-a-kind installation as part of the NBM's "Summer Block Party."
The "ocean" is essentially a ball-pit comprised of nearly one million recyclable translucent plastic balls. It is contained within a mirrored, all-white enclosure flanked by a 50-foot-wide "shoreline" that offers visitors the option to wade the "water" or sit back and relax.
In partnership with Brooklyn-based Snarkitecture, the National Building Museum (NBM) in Washington, D.C. aims to once again create an interactive architectural exhibit as a part of its “Summer Block Party” programming. While last year’s exhibit included a life-sized maze by BIG, this summer, the museum will host a 10,000 square foot enclosure in its Great Hall called the BEACH.
Circle the globe in 800-feet at the National Building Museum’s latest exhibition HOT TO COLD. BIG - Bjarke Ingels Group’s first North American exhibition, HOT TO COLD takes viewers on an “odyssey of architectural adaptation” from the “hottest to the coldest parts of our planet to explore how BIG’s designs are shaped by their cultural and climatic contexts.”
More than 60 architectural models of BIG’s most recent projects, including 20 premiering for the first time, are being suspended from the second floor of the museum’s historic Great Hall. Each project is interpreted through Iwan Baan's "masterful" photography, films by Ila Bêka and Louise Lemoine, and the Grammy Award-winning graphic artist Stefan Sagmeister’s design for the accompanying catalog by Taschen.
A word from Ingels, after the break.
BIG Returns to the National Building Museum with “HOT TO COLD: an odyssey of architectural adaptation”
On the heels of its summer blockbuster indoor maze, which attracted more than 50,000 visitors, the international design firm BIG-Bjarke Ingels Group (BIG) returns to the National Building Museum this January with a behind-the-scenes look at its creative process. The exhibition, HOT TO COLD: an odyssey of architectural adaptation, takes visitors from the hottest to the coldest parts of our planet and explores how BIG´s design solutions are shaped by their cultural and climatic contexts. More than 60 three-dimensional models will be suspended at the second-floor balconies of the Museum’s historic Great Hall in an unprecedented use of this public space.
The National Building Museum has announced Charlie Rose as the recipient of the 2014 Vincent Scully Prize. The American talk show host and journalist was honored for his exploration “good design, the growth of cities, and the shape of the urban form through his insightful and substantive conversations with leading thinkers of our day.”
"One of the great joys of spending twenty-five years at the table is meeting a cross-section of the best in culture and science and technology," said Rose. "I have a special place for the men and women who inspire us with the buildings they create. Architecture is a passion of mine and I’ve been proud to know not only architects but also those who teach, assess, and love great buildings. Architecture is one of the reflections of the permanence of a civilization. I am indeed honored to be the recipient of the Vincent Scully Prize, named for a man I have known, admired, and interviewed."
The 61×61 foot maze, housed in the building’s grand atrium, will be open to visitors until September 1st. See more images and video, after the break...
The National Building Museum (NBM) has announced that BIG has designed a 61x61 foot maze to be housed in the building's grand atrium from July 4th to September 1st of this year. According to the NBM's website, the labyrinth's Baltic birch plywood walls, which stand 18 feet high at the maze's periphery, descend as you make your way towards the center. From the core, then, visitors receive a view of the entire layout - and a better understanding of how to get back out.
According to Bjarke Ingels, "The concept is simple: as you travel deeper into a maze, your path typically becomes more convoluted. What if we invert this scenario and create a maze that brings clarity and visual understanding upon reaching the heart of the labyrinth?" Of course, those uninterested in the challenge of figuring out the maze can peek down on it from the Museum's second and third floors - but where would be the fun in that?
More images, diagrams and drawings after the break!