The belief that a building can both blend in and stand out at the same time is embodied by the Lois and Richard Rosenthal Center for Contemporary Art (CAC), located in Cincinnati. Though it's heavy volumetric massing makes it appear as an independent and impenetrable sculptural element, the Rosenthal Center is in fact designed to pull the city in – past its walls and up, toward the sky. This inherent dynamism is well-suited to a gallery which does not hold a permanent collection, and is situated at the heart of a thriving Midwestern city.
The Massachusetts Institute of Technology (MIT) have announced that eight full-time or visiting faculty members and four alumni spanning five continents will be responsible for ten separate installations at the upcoming 2016 Venice Biennale. The institution have said that their "worldview for meaningful impact [is] deeply aligned with this year’s theme of architecture in action."
The City of Kansas City is sponsoring a design competition to bring in new ideas, energy, and visions to the development of Twin Creeks. Individual and multi-disciplinary design teams from across the United States and beyond are invited to develop an inspiring design vision for a new linear park.
Volume Magazine in advance of their 47th issue, The System*.
Two recent trends have recently emerged from the United States’ real estate market that pick up on societal transformations in the way architecture and the city is inhabited. If synchronized, they stand to alter the principles under-riding contemporary logics of urban development. They do so by embodying an alternative system of values, framing its spatial articulation as a critical design project. The purpose of this short text is to present the two trends next to one another, evaluate the prospects of their synchronization, and speculate toward the future they potentiate in unison.
The Land Art Generator Initiative is delighted to announce that LAGI 2016 will be held in Southern California, with the City of Santa Monica as site partner. This free and open call ideas competition invites individuals or interdisciplinary teams to design a large-scale site-specific work of public art that also serves as clean energy and/or drinking water infrastructure for the City of Santa Monica.
The complete Design Guidelines along with CAD files, photos, and more will be available on January 1, 2016 at http://landartgenerator.org/designcomp
The design site includes the breakwater adjacent to the historic Santa Monica Pier and offers the opportunity to
A new exhibition opening later this month at Chicago's Graham Foundation seeks to explore the complex history and legacy of modernist architecture in sub-Saharan Africa during the 1960s and 1970s. Architecture of Independence: African Modernism will feature nearly eighty buildings in commissioned photographs by Iwan Baan, Alexia Webster, and Manuel Herz. Alongside archival material, the exhibition "imparts a new perspective on the intersection of architecture and nation-building in Ghana, Senegal, Côte d’Ivoire, Kenya, and Zambia and investigates some of the most compelling yet under-studied examples of 1960s and 1970s architecture worldwide."
It is no secret that, in the last 10 years, a majority of the big budget construction projects have been centered in newly emerging world markets like China. But now, the markets may be turning. Steven Holl Architects is a strong example of this trend: with the groundbreaking of the Glassell School of Art in Houston on the 15th, the firm now has 8 projects under construction in the western world - 7 in the United States, and one in the United Kingdom. Owing to the steady strengthening of the US dollar over recent years, clients seem to be investing in high ticket architecture once again. After completing projects abroad such as the Sliced Porosity Block in Chengdu, and Nanjing’s Sifang Art Museum, Holl will now be working in cities like Richmond, Iowa City, New York and London.
Holl’s recent work also reflects a change in design scale. In projects such as the Linked Hybrid in Beijing and the Vanke Center/Horizontal Skyscraper in Shenzhen, design began at the urban level, resulting in inward-looking superstructures. In the firm’s return to the west, projects are usually designed as an object or extension of an existing environment, such as in their expansion project for the Kennedy Center. The reduced sense of scale is also evident in the square-footage in some of their recent designs, including a residence to be built at under 1000 square feet.
The Knight Foundation has announced their second Knight Cities Challenge – a grant with a pool of $5 million to be awarded for city-improving ideas. Applications can be submitted by anyone, professional, student or amateur. Projects must take place in, or benefit one or more of the 26 knight communities across the United States, and focus on one or all of three key drivers of city success: attracting and retaining talent, expanding economic opportunity, and creating a culture of robust civic engagement.
