Originally constructed for the 1939 World’s Fair, the resilient structure of New York’s Queens Museum of Art has been undergoing its fourth and most ambitious renovation since April 2011. This $68 million renovation, designed by Grimshaw Architects, will double the institution’s size, expanding the museum to a total of 105,000 square feet upon its completion in October 2013.
Coming up this Friday, March 8th, at the Center for Architecture in New York, the 'Beyond New York: Organic vs Geometrical Context' lecture is part of the Architecture Dialogue Committee’s on-going series to introduce the next generation of architects not practicing in New York City. For this event, they have invited Spela Videcnik from OFIS arhitekti of Ljubljana, Slovenia to share insights about architectural and urban design from 6:00pm-8:00pm. Videcnik will present OFIS’s design approach through their most recently built projects, such as the Basket Apartments (Paris) and The Cultural Centre for Space Technologies (Slovenia), and how these different geometries inform their current work. For more information, please visit here.
Architects, artists, and designers are invited to participate in the competition to Rethink the Post-Sandy Rockaway. MoMA PS1’s Young Architects program is seeking ideas for alternative housing models, creation of social spaces, urban interventions, new uses of public space, the rebuilding of the boardwalk, protection of the shoreline, and actions to engage local communities and to aid in the effort to rebuild from Hurricane Sandy. Judges will be selecting 25 proposals to be displayed on Rockaway Beach in April. The deadline for submissions is March 15. For more information, please visit here.
Last week, our latest featured film showed New York in the ’60s - this time we move to the future, about 200 years from now. This film, directed and co-written by Luc Besson, shows a New York City with flying cars and technological systems applied all around the human environment.
Enjoy and let us know your thoughts of how our cities will look in the next century!
Pratt Institute's School of Architecture will present "COLD war COOL digital," an exhibition of 20 scaled prototypes of modernist, pre-fabricated, and globally-distributed Cold War era housing systems that were created using contemporary 3D printing technologies (opening reception 2/18 at 6:15, details below). The exhibition will investigate architectural modernism and its global influence and will connect with contemporary prototype pre-fabrication methods and digital research in housing and skyscraper design. A symposium that explores the technical, aesthetic, and political aspects of prototyping and pre-construction in architecture will be held tonight in conjunction with the exhibition.
Can you imagine the intersection of Broadway and the Bowery in lower Manhattan as sparsely populated “Uptown” used as a burial ground for indigent people? Well, according to the the book Painting the Town by The Museum of the City of New York (via Ephemeral New York), this scene painted from memory by Albertis Del Orient Browere in 1885 depicts what Union Square used to look like back in 1828 - just 20 years before this area started to transform into the bustling, concrete jungle we know today.
White Noise (or The Buzz) reveals the latent potential of the community. It is the sound of the talent and value around us. The installation harnesses this latent value with an interactive sound environment (a collaboration with ARUP Acoustics) embedded in a playful series of figural abstractions, clad with white synthetic turf. The foregrounded backdrop of the architecture highlights the project’s main event, sharing and exchange among the people in the space, and manipulates readings of scale.
Our latest movie in our Films & Architecture series is another ’60s classic, this time by the master filmmaker Alfred Hitchcock. In North by Northwest we see a New York in the heyday of its architectural glory, with one scene taking place at a newly constructed United Nations building. In fact, the last scene takes place in a “house” that, under Hitchcock’s instructions, was meant to seem designed by Frank Lloyd Wright (in reality, the house was just another set design). The film shows a variety of urban spaces, and puts special emphasis on the contrast between the densities of urban and rural realms.
As always, enjoy and comment!
Now on view at the Yossi Milo Gallery through March 2, rarely-seen images by modernist architectural photographer Ezra Stroller (American, 1915-2004) captures a Post-War American landscape with stunning images of industry, technology, transportation and working class Americans.
Beyond Architecture covers the full range of Stoller’s work, including photographs commissioned by Fortune, Architectural Forum, and House Beautiful magazines in the 1940s and for commercial projects for IBM, Upjohn Pharmaceuticals and CBS in the 1940s and 1950s. Included are photographs of Skidmore, Owings & Merrill’s John Hancock Building, Chicago, and the United Nations Headquarters, designed by an international team of architects led by Wallace K. Harrison and including Oscar Niemeyer and Le Corbusier.
A selection of these images after the break...
