Alfonso Architects have been awarded the building project for the Museum of the American Arts and Crafts Movement (MAACM) in St. Petersburg, Florida. Hundreds of objects from the early 20th century movement – including furniture, pottery and paintings – have been offered by the museum’s patron, art collector Rudy Ciccarello, in collaboration with the Two Red Roses Foundation.
Galleries and exhibit spaces, says lead architect Alberto Alfonso, are inspired by the “detailing and customization of materials and joinery” characteristic of the era. The four-story, 90,000 square-foot museum “is a tremendous gift by Mr. Ciccarello for the city of St. Petersburg and our state,” adds Alfonso.
54 years after the death of Frank Lloyd Wright, Florida Southern College, home to the largest collection of Frank Lloyd Wright buildings in the world, opened another structure designed by the famed architect last Friday. Originally called the Usonian house, it was envisioned as a professor’s home in 1939 but wasn’t built until this year using blueprints left by Wright.
Each December, Design Miami/ commissions early-career architects to build a designed environment for the fair’s entrance as part of its biannual Design Commissions program. This year’s winning proposal, dubbed “Tent Pile,” was designed by the New York-based architectural practice formlessfinder. Its design harnesses the properties of sand and aluminum to create shade, seating, cool air and a space to play for Miami‘s public.
New renderings of Zaha Hadid Architect‘s 215 meter-high One Thousand Museum Tower in downtown Miami have been released. As the first Zaha Hadid-designed skyscraper to grace the skyline of the Western Hemisphere, the 60-story luxury condominium will mask its program with a prominent concrete exoskeleton. As Hadid described to the Wall Street Journal, the tower is designed with an interest in “how the structure is manifested” so that it may avoid the “generic modernist typology” that is commonly found in Miami.
One Thousand Museum Tower is one of several by high-profile architects that are beginning to take root in Miami, changing the tide of investment from real estate that is solely driven by waterfront locations to architecture that is high-end and luxurious.
Read on for more images and information…
Fortune International has released images of a 57-story, Herzog and de Meuron-designed residential tower in Miami. With interiors by Parisian firm PYR and landscape by Raymond Jungles, the Jade Signature promises to bring high design to Sunny Isles, Florida. Described as “contemporary houses in the sky,” units will feature ample outdoor terrace space and large windows to frame views of the horizon. Six Sky Villas feature double height living areas and the two Signature penthouses each boast 360-degree views and a large terrace pool.
More images of Jade Signature and a video after the break…
The Miami Beach Convention Center, a giant box of a building constructed in 1957, is in desperate need of a makeover and two design teams have bravely accepted the challenge. Team 1 is dubbed South Beach ACE (Arts, Culture, Entertainment District) and is a collaboration between Rem Koolhaas‘s OMA firm, Tishman, UIA, MVVA, Raymond Jungles and TVS. Team 2 goes by the name of Miami Beach Square and includes BIG, West 8, Fentress, JPA and Portman CMC. Both proposals completely re-imagine 52 acres of prime beach real estate and cost over a billion dollars in public and private funds. So, who does it better?
Vote for your favorite after the break…
South Beach ACE just unveiled their master plan for the redevelopment of the Miami Beach Convention Center site. Currently in a battle with BIG and Portman CMC for the right to overhaul the 52-acre site, national developer Tishman, international architecture firm OMA, international firm TVS, and Miami Beach developer UIA Management comprise the South Beach ACE team. The vision involves bringing to life one of Miami Beach’s most underutilized public sites with a fully-revamped convention center capable of luring major events from around the world, an iconic hotel, inviting green spaces, low-density retail uses, and cultural venues.
More images and the team’s description after the break…
On Tuesday, a sea of green and blue flooded the Fort Lauderdale City Commission chamber to either support or oppose a BIG, $250 million multi-use development planned to infill an industrial gap on the waterfront of Downtown Fort Lauderdale. Although the majority of the crowd seemed to be in favor of the “impressive, innovative and even daring” project, concerns arose regarding the Marina Lofts’ density, height and traffic impact – many of which were appeased by developer Asi Cymbal’s decision to reduce the two 36-story towers to 28, which cut nearly 100 housing units from the project.
Other last ditch opposition efforts regarded the controversial plan to move a giant rain tree that wasn’t within the purview of the board’s review. Despite this, following an hour-long presentation by Cymbal and his staff, the Planning & Zoning board unanimously voted 9-0 in favor of the project.
More after the break…
DawnTown recently announced the winners for Landmark Miami, their 2013 ideas competition which focused on how cities are instantly identified by the individual structures within them. With the challenge of coming up with a new symbol for the future, architects and designers were tasked with creating an iconic architectural piece that contributes to the image of Miami. Studio Dror was announced as the first prize winner for their ‘Miami Lift’ proposal which pays tribute to the city’s by elevating visitors to give them a new perspective to the city. More images and information on the winning entries after the break.
The City of Orlando‘s Mayor, Buddy Dyer, has challenged the community to develop a plan that would transform Orlando, within a generation, into one of the most environmentally-friendly, economically and socially vibrant communities in the nation. In an effort to do so, the city is introducing the Envision 2040 competition, which aims to illustrate what the city will look like in the future. Participants are being called to visualize what Orlando, the most sustainable city in the southeast, will look like in 2040. If all the goals and objectives of the plan were implemented today, what would our city look like in the future? The deadline for registration is March 18 and the deadline for submissions is April 15. For more information, please visit here.
