In an interview with Rowan Moore for The Observer, British born architect David Adjaye discusses his work, personality and ambitions as head of the one of the fastest growing internationally operating practices. With Moore’s immersive descriptions and expertly written narrative, the “breadth of Adjaye’s vision” becomes apparent. Featuring precise descriptions of some his upcoming projects, including the designs for the Smithsonian’s National Museum of African American History and Culture and a number of smaller buildings in London, Moore’s discussion ultimately explores Adjaye’s early (and successful) steps into the African architectural market. You can read the interview in full here.
We sat down with Leong Leong Architecture, designers of the US Pavilion at the 2014 Venice Biennale to discuss their concept for OfficeUS. Commissioned by Storefront for Art and Architecture, Leong Leong was tasked with designing a temporary and multi-functional space for architectural practice and exhibition. The minimal, airy US Pavilion features over 1000 projects designed by American architects abroad, set amongst a functional office space.
Seated in the work space of one of the “partners” and surrounded by a steady stream of visitors, Dominic Leong described the design process: “The mission of the project was to generally try to understand modernism in relationship to architectural office.” The firm strived to adapt the space in keeping with the Biennale theme of “Absorbing Modernity” set by Rem Koolhaas: ”A large part of our design was to reconfigure the perception of a very neoclassical building – the US Pavilion.” Leong added: “The project was boiled down into two main components: the repository and history of architecture researched by the curators, and an architectural office which was conceived as a prototype for a new mode of architectural production.”
Take a look at the full interview to find out more about Leong Leong Architecture and their concept for the US Pavilion. Make sure to check out our full coverage of the US Pavilion at the 2014 Venice Biennale here.
New York-based firm Biber Architects has unveiled its design for the US pavilion – “American Food 2.0: United to Feed the Planet” – at the Milan Expo 2015. An airy, barn-inspired structure, the design represents the pavilion’s food-centric theme, focusing on a farm-to-table food model and sustainable production.
The ANFA Conference will explore, from a scientific basis, the range of human experiences with elements of architecture, through collaboration between architects and neuroscientists. The goal is to inspire ideas and new collaborations that will ignite change and unlock the potential of Neuroscience for Architecture.
Juhani Pallasmaa, Finnish architect and architectural theorist, author of The Eyes of the Skin: Architecture and the Senses, will be the keynote speaker. For more information, please visit the event’s official website.
Title: 2014 ANFA Conference
From: Thu, 18 Sep 2014
Until: Sat, 20 Sep 2014
Venue: Salk Institute for Biological Studies
Address: 10010 North Torrey Pines Road, La Jolla, CA 92037, USA
Mayor de Blasio has declared a “total reset” for public housing in New York. At the same time, the decline of affordable housing options has become New Yorkers’ greatest concern.
In the spring, the IPA launched the “Total Reset” series with a Roundtable exploring ambitious, achievable ideas for public and affordable housing in New York. This summer, IPA Fellows respond to the roundtable discussion with housing proposals that connect design, policy, and community engagement.
Title: Exhibition: Total Reset
Organizers: Institute for Public Architecture
From: Thu, 26 Jun 2014
Until: Sun, 10 Aug 2014
Venue: The Sugar Hill Project
Address: Saint Nicholas Avenue & West 155th Street, New York, NY 10032, USA
Rafiq Azam is the principal of SHATOTTO architecture for green living, based in Dhaka, Bangladesh. He will introduce us to his work and city, which is also home to works by Louis Kahn. Azam’s “green” is not about global ratings or the current sustainability trend. It is his response to the sky, water, and vegetation that surround him and his city. There is an apparent simplicity in Azam’s work that disguises and belies a complex fabric revealing the wonders of the cosmos.
“Shatotto” in Bangla means “doing something continuously.” Azam creates spaces and structures for one’s senses and thoughts in the context of South Asia’s past and future. His presentation will coincide with the New York introduction of his monograph by SKIRA, the first ever published about a Bangladeshi architect.