Although preservationists continue to mourn the seemingly inevitable demise of Chicago’s Prentice Women’s Hospital, a solid victory for Brutalism has finally been confirmed. Lawmakers in Goshen, New York, have passed a proposal to renovate Paul Rudolph’s iconic Orange County Government Center, authorizing $10 million in design funding. The 15-6 vote was secured by the overwhelming evidence that an upgrade would be more cost effect than County Executive Ed Diana’s fallback plan to replace two-thirds of the building and preserving only the court section. In addition, lawmakers felt the pressure of a March 12 deadline that would risk losing up to $2.7 million in federal funds to repair water damage caused by Hurricane Irene and Tropical Storm Lee in 2011.
More after the break...
Just in time for Valentine's Day, Situ Studio has unveiled the fifth edition of Times Square’s annual Heartwalk installation - a heart-shaped “room within the city” made of salvaged Sandy debris. Inspired by the “collective experience of Hurricane Sandy and the love that binds people together during trying times,” Heartwalk begins as two weathered ribbons of wooden planks that gradually lift to form an illuminated heart enclosure in the middle of Duffy Square.
More images after the break...
After an “arduous” public review and a heated debate over affordable housing, New York’s City Council has unanimously awarded final approval to BIG’s tetrahedral-shaped West 57th apartment building in Manhattan. As reported by Crain’s New York Business, a compromise has been made to include 173 affordable housing units within the 32-story, 750-unit residential building and the neighboring industrial building that will be converted into 100 additional rental apartments. As you may recall, the community board and Councilwoman Gail Brewer initially threatened to “torpedo the project” if the apartments were only made affordable for a 35 year period. However, Durst apparently won them over by contributing one million dollars into an affordable housing fund.
"The good news, which is the matra of my office and community board No. 4, is there will be, yes, by law, 35 years of income-restricted affordable housing," stated City Councilwoman Brewer, who represents the area.
When applying “major surgery” to a beloved, 20th century “masterpiece”, you’re going to face some harsh criticism. Such is the case for Norman Foster, as the legendary British architect has been receiving intense backlash from New York’s toughest critics for his proposed renovation to the New York Public Library. First, the late Ada Louise Huxtable exclaimed, “You don’t “update” a masterpiece.” Now, the New York Time’s architecture critic Michael Kimmelman claims the design is “not worthy” of Foster and believes the rising budget to be suspect.
More on Kimmelman's critique and Foster’s response after the break...
Organized by Christopher Marcinkoski and Javier Arpa, in cooperation with the Architectural League of New York, ‘The City That Never Was’ symposium will be taking place Friday, February 22, from 9:00am-5:30pm EST at the Scholastic Building in New York. The one day event will use the current economic and housing crisis in Spain as a lens to reconsider how planners, designers, politicians, and financiers conceive of and realize large-scale contemporary urbanization and settlement. It will be organized through four primary themes — infrastructure, waste, landscape, and instant urbanism – in order to explore new possibilities for how future patterns of urbanization can be conceived, financed, planned, deployed, and inhabited. For more details, including the complete itinerary and speaker information, please visit here.
With many museums worldwide seeking to extend, to accommodate larger collections, Athens-based Oiio Architecture Office have asked: “What if we decided we needed a little more of Guggenheim?”
More on the design after the break...
Martin Barry, founder and director of reSITE in Prague and associate at W Architecture and Landscape Architecture in New York, will give an evening lecture at 6:30pm EST on February 7th. Taking place at the NYU Silver Center, his lecture will focus on how organization is advocating for more transparent, contemporary and sustainable urban planning in Czech cities. Martin will discuss the outcomes of reSITE 2012 and describe their plans for reSITE Festival and Conference to take place in June 2013. The event is presented by NYU Department of Art History & Urban Design and Architecture Studies with Czech House NYU. For more information, please visit here.
Location601 Lexington Avenue, New York, NY 10022, United States
Design TeamAjmal Aqtash, Richard Sarrach, Tamaki Uchikawa
Fabrication TeamTai-Li Lee, Brian Chu, Zack Fine, Arianna Lebed, Andrew Reitz, David Kim
ContractorJohn Gallin & Son
New York City Mayor Michael Bloomberg has announced the winner of adAPT NYC - a city-sponsored competition that challenged developer-led teams to design an innovative micro-apartment that responds to 21st century housing problems. With an all time high of 8.4 million people, and an expected million more by 2030, New York City’s shortfall of affordable one and two person apartments is continuing to grow at a staggering rate. In an effort to solve this imbalance, the winner of adAPT NYC will build an experimental project on a piece of city-owned land in Kips Bay, Manhattan, that has been alleviated from the 1987 density restriction that requires all new apartments to be greater than 400 square feet.
“The growth rate for one- and two-person households greatly exceeds that of households with three or more people, and addressing that housing challenge requires us to think creatively and beyond our current regulations,” said Bloomberg.
So, who won adAPT NYC? Find out after the break!