The Chicago City Council has voted to approve zoning for George Lucas' controversial, MAD-designed Lucas Museum of Narrative Art. Planned for a lakefront site on Chicago's Museum Campus park, near the Shedd Aquarium and Field Museum, the "mountainous" design faced opposition from environmentalists who claim the building is a "confiscation of public land." Despite this, and according to reports on NBC News, the Star Wars director won the Council's approval by promising more parking and tailgating space to Chicago Bears fans.
“The Lucas Museum of Narrative Art will be an incredible addition to Chicago’s Museum Campus,” said Mayor Emanuel in an official statement. “The Lucas Museum will join the 56 other museums in Chicago to provide new cultural and educational benefits for generations to come. And the new parkland will add more open greenspace that will be enjoyed by residents across the city.”
Building on these precedents, Hawthorne predicted that after years of baroque parametricism, in 2015 architects would use last year’s meditations on history as a practical foundation for new projects and proposals. An example of this can be found in the work of Michael Ryan Charters and Ranjit John Korah, a duo who recently shared the top-five prize for the CAF led ChiDesign Competition (part of the Chicago Architecture Biennial) for their project Unveiled. In a brief that called for “a new center for architecture, design and education,” and with lauded jurors including Stanley Tigerman, David Adjaye, Ned Cramer, Monica Ponce de Leon, and Billie Tsien, Charters and Korah proposed what could casually be summarized as a terracotta framework over a multi-story crystalline form of wooden vaults, but is actually something much more complex.
In a culture dominated by smartphones and Instagram, with estimates that over one trillion photographs will be taken this year alone, it might seem impossible for photographs to make and shape issues in the ways they once did. Despite this, images still steer debates with shocking resiliency and, with luck, become iconic in their own right. As architecture is synonymous with placemaking and cultural memory, it is only logical that images of the built environment can have lasting effects on the issues of architecture and urbanism. It's never been easier for photographs to gain exposure than they can today, and with social media and civilian journalism, debates have never started more quickly.
Last week, the Chicago Architecture Biennial opened to over 31,000 visitors and much fanfare, and for good reason - it is the largest architecture event on the continent since the 1893 World's Columbian Exposition, featuring over one hundred exhibitors from over thirty countries. With a theme as ambiguous as "The State of the Art of Architecture," and with the hope of making the biennial, according to directors Joseph Grima and Sarah Herda, "a space for debate, dialog and the production of new ideas," the event was sure to generate equally wide-ranging opinions. Read on to find out what the critics had to say about the Biennial.
The University of Chicago has selected Diller Scofidio + Renfro (DS+R) to design their David M. Rubenstein Forum, a new facility to host conferences, workshops, lectures, ceremonies and other gatherings. Planned for the University’s Campus South, on the southeast corner of Woodlawn Avenue and 60th Street, the Forum will provide a mix of informal and formal meeting spaces that encourage an "open exchange of ideas."
“As our first building in Chicago, the Rubenstein Forum presents a unique challenge: to imagine a contemporary place of discourse for all of the university’s constituent departments and institutes as well as invited scholars and dignitaries from around the world,” said DS+R founding partner Elizabeth Diller.
Out of 26 entries for the competition launched earlier this year, a jury of architects and media professionals selected three top prize winners and recognized seven additional films in themed categories. The winning pieces best represent the competition’s call for films that highlight the impact that architects have on communities.
Rafael Viñoly Architects has presented plans for a two-tower residential project in Chicago's South Loop neighborhood. The phased Crescent Heights development hopes to be home to Chicago's 6th tallest building, rising 829-feet on the south end of Grant Park. If approved, the project would be completed in three phases; the first realizing a 76-story, 792-unit apartment building on the eastern portion of the site.
Update:The Chicago Tribune's architecture critic Blair Kaminhas now reported that 140 architects from 60 cities have expressed their interest in designing the Barack Obama Presidential Center in Chicago by submitting qualifications. Of these, 99 are based in the United States, although names have not been released. The below article, originally published on September 1st, lists 11 architects that Kamin was able to confirm had been invited to submit qualifications by the Barack Obama Foundation.
In It’s A Wonderful Life the film’s protagonist George Bailey, facing a crisis of faith, is visited by his guardian angel, and shown an alternate reality where he doesn’t exist. The experience gives meaning to George’s life, showing him his own importance to others. With the increasing scale of design competitions these days, architectural “could-have-beens” are piling up in record numbers, and just as George Bailey's sense of self was restored by seeing his alternate reality, hypothesizing about alternative outcomes in architecture is a chance to reflect on our current architectural moment.
On this key date for one of the most crucial designs of this generation, we decided to look back at some of the most important competitions of the last century to see how things might have been different.
New Horizon_architecture from Ireland, a series of presentations of the work of emerging Irish practices in three high-profile venues around the world, opens at Chicago Design Museum on October 3rd and runs until January 3rd, 2016 as part of the inaugural Chicago Architecture Biennial.
Presented by Irish Design 2015 (ID2015) in partnership with Chicago Design Museum, this flagship exhibition of Irish architecture and the built environment is a key element of ID2015, a year-long initiative backed by the Irish government exploring, promoting and celebrating Irish design throughout Ireland and internationally.
Aboard a private yacht, this event will break traditional molds of evening public lectures that promote excellence, diversity, as well as engaging the public about the impact and relevance of architecture, good design including providing continuing education. Attendees and guests will come out reenergized, as they mingle, tour Chicago through Lake Michigan and Chicago River in a private yacht, and engage in dialogue with Keynote Speaker, Dr Rachel Armstrong. The evening's topic centers on an ecological age of design and construction that seeks to develop new ways of choreographing space by working along with natural systems. The black-tie and tie-dyed evening cruise will culminate at the rooftop of a secret high rise building location (to be revealed on the day of the event) for a viewing of the Living Ball installation of the Leapfrog Project.
UPDATE: The deadline for submissions for the Burnham Prize has been extended to September 7th, 2015 with the announcement of the winning entries to occur on September 30th, 2015. In addition, student entry fees have been reduced to $25.00.
Affiliated with this year’s ChicagoArchitecture Biennial, the Chicago Architectural Club has announced the 2015 Burnham Prize Competition: Currencies of Architecture. This year’s Burnham Prize was inspired by the Chicago Architecture Biennial’s title, “The State of the Art of Architecture,” and explores the question: what is the state of the art of architecture today? Entrants are challenged to create a single image that exemplifies a point of view on the current state of architecture – whether it is a celebration, a challenge, a statement or anything else.
On October 3 the inaugural Chicago Architecture Biennial, The State of the Art of Architecture will commence. The “largest international survey of contemporary architecture in North America," the exhibition is designed to be a multiplatform event that will host an array of radical ideas, projects and spatial experiments from more than 100 international architects that "demonstrate how creativity and innovation can radically transform our lived experience."
Cermak-McCormick Place, Chicago, IL 60616, United States
Carol Ross Barney, FAIA; Eric Martin, AIA; Ryan Giblin, AIA, LEED AP; Andrew Vesselinovitch, AICP Mordecai Scheckter, LEED AP; Sung-Joon Kim, LEED AP; Anna Ninoyu; Huili Feng; Monica Chadha; Nicolas Sanchez, LEED AP; Sallie Schwartzkopf, AIA; Amy Chun; Corrine Knight