Peter Zumthor and the Los Angeles County Museum of Art (LACMA) have revealed a revised design for the museum’s $650 million new home on Museum Row in Los Angeles. The new design still features the sinuous glass and grey concrete slab raised a full story off the ground, but under the new proposal part of the museum would bridge Wilshire Boulevard to touch down on what is currently a car park opposite.
The change comes in response to criticisms that the previous design would put the neighboring La Brea Tar Pits at risk, threatening their status as an active paleontological research site and a popular tourist destination. The shape of the new design removes this risk by withdrawing from the boundary with the adjacent tar pits, without compromising on floor space in the museum.
More on the revised design after the break
This weekend, at the AIA‘s national conference in Chicago, Russell A Davidson was elected the AIA’s 2016 president. Davidson, who served as the AIA’s Vice President in 2012-13 and president of AIA’s New York State chapter in 2007, will be joined by William J Bates and Francis M Pitts as Vice presidents, and John A Padilla as AIA Secretary.
In addition to electing its next leaders, the AIA also adopted a new board structure, which will see it add a new body, the ‘Strategic Council’, which will inform the Board and other Institute bodies of important professional issues.
More on these developments from the AIA National Conference after the break
The Emerging New York Architects (ENYA) committee of the AIA New York Chapter is pleased to announce the opening of its sixth biennial design ideas competition exhibition, QueensWay Connection: Elevating the Public Realm on Thursday, July 17 at 6:00 PM at the Center for Architecture.
The exhibition showcases winners of the 2014 ENYA Biennial Design Ideas Competition, which challenged entrants to design a vertical gateway for the elevated viaduct portion of a 3.5 mile stretch of abandoned railway in Central Queens. The QueensWay is currently under study for conversion into an urban greenway by The Trust for Public Land, Friends of the QueensWay, and their design consultants. Four Prize Winners, one Honorable Mention, and a slide show of the 120 entries from 28 countries will be shown, along with progress and background information on the community development process. The exhibition is presented as part of the 2014 AIA New York Chapter Presidential Theme “Civic Spirit: Civic Vision.”
ENYA will also host a symposium at the Center for Architecture on Saturday, July 19 from 12:00 – 4:00 PM to highlight the winning entries’ designs and possibilities for the site’s and neighborhood’s future development.
Title: AIANY ENYA’s 2014 Biennial Design Ideas Competition Exhibition
From: Thu, 17 Jul 2014
Until: Fri, 31 Oct 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
Today, Chicago Mayor Rahm Emanuel will announce plans for a new international architecture exhibition in his city which hopes to rival the reach and influence of the Venice Architecture Biennale. The first Chicago Architecture Biennial is planned to be held in late 2015, and will be co-curated by Director of the Graham Foundation Sarah Herda, and Joseph Grima, former editor-in-chief of Domus Magazine and co-curator of the 2012 Istanbul Design Biennial.
More on the plans for the Chicago Architecture Biennial after the break
The US Architecture Billings Index showed a significant improvement in May, jumping to a score of 52.6 and showing some growth after two consecutive months of contraction. As the American Institute of Architects (AIA) reports, its two new measures of growth also showed positive results: the Project Inquiries Index rose to 63.2; and the Design Contracts Index – despite dropping slightly from last month’s 54.6 – still showed growth at 52.5 points.
“Volatility continues to be the watchword in the design and construction markets, with firms in some regions of the country, and serving some sectors of the industry, reporting strong growth, while others are indicating continued weakness,” said AIA Chief Economist Kermit Baker, Hon. AIA, PhD. “However, overall, it appears that activity has recovered from the winter slump, and design professions should see more positive than negative numbers in the coming months.”
A breakdown of regional and sector highlights, after the break
Focusing on recent acquisitions in MoMA’s Department of Architecture and Design, Conceptions of Space addresses how contemporary architects continue to embrace spatial creation as a fundamental focus of their work. The exhibition reveals how, beyond formal traits and functional needs, the conception and articulation of architectural space still defines architecture as an artistic endeavor, and a response to wider cultural issues.