Title: Lecture: Architecture as a Way of Life and Placemaking
Organizers: Asia Society New York
From: Mon, 28 Jul 2014 17:30
Until: Mon, 28 Jul 2014 20:00
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
The Philadelphia Museum of Art has revealed Frank Gehry‘s designs for a 169,000 square foot expansion that will see the museum dig down to create a new set of galleries underneath its existing footprint. Already an unusual choice for a project whose brief called to preserve the architectural integrity of the existing building, Gehry’s design is an unexpectedly muted intervention, focusing on interior rearrangement and additions that are in keeping with the 86 year-old building’s aesthetic.
Perhaps the most dramatic alteration proposed by Gehry is a plan to punch a hole through the museum’s famous ‘Rocky steps’, the iconic training location from the Rocky film series, creating a window into the new subterranean galleries; however as the $350 million project will by necessity by undertaken in stages, this intervention is likely to be a subject of discussion for some time.
More on the design after the break
SuperPuesto is a temporary pavilion by Terence Gower commissioned by The Bronx Museum of the Arts in collaboration with the Andrew Freedman Home for Beyond the Supersquare, the first U.S. museum exhibition to examine the complicated legacies of modernist architecture in Latin America and the Caribbean through the perspectives of 30 contemporary artists. With the goal of providing an immersive space for visitors to experience the exhibition’s artistic and architectural themes, SuperPuesto also serves as an annex for educational and public programs related to Beyond the Supersquare.
The 61×61 foot maze, housed in the building’s grand atrium, will be open to visitors until September 1st. See more images and video, after the break…
Peter Zumthor and the Los Angeles County Museum of Art (LACMA) have revealed a revised design for the museum’s $650 million new home on Museum Row in Los Angeles. The new design still features the sinuous glass and grey concrete slab raised a full story off the ground, but under the new proposal part of the museum would bridge Wilshire Boulevard to touch down on what is currently a car park opposite.
The change comes in response to criticisms that the previous design would put the neighboring La Brea Tar Pits at risk, threatening their status as an active paleontological research site and a popular tourist destination. The shape of the new design removes this risk by withdrawing from the boundary with the adjacent tar pits, without compromising on floor space in the museum.
More on the revised design after the break
This weekend, at the AIA‘s national conference in Chicago, Russell A Davidson was elected the AIA’s 2016 president. Davidson, who served as the AIA’s Vice President in 2012-13 and president of AIA’s New York State chapter in 2007, will be joined by William J Bates and Francis M Pitts as Vice presidents, and John A Padilla as AIA Secretary.
In addition to electing its next leaders, the AIA also adopted a new board structure, which will see it add a new body, the ‘Strategic Council’, which will inform the Board and other Institute bodies of important professional issues.
More on these developments from the AIA National Conference after the break
The Emerging New York Architects (ENYA) committee of the AIA New York Chapter is pleased to announce the opening of its sixth biennial design ideas competition exhibition, QueensWay Connection: Elevating the Public Realm on Thursday, July 17 at 6:00 PM at the Center for Architecture.
The exhibition showcases winners of the 2014 ENYA Biennial Design Ideas Competition, which challenged entrants to design a vertical gateway for the elevated viaduct portion of a 3.5 mile stretch of abandoned railway in Central Queens. The QueensWay is currently under study for conversion into an urban greenway by The Trust for Public Land, Friends of the QueensWay, and their design consultants. Four Prize Winners, one Honorable Mention, and a slide show of the 120 entries from 28 countries will be shown, along with progress and background information on the community development process. The exhibition is presented as part of the 2014 AIA New York Chapter Presidential Theme “Civic Spirit: Civic Vision.”
ENYA will also host a symposium at the Center for Architecture on Saturday, July 19 from 12:00 – 4:00 PM to highlight the winning entries’ designs and possibilities for the site’s and neighborhood’s future development.
