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Yale: The Latest Architecture and News

Call for Submissions: "Vernacular" — Paprika! Volume 4, Issue 6

16:09 - 16 October, 2018
Call for Submissions: "Vernacular" — Paprika! Volume 4, Issue 6, Reimagine the primitive hut for Volume 4, Issue 6 of Yale's weekly journal, Paprika!
Reimagine the primitive hut for Volume 4, Issue 6 of Yale's weekly journal, Paprika!

In the spirit of Virgil Abloh we put quotation marks around the word "vernacular." Then we replace the word with a blank and ask you to fill it in. What do they build with where you're from? What do indigenous houses look like? What methods do they prefer and who actually uses them? This issue of Paprika!, a weekly journal at the Yale School of Architecture, will probe the architectural vernacular, a concept increasingly in vogue but equally undefined.

We invite all essays and comments that reevaluate the “vernacular" in contemporary design, encouraging specific examples where possible. We also invite

Robert Venturi and the Difficult Whole: How Architecture's Enfant Terrible Changed Design Forever

09:30 - 4 October, 2018
Robert Venturi and the Difficult Whole: How Architecture's Enfant Terrible Changed Design Forever

This article was originally published on CommonEdge as "Robert Venturi and the Difficult Whole."

Robert Venturi (1925-2018) was the most influential American architect of the last century, though not primarily for his built work, or because of his stature as a designer. He will never stand beside Wright, or Kahn, or even Gehry in that regard. Between 1965 and 1985 he and his collaborator, Denise Scott Brown, changed the way all architects look at buildings, cities, and landscapes, much in the way that Marshall McLuhan, Bob Dylan and Andy Warhol changed our view of art, media, and popular culture during the same period.

I worked with Bob Venturi during my apprenticeship in the 1970s; I also grew up with his books, buildings and paternal influence. He and my father were one year apart; Denise is the same age as my mother.

The Renovation of Louis Kahn's Yale University Art Center: A Significant Moment for Architectural Preservation

09:30 - 19 January, 2018
The Renovation of Louis Kahn's Yale University Art Center: A Significant Moment for Architectural Preservation, © Elizabeth Felicella, courtesy of Yale University Art Gallery
© Elizabeth Felicella, courtesy of Yale University Art Gallery

This article was originally published by Common Edge as "How the Restoration of Louis Kahn’s Yale Art Gallery Helped Kickstart Modern Preservation."

I have a distinct memory from my days as an architecture student at the University of California Berkeley in the late ‘80s. During an architectural survey class taught by Spiro Kostof, Louis I Kahn’s Yale University Art Gallery popped up in the slideshow. “Nice building,” I thought, “but what’s with those windows?”

Fifteen years later at Polshek Partnership (now Ennead Architects), I would become the project architect for the construction phase overseeing the rehabilitation of that classic building—the most challenging aspect of which was to replace “those windows.” I came to understand, intimately, how the double-paned window wall had failed almost as soon as construction was complete. Condensation accumulated between the panes, creating the foggy effect that marred my first impression of this groundbreaking building.

Oskar Hansen: Open Form Exhibition at Yale School of Architecture

12:07 - 27 September, 2016
Oskar Hansen: Open Form Exhibition at Yale School of Architecture, Oskar Hansen Open Form at Yale School of Architecture © Rich House Photography
Oskar Hansen Open Form at Yale School of Architecture © Rich House Photography

An exhibition highlighting the work of Oskar Hansen (1922-2005), architect, urban planner, and theorist, has opened at the Yale School of Architecture (YSoA) running from 1 September to 17 December 2016.

Oskar Hansen: Open Form traces the evolution of Hansen’s theory of Open Form from its origin in his own architectural projects to its application in film, visual games, and other artistic practices. The exhibition will be on view at YSoA through 17 December in Paul Rudolph Hall, 180 York St. It is free and open to the public Monday-Friday 9.00- 5.00, and Saturday 10.00-5.00.