In the early and mid-20th century, the concept of space was critical in defining the modern movement in architecture. Notions of architectural space related to the coherence between the interior and exterior of buildings emerged as a new feature. Counteracting previous understandings of architecture as a progression of styles, space became a privileged quest of architectural practice. In time, however, space was actively reclaimed by artists, geographers, sociologists, and others as their domain of intervention and reflection. As proposed by French philosopher Michel Foucault, ours is the epoch of space, an expanded field imbued with complex meanings.
Twenty international projects by architects and artists, in large-scale models, drawings, photographs, videos, and even a room-sized installation, survey how architecture addresses this expanded field. Spatial conceptions in the exhibition range from “assemblage” and “envelope” space, to “fictional” and “performative” space. Participants offer a global panorama of architectural practice today, from acclaimed architects such as Herzog & de Meuron, Álvaro Siza, and Kengo Kuma, to young, emergent practices such as Pezo von Ellrichshausen, Chile; Ryue Nishizawa, Japan; Ensamble Studio, Spain; and the New York-based SO-IL and MOS Architects.
Title: Exhibition / Conceptions of Space: Recent Acquisitions in Contemporary Architecture
Organizers: Pedro Gadanho, Phoebe Springstubb
From: Fri, 04 Jul 2014
Until: Sun, 19 Oct 2014
Address: 11 West 53rd Street, New York, NY 10019, USA
Prodigy Network have selected the winners of the crowdsourcing design competitions for their 17John ‘Cotel’ in New York, including winners for the design of the public interior spaces and the private rooms. The Cotel concept is intended to meet the changing needs of the modern business traveler; providing living spaces somewhere between a long-term apartment and a short term hotel, but also flexible spaces that can be used for work and meetings.
The crowdsourced competitions were run via Prodigy Network’s Design Lab website, and judging was conducted with a mixture of public voting and jury selection. “The winners of the 17John competition were intuitive to the needs of travelers, creative in the interactive spaces and understood the function of extended stay residences,” said Prodigy Network Founder Rodrigo Nino. Read on after the break to see the winning proposals.
Yesterday the Frick Collection announced its plans for a 6-story extension to its gallery in New York, designed by Davis Brody Bond. This article by Robin Pogrebin in the New York Times outlines the details of the extension, as the Frick adds itself to the list of post-recession cultural building projects – a list which includes the Museum of Modern Art, the Whitney Museum of American Art, and Miami‘s Pérez Art Museum. The article also outlines the challenges the Frick will have in expanding its landmarked 1914 building. Read the article in full here.
The Parrish Art Museum is pleased to present Soft Footprints: Works by SO – IL as the fourth installment of Architectural Sessions—an ongoing series co-presented with AIA Peconic that explores the connection between art and architecture, and how both disciplines elicit conversation about space, form, materials and aesthetics. On June 6, host architect Maziar Behrooz, AIA, will moderate a discussion with SO – IL co-founders Florian Idenburg and Jing Liu about their design philosophy, inspiration, and interdisciplinary approach to architecture and designing spaces for art.
Winner of the MoMA/MoMA PS1Young Architects Program in 2010, SO – IL is a Brooklyn-based, idea-driven design firm with a global reach that brings together extensive experience from the fields of architecture, academia, and the arts. By approaching its projects with an intellectual and artistic rigor, fueled by a strong commitment to realizing its ideas in the world, SO – IL functions as a creative catalyst involved in all scales and stages of the architectural process. Recent projects include the exhibition and events spaces for the first Frieze Art Fair, NYC, the Kukje Art Center in Seoul, South Korea (2012), and the UC Davis Museum of Art, completion expected in 2016.