Patano Studio Architecture has created a proposal for a 45-acre, two-mile park spanning over the top of the Interstate-5 freeway in Seattle. Called C.A.P., the plan “proposes a city-wide architectural infrastructure solution to multiple issues facing the fast growing city.”
US Secretary of Agriculture Tom Vilsack, in partnership with the Softwood Lumber Board and the Binational Softwood Lumber Council, has announced the winners of the US Tall Wood Building Prize Competition. The two winning projects—Framework, by Framework, LLC, and 475 West 18th, by 130-134 Holdings LLC—will each receive $1.5 million in funding for their development in Portland and New York, respectively.
Each of the projects took a unique perspective on wood building systems, fulfilling the competition’s call “to showcase the safe application, practicality, and sustainability of a minimum 80-foot structure that uses mass timber, composite wood technologies, and innovative building techniques.”
Marcin Chmura, a recent graduate from London's Bartlett School of Architecture, has developed a project which attempts to imagine a new future for the 'American Dream'. The United Suburbs of AmeriKa, named after Franz Kafka’s novel in which—despite never having visited America—he depicts the United States as a utopia offering eternal wealth and happiness for his foreign protagonist.
The American Institute of Architects’ Center for Emerging Professionals has announced its newest campaign, called Know Your Worth, which seeks to inform “all generations of architects about the value Emerging Professionals bring to the field, and the importance of getting paid for internship hours.”
While the issue of unpaid internships in the architecture field has gradually been improving, many students and emerging professionals are still faced with the dilemma. Thus, through the campaign, the AIA hopes that it will be able to inform students, architects, and others of federal compensation requirements, as well as to instill a sense of value for emerging professionals and the important work that they do.
The Chicago Architecture Biennial, in partnership with the Chicago Park District and BP, has announced the winner of its Lakefront Kiosk Competition, which sought out designs for an innovative lakefront kiosk to be inaugurated on October 3 for the opening of the Biennial.
In addition to the winner of the competition, the Biennial is also partnering with local schools—the Illinois Institute of Technology, the School of the Art Institute of Chicago, and the University of Illinois at Chicago—in order to build three more kiosks to be featured at the Biennial. View the grand prize design, as well as three competition finalists, honorable mentions, and the three architecture school designs after the break.
US firm Pelli Clarke Pelli Architects is renowned for their iconic and sustainable designs, having won numerous awards, including the AIA’s Firm Award. They currently have several projects under construction, ranging from a transit center in San Francisco to an office and retail tower in Seville, Spain. Read on after the break for an overview of three of their current projects, all in various states of completion.
The National Council of Architectural Registration Boards (NCARB) has released “NCARB by the Numbers,” their annual report featuring statistics important to the architecture profession in the US. NCARB’s research portrays a positive future for the profession, with statistics showing that diversity is growing, architects are becoming licensed at an earlier age and progressing through licensure paths more quickly than in previous years, and more architects are becoming licensed than ever before.
The 2015 report covers the causes and effects of the results, looking into the impact of location and education. A section entitled “Jurisdictions by the Numbers,” lays out standardized relevant information for viewers to investigate conditions in the architecture profession in each state. The report also includes an analysis of the role of NAAB-accredited programs in helping architects achieve licensure.
Learn more on the information in NCARB’s report after the break.
Moving specialists iMove have created 115 Years of American Homes, a Scrolling Parallax Infographic in which viewers can “drive” through a neighborhood of single-family homes that reflect the style of their respective decades. For each home, graphics detail “tell-tale architectural features, design trends, average home price, and the historical and cultural context” of each decade from the 1900s through the present. Test out the interactive timeline here, and let us know: which decade of residential architecture is your favorite?
AECOM has designed a $42,000,000 campus and training facility for a professional basketball organization in West Los Angeles. The building contains a basketball arena, corporate headquarters, a hall of fame, and gardens, among other programs. Despite the building’s varied uses, AECOM was determined to make it “basketball centric.”
In partnership with Brooklyn-based Snarkitecture, the National Building Museum (NBM) in Washington, D.C. aims to once again create an interactive architectural exhibit as a part of its “Summer Block Party” programming. While last year’s exhibit included a life-sized maze by BIG, this summer, the museum will host a 10,000 square foot enclosure in its Great Hall called the BEACH.