New Republic has presented a list of 100 great thinkers from the past 100 years. The list, as the magazine puts it, honors “people we believe have made the greatest intellectual contributions to the fields and causes that this magazine holds dear.” One of these fields is architecture, and New Republic’s honoree for that category is the illustrious Louis Kahn. Kahn is famous for projects such as the Kimbell Museum and the Salk Institute. His work displays what architecture critic Sarah Williams Goldhagen describes as a “cognitively rich, metaphorically complex, multi-sensorial approach.” Curious to see who else made the list? See the full roster here!
The Getty Conservation Institute (GCI) is partnering with the Salk Institute to help develop techniques for conserving one of Louis Kahn’s finest works. Overlooking the Pacific coast in La Jolla, California, Kahn took advantage of the peaceful surroundings and natural light when he designed the Salk Institute site. However, these same marine elements also provide unique conservation challenges for the concrete and wood structure, particularly for its teak window walls, the Getty Trust reports.
Part of the GCI’s Conserving Modern Architecture Initiative, the project will determine the condition of the teak and develop recommendations for its treatment and long-term conservation. “Partnering with the Salk Institute on this conservation challenge will assist in developing new approaches for practitioners in conserving other icons of modern architecture, which makes it a terrific project for us,” said Susan Macdonald, Head of Field Projects at the GCI.
Read on after the break to learn more about the conservation initiative.
Built four decades after Louis Kahn’s death, New York City’s Four Freedoms Park - the architect’s posthumous memorial to Franklin D. Roosevelt and his policies – is becoming one of the architect’s most popular urban spaces. In a recent article for the Guardian, Oliver Wainwright investigates what he describes as perhaps Kahn’s ”best project”. Wainwright’s spatial description of the monument is interweaved by fragments of Kahn’s personal history, building up a picture of a space with “the feel of an ancient temple precinct” and “a finely nuanced landscape”. Although Gina Pollara, who ultimately realised the plans in 2005, argues that Four Freedoms Park ”stands as a memorial not only to FDR and the New Deal, but to Kahn himself”, can a posthumous project ever be considered as an architect’s best? Read the article in full here.
Arthur Andersson of Andersson-Wise Architects wants to build ruins. He wants things to be timeless – to look good now and 2000 years from now. He wants buildings to fit within a place and time. To do that he has a various set of philosophies, processes and some great influences. Read our full in-depth interview with Mr. Andersson, another revolutionary ”Material Mind,” after the break.
In Kengo Kuma’s work you may see influences of light, transparency and materiality. But when visiting the Woodbury School of Architecture in San Diego, Kengo Kuma shared a few of his not so apparent influences, from Frank Lloyd Wright and Louis Kahn to jazz music. Make sure to view “Knowing Kuma” to see the architect’s definition of architecture, materials and more.
Where do you receive inspiration? Nalina Moses asked the question to nine contemporary residential architects, asking each to choose one residence that had left an impression on them. The following answers were first published on the AIA’s website in the article “Homing Instinct.”
When nine accomplished residential architects were asked to pick a house—any house—that has left the greatest impression on them as designers, most of their choices ran succinctly along the canon of American or European Modern architecture. Two—Alvar Aalto’s Villa Mairea and Pierre Chareau’s La Maison de Verre—were even tapped twice.
If the houses these designers chose weren’t surprising, the reasons they chose them were. Rather than groundbreaking style or technologies, what they cited were the moments of comfort, excitement, and refinement they offered: the restful proportions of a bedroom, the feel of a crafted wood handrail, an ocean view unfolding beyond an outdoor stair.
The American architect Louis Kahn (1901-1974) is regarded as one of the great master builders of the Twentieth Century. Kahn created buildings of monumental beauty with powerful universal symbolism.
This exhibition encompasses an unprecedented and diverse range of architectural models, original drawings, travel sketches, photographs and films. Highlights of the exhibition include a four-metre-high model of the spectacular City Tower designed for Philadelphia (1952-57), as well as previously unseen film footage shot by Kahn’s son Nathaniel Kahn, director of the film ‘My Architect’.
Title: Exhibition: Louis Kahn / The Power of Architecture
Organizers: Design Museum
From: Wed, 09 Jul 2014
Until: Sun, 12 Oct 2014
Venue: Design Museum
Address: Shad Thames, London SE1, UK
Louis Kahn, the American architect known for combining Modernism with the weight and dignity of ancient monuments, was born 113 years ago today. His contemporary Philip Johnson once said of him that “he was his own artist. He was free, compared to me.”