Title: AIANY ENYA’s 2014 Biennial Design Ideas Competition Exhibition
From: Thu, 17 Jul 2014
Until: Fri, 31 Oct 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
Today, Chicago Mayor Rahm Emanuel will announce plans for a new international architecture exhibition in his city which hopes to rival the reach and influence of the Venice Architecture Biennale. The first Chicago Architecture Biennial is planned to be held in late 2015, and will be co-curated by Director of the Graham Foundation Sarah Herda, and Joseph Grima, former editor-in-chief of Domus Magazine and co-curator of the 2012 Istanbul Design Biennial.
More on the plans for the Chicago Architecture Biennial after the break
The US Architecture Billings Index showed a significant improvement in May, jumping to a score of 52.6 and showing some growth after two consecutive months of contraction. As the American Institute of Architects (AIA) reports, its two new measures of growth also showed positive results: the Project Inquiries Index rose to 63.2; and the Design Contracts Index – despite dropping slightly from last month’s 54.6 – still showed growth at 52.5 points.
“Volatility continues to be the watchword in the design and construction markets, with firms in some regions of the country, and serving some sectors of the industry, reporting strong growth, while others are indicating continued weakness,” said AIA Chief Economist Kermit Baker, Hon. AIA, PhD. “However, overall, it appears that activity has recovered from the winter slump, and design professions should see more positive than negative numbers in the coming months.”
A breakdown of regional and sector highlights, after the break
Focusing on recent acquisitions in MoMA’s Department of Architecture and Design, Conceptions of Space addresses how contemporary architects continue to embrace spatial creation as a fundamental focus of their work. The exhibition reveals how, beyond formal traits and functional needs, the conception and articulation of architectural space still defines architecture as an artistic endeavor, and a response to wider cultural issues.
In the early and mid-20th century, the concept of space was critical in defining the modern movement in architecture. Notions of architectural space related to the coherence between the interior and exterior of buildings emerged as a new feature. Counteracting previous understandings of architecture as a progression of styles, space became a privileged quest of architectural practice. In time, however, space was actively reclaimed by artists, geographers, sociologists, and others as their domain of intervention and reflection. As proposed by French philosopher Michel Foucault, ours is the epoch of space, an expanded field imbued with complex meanings.
Twenty international projects by architects and artists, in large-scale models, drawings, photographs, videos, and even a room-sized installation, survey how architecture addresses this expanded field. Spatial conceptions in the exhibition range from “assemblage” and “envelope” space, to “fictional” and “performative” space. Participants offer a global panorama of architectural practice today, from acclaimed architects such as Herzog & de Meuron, Álvaro Siza, and Kengo Kuma, to young, emergent practices such as Pezo von Ellrichshausen, Chile; Ryue Nishizawa, Japan; Ensamble Studio, Spain; and the New York-based SO-IL and MOS Architects.
Title: Exhibition / Conceptions of Space: Recent Acquisitions in Contemporary Architecture
Organizers: Pedro Gadanho, Phoebe Springstubb
From: Fri, 04 Jul 2014
Until: Sun, 19 Oct 2014
Address: 11 West 53rd Street, New York, NY 10019, USA
Prodigy Network have selected the winners of the crowdsourcing design competitions for their 17John ‘Cotel’ in New York, including winners for the design of the public interior spaces and the private rooms. The Cotel concept is intended to meet the changing needs of the modern business traveler; providing living spaces somewhere between a long-term apartment and a short term hotel, but also flexible spaces that can be used for work and meetings.
The crowdsourced competitions were run via Prodigy Network’s Design Lab website, and judging was conducted with a mixture of public voting and jury selection. “The winners of the 17John competition were intuitive to the needs of travelers, creative in the interactive spaces and understood the function of extended stay residences,” said Prodigy Network Founder Rodrigo Nino. Read on after the break to see the winning proposals.
Yesterday the Frick Collection announced its plans for a 6-story extension to its gallery in New York, designed by Davis Brody Bond. This article by Robin Pogrebin in the New York Times outlines the details of the extension, as the Frick adds itself to the list of post-recession cultural building projects – a list which includes the Museum of Modern Art, the Whitney Museum of American Art, and Miami‘s Pérez Art Museum. The article also outlines the challenges the Frick will have in expanding its landmarked 1914 building. Read the article in full here.