Title: Conversation / Soft Footprints: Works by SO – IL
From: Fri, 20 Jun 2014 18:00
Until: Fri, 20 Jun 2014 20:00
Venue: Parrish Art Museum
Address: 279 Montauk Highway, Water Mill, NY 11976, USA
To kick off our coverage of the Venice Biennale, we’re bringing you photos of OfficeUS — the United States’ contribution to the national exhibitions organized under the theme of “Absorbing Modernity.” The pavilion houses both a repository of information about the history of architectural firms in the US (with a focus on the US’s role in exporting architecture) and serves as the base of operations for a new architectural firm that was created solely for this year’s biennale. The research, collected into booklets, lines the walls of the space. While visitors mill around the pavilion, the members of OfficeUS work at specially designed tables. The output and deliverables of the office will be determined as the Biennale progresses. We also got the chance to speak to the organizers, so stayed tuned for video interviews with the curators and designers of the US Pavilion (coming soon!). For now, however, read on to the see the curator’s statement on the exhibit.
Warehouse 623 Gallery is pleased to announce “Five Proposals for the Future of the Atlantic Yards“, an exhibition of alternative architectural schemes for the Atlantic Yards site. “Abstracts of New York”, a selection of photographs by Jean-Marc Bellaiche, will be shown concurrently.
In response to growing concerns about the direction that development of the Atlantic Yards might take and the potential impact on the surrounding communities, a group of architects exploring alternatives from a design perspective will present their work. The exhibition has been organized by architect Thomas Barry, principal of the Brooklyn-based design firm OPerA Studio, with contributed exhibits from five firms, including Joshua Zinder Architecture + Design (JZA+D); Amoia Cody Architecture; David Cunningham Architecture Planning; Matthias Altwicker and Farzana Gandhi; and OPerA Studio.
For more information please visit the exhibition’s official website.
Title: Exhibition: Five Proposals for the Future of the Atlantic Yards
From: Thu, 05 Jun 2014
Until: Sun, 22 Jun 2014
Venue: Warehouse 623 Gallery
Address: 623 Bergen Street, Brooklyn, NY 11238, USA
Ubu Gallery is pleased to present Knud Lonberg-Holm: The Invisible Architect, a debut exhibition devoted to this overlooked, yet highly influential, 20th Century modernist. Never-before-seen photographs, architectural drawings, letters, graphic design, and ephemera from Lonberg-Holm’s remarkably diverse career will be on view through August 1, 2014. The exhibition, which consists of selections from the extensive archive assembled by architectural historian Marc Dessauce, will solidify the importance of this emblematic figure in early 20th Century cultural and architectural history. Metropolis Magazine, the national publication of architecture and design, will publish an article on Knud Lonberg-Holm to coincide with this groundbreaking exhibition.
Born in Denmark, Knud Lonberg-Holm (January 15, 1895–January 2, 1972), was an architect, photographer, author, designer, researcher, and teacher. Lonberg-Holm’s early work in Denmark and Germany initially associated him with the Berlin Constructivist and Dutch De Stijl groups. An émigré to America in 1923, Lonberg-Holm was a fundamental correspondent with prominent European architects and their modernist counterparts in the U.S. The exhibition will feature a selection of letters to Lonberg-Holm from a pantheon of the European avant-garde including László Moholy-Nagy, Walter Gropius, Theo Van Doesburg, Buckminster Fuller, Hannes Meyer, J.J.P. Oud, El Lissitzky, and Richard Neutra.
Title: Exhibition / Knud Lonberg-Holm: The Invisible Architect
From: Tue, 06 May 2014
Until: Fri, 01 Aug 2014
Venue: Ubu Gallery
Address: 416 East 59th Street, New York, NY 10022, USA
This summer, the American Institute of Architects New York Chapter (AIANY) and the Center for Architecture Foundation will present Open to the Public: Civic Space Now, an exhibition exploring why people gravitate to (or avoid) civic spaces – the places between buildings where people can assemble. Curated by Thomas Mellins and designed by Athletics, the exhibition opens Thursday, June 12, 6:00 PM and runs through Saturday, September 6 in the main galleries at the Center for Architecture, 536 LaGuardia Place.
Open to the Public: Civic Space Now will be complemented by an international, day-long symposium on Saturday, May 14 that will also develop the ideas of other concurrent exhibitions at the Center for Architecture. For more information, please click here.