Kahn might be categorized as a late Modernist, and a hugely influential one at that. He is perhaps best known for the Salk Institute, the National Assembly Building of Bangladesh, the Exeter Library and Kimbell Art Museum. His last completed design, for the Four Freedoms Park in New York, was also finally completed in 2012
The impression he left as an individual is equally as mythical. His sometimes esoteric but always insightful understanding of architecture led to him to being often described as a ‘mystic’ or a ‘guru’, and a complex private life inspired his son to film the Academy Award Nominated documentary “My Architect” in 2003.
On the occasion of his birthday, we think there is no better celebration than to rediscover his stunning catalog of works - see them all, after the break.
For architects, Louis Kahn’s Kimbell Museum has long been hallowed ground. For Renzo Piano, who designed the museum’s first major expansion, it was also an enormous difficulty to overcome. His addition to the museum could be neither too close to Kahn’s building, nor too far. It had to solve a parking problem, yet respect Kahn’s distaste for cars. It had to respond to Kahn’s stately progression of spaces—and that silvery natural light that make architects’ knees go wobbly. And yet it could not merely borrow from Kahn’s revolutionary bag of tricks.
Though Louis Kahn turned down developer Steven Korman numerous times, the would-be patron persisted and eventually convinced Kahn to accept the commission for a residence which was to contain “rooms large enough to play football in.” Located in Forth Washington, Pennsylvania, the Korman house would be Kahn’s final residential project.
The house, considered a masterpiece, is characterized not only by Kahn’s assiduous sense of order, but also a unique combination of materials that create a play of structure and light. Decades after the original 1971 commission, Korman’s son Larry has now selected New York based-designer Jennifer Post to take on the task of redesigning the interior space of the house.
Light matters, a monthly column on light and space, is written by Thomas Schielke. Based in Germany, he is fascinated by architectural lighting, has published numerous articles and co-authored the book „Light Perspectives“.
Does shadow have the power to give form to architecture? The increasing number of transparent buildings and LED installations would enforce the impression that light has eliminated the relevance of shadow. But to answer that question, let’s look back to a master of light whose architecture was shaped by shadow: Louis Kahn.
More Light Matters, after the break…
In this jaunty little clip, Louis Kahn stresses the importance of honoring your materials to a group of students at the University of Pennsylvania.
Estonia-born in 1901, Louis Kahn had a steadfast belief that all materials had their own destiny and wouldn’t tolerate any attempt to deviate from that. During the age of clean modernism and the use of cutting edge materials, his architecture was often dismissed for being overly symbolic and heavily venerating buildings of the past. Influenced by the arid nature of many of his sites, Kahn’s buildings often took the form of cavernous brick shells with large geometrical cut outs, which he would like to describe them – in his bizarre Kahn-way - as ruins in reverse.
Here are a few of Kahn’s intriguing brick creations:
In September 2011 Barney Kulok was granted special permission to create photographs at the construction site of Louis I. Kahnʼs Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Almost forty years after having been commissioned, it is finally being completed this year, as originally intended.
October 24 marks the long-awaited grand opening of the Franklin D. Roosevelt (FDR) Four Freedoms Park in New York City. Located on a triangular site formed by the southern tip of Roosevelt Island, the four-acre FDR memorial park stands for the “freedom of speech and expression, freedom of worship, freedom from want, and freedom from fear”. It was conceived nearly four decades ago by the legendary architect Louis Kahn, shortly before his death in 1974.
Read our previous coverage for all the design details and get a sneak peak after the break with images from the dedication ceremony.
The Netherlands Architecture Institute (NAI) will host the exhibition Louis Kahn, The Power of Architecture from September 8 to January 6, 2012. Louis Kahn is known to be one of the most influential architects of the 20th century and has inspired generations with his masterful use of space, light and material.
Among Kahn’s major works are the Salk Institute (California), the Kimbell Art Museum (Texas), the Indian Institute of Management (India), and the Assembly Buildings for the Bangladeshi Parliament (Bangladesh). He designed these projects in the 1950s and 1960s at a time when the conviction of architects that their mission was to improve society was enormous. Kahn’s influence can be seen in the work of important architects such as Aldo Rossi, Robert Venturi, James Stirling, Mario Botta and Tadao Ando.
The exhibition will feature drawings, sketches, photographs, watercolors, film material and scale models by Kahn in an effort to show a broad public how important architecture can be for society. Fine more information on the exhibition here.