The innovative Cornell Tech campus has officially opened on New York City’s Roosevelt Island. Master planned by SOM and featuring buildings and landscapes by Morphosis, Weiss/Manfredi, Handel Architects, and James Corner Field Operations, the campus represents a new vision of a campus for the digital age. Two years after breaking ground in 2015, the campus now houses some of the most environmentally-friendly and energy-efficient buildings in the world.
With construction nearing completion ahead of its September opening date, the first building at the new Cornell Tech campus on New York City’s Roosevelt Island has been dubbed “one of the most environmentally-friendly buildings in the world” by the university, as they revealed their aspirations for the building to reach Net Zero and LEED Platinum status.
Designed by Morphosis, The Bloomberg Center (named for Emma and Georgina Bloomberg, daughters of former New York mayor Michael Bloomberg) will employ a range of strategies including solar power; geothermal ground source heat pumps; a dynamic energy-efficient facade which balances transparency and opaqueness to maximize building insulation; and an array of smart building technologies that monitor lighting and plug load use, among other metrics.
Cornell Tech has revealed that Snøhetta will be the latest firm to design buildings for its currently under-construction Roosevelt Island Campus, joining structures by top architects including Morphosis, Weiss/Manfredi, Handel Architects, and Skidmore Owings & Merrill. The two new buildings, the Verizon Executive Education Center and Graduate Hotel, will be the final part of phase one of the campus master plan, slated for completion in 2019.
The building, which begins the first phase of the two billion dollar Roosevelt Island tech campus, will be a first-of-its-kind building that will house companies, researchers, and entrepreneurs who aim to drive the economic growth of New York through the commercialization of new products. The Bridge is scheduled to open to the public in the summer of 2017, along with two other CornellTech projects.
While mathematics in architecture has historically referenced notions of order, proportion, and ideal form, the discipline of mathematics itself has shifted to encompass uncertainty, incompleteness, relativity, and chaos towards a situation in which truth itself is elusive. This move stems in part from an engagement with real phenomena, in which natural systems were shown to behave non-linearly and unpredictably. In architecture, while computational developments enabling dynamic and variable modeling have been subsumed into our culture of design and production, a new kind of idealism has emerged.
To celebrate the start of a seven-month land use review process, Cornell has released preliminary renderings of the first academic building planned for Cornell Tech – the new world-class technology and entrepreneurship campus in New York City that was masterplanned by Skidmore, Owings and Merrill (SOM).
The modern campus strives to rethink academic workspace, prioritize environmental performance, and exploit the unique urban condition of Roosevelt Island. In May, Pritzker Prize laureate Thom Mayne, founder of Morphosis, was appointed as architect of the first landmark building, which will set the stage for the carbon positive campus.
Continue after the break to learn more.
It seems that after Cornell overcame the danger of having both their accreditation and new architecture school eradicated from the campus, there has been smooth sailing in terms of the physical construction of OMA’S Milstein Hall. The building is right on schedule to be fully completed in the Fall of 2011, as the structural steel, and the exterior structure + roof are being erected.
More images of the steel and more about the current construction phase after the break.
Project: Field Location: Arts Quad, Cornell University, Ithaca, New York, USA Client: AAP, Escuela de Arquitectura, Cornell University Architects: Mauricio Pezo, Sofia von Ellrichshausen, Yehre Suh Collaborators: Sae-Jun Ahn, Laura Amaya, Jesica Bello, John Best, Irina Chernyakova, Constanza Cortes, Karen Drummund, Monica Alexandra Freundt, Thea von Geldern, Lisa Hollywood, Amanda Lee Huang, Soyoung Jung, Kyle Keene, Jina Kim, Viola Diane Kosseda, Weonyoung Joy Lee, Chris Leonberg, Timothy Liddell, Jacqueline Liu, Hana Ovcina, Mia Ovcina, Mansi Ajit Pandey, Anna Pelavin, Hilary Pinnington, Mitchell W. Pride, Lorena Quintana, Ashley Reed, Samuel J. Reilly, Landon Gary Robinson, Hira Sabuhi, Johann Schweig, Courtney Song, Jerome Soustra, Rachel Tan, Margarita Urquiza, Mauricio Vieto, Zhiqiang Wang, Christopher Werner, Sonny Meng Qi Xu, Soo Jung Yoo, Milena Zindovic Photography: Karen Brummund, Mauricio Pezo, Irina Chernyakova, Jesica Bello Project year: 2009 Construction Year: 2009 Surface: 30.000 m2 Budget: 3000 USD
This installation establishes an optical exercise extended into a landscape format. Field is a continuous and homogenous installation of 2800 red sacks filled with straw (21” wide x 32” high) that covered the entire Arts Quad of the Cornell University Campus, in Ithaca (NY). The sacks were distributed in a 10 feet by 10 feet regular grid that followed the natural slope of the ground surface.