OMA‘s Taipei Performing Arts Center (TPAC) has topped out in a ceremony including Taipei’s mayor Hau Lung-pin, and OMA’s Partners in charge of the project, Rem Koolhaas and David Gianotten. Even in its current skeletal state, the rigidly geometric form is clearly expressed with it’s central cube supporting three protruding auditoriums, two cubic and one spherical. The design of the TPAC is in many ways experimental, incorporating a looped public path which shows off the building’s backstage areas, and flexible auditoriums which can even be combined, offering extraordinary stage spaces that allow performances which would be impossible in any other theater.
Ahead of the topping out ceremony we spoke to partner in charge David Gianotten, who explained the building’s design concepts and the challenges (or rather, surprising lack of challenges) in the construction, and told us “you will only understand it when you have seen it. It’s super exciting, we encourage everybody that loves architecture to come and see it because it’s spectacular.”
Read on after the break for the full interview
The two Portuguese architects began the recently-completed project in 2009. The clubhouse includes spaces for recreational and cultural events and activities. The building demonstrates a rich relationship between the landscape and local culture.
Architects: Álvaro Siza and Carlos Castanheira Local Partner | Project Management and Construction Supervision: Ho+Hou Studio Architects and Studio Base Architects Images of the project—kindly shared with us by architecture photographer Fernando Guerra | FG+SG—can be seen after the break.
Construction is underway for OMA’s Taipei’s Performing Arts Center! The project, started back in 2012, has generated a buzz in the architecture community for its peculiar form. Conceived as a number of theaters intersecting as a group of three simple geometries, the Performing Arts Center will provide flexible stage space to host experimental theater and art performances. This video—filmed by a drone—shows some of the preliminary structure that has already been erected. The building is expected to be completed in 2015.
UPDATE: We’ve added our interview with Jimenez Lai.
Jimenez Lai, leader of Bureau Spectacular and curator of Taiwan’s Pavilion for the 2014 Venice Biennale, claims that “domesticity is possibly one of the origins of architecture” and that “the standardization of the domestic program was…a very modern development.” Thus, Lai built nine single-program houses within the Palazzo della Prigioni, each dedicated to one specific domestic act–such as sleeping, eating, etc. The result is a vibrant, colorful response to Rem Koolhaas’ unifying theme: “Absorbing Modernity.”
Township of Domestic Parts: Made in Taiwan, delves into the part-to-whole relationship and political implications of our domestic lives. But Lai also believes that, from this relationship, we can learn something about the way that cities function. See more images from the exhibition and read on for the curator’s statement.
Taiwan-born architect Jimenez Lai’s proposal Township of Domestic Parts: Made in Taiwan has been selected to represent Taiwan in the 2014 Venice Architecture Biennale. Scattered throughout the Palazzo delle Prigioni, the installation will be comprised of nine small house, each with a single program, that will make up an “interior township of misfit parts.”
Read on for the complete curatorial statement…
SANE architecture, an experimental studio based in Paris, have recently been recognised in the MIPIM Architectural Review Future Project Awards 2014 for the Taichung City Cultural Centre. The practice, who focus on “researching the Sane and the Insane in architecture”, were tasked with imagining an architecture and an urban space unique to Taiwan’s climate and the culture of Taichung, a cultural library and municipal arts museum that “synergizes” art, education and recreation.
SANAA, it is. In attempts to separate itself from its sister cities, Taichung City has named SANAA, led by Kazuyo Sejima and Ryue Nishizawa, winners of an international competition that intends to unite a newly formed city. As of December 2010, Taichung city executed a mega-merger that increased its population from 1 million inhabitants to 2.5 million, encompassing the skyscraping towers of downtown Taichung to the agricultural mountainside villages of Taichung County. As a result, the local government envisioned a new urban space that would place art at its core, celebrating the regions’ disparate cultures.
Architects: Stan Allen Architect
Location: Taichung, Taiwan
Project Team: Stan Allen, FAIA; Marc McQuade; Chris Oliver; Rosalyne Shieh; Dahlia Roberts
Associate Architect: W.B. Huang Architects & Planners
Project Coordinator: Feng Chia University Design Center
Photographs: Courtesy of Stan Allen Architect, Iwan Baan
With arts and culture at the core of Taichung’s urban identity, and the vision to lead in innovation and technology, this design proposal by RMJM seeks to bring together these significant attributes in a building emblematic of Taichung’s achievements and vision. Located at the corner of Taichung Gateway Park, the project becomes an urban oasis and a vital link between existing communities and future urban development, providing a social and cultural focus and an arrival gateway to the park. More images and architects’ description after the break.
Designed by SZA (Studio za arhitekturu), their Taichung City Cultural Center proposal is a complex space structure. With its ground plan being 50 x 50 m, their concept creates an energetic, self-sufficiency throughout the project through a system of a vertical accordion and through an exchange of functional storeys and sustainable construction storeys. More images and architects’ description after the break.
Designed by BAT (Bilbao Architecture Team), their proposal for the new City Cultural Center grows from the earth, with the strength of the sea and mountains, to show to the world how Taiwan is; how Taichung is. The design uses this strength to configure an astonishing landscape architecture able to project the cultural center internationally. More images and architects’ description after the break.
The condition for this proposal by Hyunjoon Yoo Architects for the Taichung City Cultural Center competition is very unique and original since two distinct buildings, library and fine arts museum, should coexist in one site. For the architectural design that fulfills this exclusive condition, the architects applied the notion of “Taiji”, the verity of yin and yang that has existed since the ancient era of Chinese history. In this new design, the spatial arrangement of library and art museum are planned to confront and interact at the same time, giving the positive effect to each other. More images and architects’ description after the break.