Title: Exhibition / Open to the Public: Civic Space Now
From: Thu, 12 Jun 2014
Until: Sat, 06 Sep 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
Social Housing in Spain is intended to be the first of a series of international programs by the AIANY Housing Committee, highlighting exemplary housing design around the world. For the first program of the series, AIANY have invited three leading architects from Spain who are currently teaching in the tri-state area: Carmen Espegel, Iñaqui Carnicero, and María Hurtado de Mendoza. The panelists will present and comment upon innovative projects that follow the country’s strong social commitment to housing.
The first decade of the XXI century was a landmark of quality and diversity in social housing in Spain.During those years, Spain built more collective housing than the production of England, France, and Germany combined. Approximately 4 million of units were built between 2000 and 2008. The municipal housing companies promoted, by means of open design competitions, a large number of significant works that championed research to new ways of living, hybrid typologies, construction systems linked to prefabrication and industrialization methods, and towards finding new explorations of shared space for new communities. The right to housing is guaranteed by the Spanish Constitution. Publicly protected housing in Spain represents a peculiarity compared to social housing models in other EU countries, in that it is housing provided almost entirely for owner-occupation.
Title: Conference: Social Housing in Spain
Organizers: AIANY Housing Committee
From: Thu, 29 May 2014 18:00
Until: Thu, 29 May 2014 20:00
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
In celebration of the 50-year anniversary of the 1964 New York World’s Fair, Onishi Project and Kipton Cronkite are pleased to present World’s Fairs: Lost Utopias, the debut exhibition of Jade Doskow’s groundbreaking 7-year photography project. The exhibition will also include a 1968 triptych by Robert Rauschenberg and a dynamic group show—featuring Alexandra Posen, Greg Haberny, Naomi Reis, and Mark Freedman— inspired by the cultural zeitgeist that surrounded this event.
Jade Doskow’s large-scale color photographs illustrate utopian iconic architecture and art remaining after the close of 1960’s world’s fairs, and the arbitrary nature of what has been preserved, discarded, or repurposed on these sites. In the cities represented here, New York dominates, in celebration of the 50-year anniversary. The crowning glory that still remains is the New York State Pavilion, an unusual, dynamic carousel-like structure designed by Philip Johnson.
Title: Exhibition: World’s Fairs / Lost Utopias
From: Wed, 28 May 2014
Until: Tue, 10 Jun 2014
Venue: Onishi Project
Address: 521 West 26th Street, New York, NY 10001, USA
The Design Trust for Public Space announces The Energetic City: Connectivity in the Public Realm, a new request for project proposals to redefine public space.
The Energetic City is an initiative to seed and develop new forms of connectivity among the diverse people, systems, and built, natural and digital environment of New York City. This public call invites proposals for research, design and planning projects to improve the experience of urban life by connecting people through ‘great’ design informed by the needs and aspirations of community users.
This year the Design Trust places a special emphasis of opening the project call to individuals, in addition to community groups and public agencies. We will offer seed funding so the projects can begin immediately. Projects may include the production of a clearly defined deliverable—a design prototype, pilot intervention, beta app, publication, video, or public artwork, among other possible formats—or be structured as the research, planning, or public outreach stage of a potentially larger project, where the process will inform the ultimate deliverable.
Since it was enacted by Congress, the Height of Buildings Act of 1910 has restricted how tall buildings can be designed in the District of Columbia.
TALL DC: New Monumentalism features student work from the Catholic University of America’s School of Architecture and Planning (CUA) that provocatively explores what Washington could look like in the absence of this law.
Working within CUA’s Emerging Technologies and Media graduate concentration, students analyzed two of Washington’s most recognizable structures, the U.S. Capitol and the Washington Monument, and questioned the definition of “monument” in the contemporary context of global commercial markets, residential migration, and iconic skylines.
Three distinct proposals for a mixed-use ‘skyscraper’ were created for the Department of Commerce site located near the National Mall. Using radically different design strategies, each concept offers a creative and controversial idea for building a TALL DC.
More information can be found here.
Title: Exhibition: TALL DC / New Monumentalism
Organizers: Catholic University of America School of Architecture and Planning
From: Thu, 22 May 2014
Until: Tue, 10 Jun 2014
Venue: District Architecture Center
Address: 421 7th Street Northwest, Washington, DC 20004, USA