DawnTown is launching Landmark Miami, their latest ideas competition for the 2013 season. The competition is centered around the idea of how cities are recognized and perceived through architecture. Many cities worldwide are instantly identified by their exclusive architectural elements: Seattle has the Space Needle, St.Louis has the Arch, Paris the Eiffel Tower, etc. So what is Miami’s landmark? They are calling all designers, professionals and students to add a new landmark representing what Miami is about today and for the future. The deadline for submissions is April 15. For more information, please visit here.
In their proposal for University of North Florida’s Interfaith Chapel, OAD concluded that the main challenge was to create more than just an impressive chapel, but a place in and of itself that would highlight the unique character and seclusion of the site. The team’s response engages visitors by encouraging unscripted exploration and discovery, gradually revealing the site, chapel, and accessory buildings as the user experience unfolds. More images and architects’ description after the break.
Now in its fifth year, the DawnTown Design/Build competition announced that the international collaboration between Manuel Clavel-Rojo (Murcia, Spain) and Jacob Brillhart (Miami, FL) has been tasked to present their design to the public in the next 30 days. With the challenge of creatiung a low cost, temporary installation on the topic of Evolution in Miami, their winning design will be turned into a reality. ‘Up-Downtown’, the title of the project, is defined by Rojo defines as a metaphor for Miami, “A city is a complex machine, where everything is interconnected and any movement aﬀects the other.” More images and architects’ description after the break.
The highly acclaimed Los Angeles-based practice Brooks + Scarpa Architects, along with KZF Design Studio, have released plans for a new Interfaith Chapel at the University of North Florida. Drawing inspiration from a free-flowing wedding gown, its informally shaped footprint - reminiscent of an allegorical figure such as Justice, Faith, Hope, Charity, Prudence and Fortitude – flows upward and culminates at the top with a large skylight whose light is diffused by a wooden lattice spire that is derived from the symbol of infinity.
The symbolic, 7000 square-foot structure will provide students with an intimate, spiritual space that may be used daily while also supporting a variety of diverse religious services, such as student ceremonies, weddings, lectures, meditative practices, musical performances and more.
Learn more about Brooks + Scarpa’s wooden chapel after the break.
Watch this video tour of the Bacardi Building in Miami, Florida, by the grandson of the original founder. The building, built in 1962, became the headquarters of the company for fifty years and has become an iconic modernist symbol in the city with an additional building added to the property in 1970. The building is designed by Enrique Guitierrez. The unique facade of the building was designed by ceramic artist Francisco Brennand using 20,000 tiles. The building resonates with Miami’s culture and has become a landmark for nearby residents. Tito Bacardi, who is the tour guide in the video, explains with pride how its the company’s legacy has become intertwined with the architecture – a building that represented Bacardi’s relocation from Cuba to America.
The Miami Herald has just announced that Zaha Hadid will be designing her first skyscraper in the Western hemisphere in Miami: America’s Next Great Architectural City. The female powerhouse has been commissioned to transform a waterfront property, currently occupied by a BP Station at 1000 Biscayne Boulevard, predominantly into a residential high rise. The skyscraper will rise above the neighboring Museum Park and fill a void in the wall of towering condos, commonly referred to as the “Biscayne Wall”. Details of the design are expected to be released next year.
This news comes shortly after Zaha’s loss to Norman Foster in an intense competition to design New York City’s next high-profile office tower on 425 Park Avenue. You can watch the A-list architects battle it out here as they present their ideas to the jury.
Check out the preliminary renderings of the Collins Park garage, after the break…
FXFOWLE Architects shared with us their custom-design for the inaugural Miami Project art fair. Their installation, known as the ‘FXFOWLE Lounge’, features a free-standing architectural pavilion housed within a well-appointed lounge and bar area. The pavilion – which pairs technologically-sophisticated scripting software with simple museum board – comprises 180 varying segments that, together, take the form of complex structural geometries. More images and architects’ description after the break.
The project, known as “The Lens,” has hit speed-bumps due to local dissidents, who have been vocally wary of the new Pier’s price-tag/design and have called for a voter referendum. However, the architects have been sensitive to the process; since first winning the competition in January (beating out BIG and West 8), the firm has taken part in local workshops to get community input, making some significant changes to the original design.
After receiving local criticism that the Pier include more things “to do” and more shading, the firm has adjusted the design to include two restaurants, shaded balconies, and – in order to improve access – a road that can support service vehicles and a tram. Most noticeably, the plan for an underwater reef garden, the signature feature which gave the project its name, has had to be scratched: scientists have determined that a reef garden would be unrealistic with Tampa Bay’s dark water.
Last night’s 7-1 vote determined that the project will now receive funding in smaller, pre-approved increments in order to safeguard against potential legal complications. However, no mater the outcome, the closure and the demolition of the current Pier will take place between May and August 2013; if all goes to plan for Michael Maltzan Architecture, “The Lens” will open in summer 2015.
See updated Renderings for “The Lens,” and a really cool video, after the break…