The Yale ‘Assembly One’ pavilion is the younger, smaller, more carefree sister to Yale’s building project – a 40-year old tradition in which first-year students design and building a house. It is the product of a seminar and design studio in which students focused on alternative ways in which contemporary buildings can come together and the potential architectural effects computational and material techniques can offer. The ‘Assembly One’ pavilion is designed to act as an information center for New Haven’s summer International Festival of Arts and Ideas and therefore was developed with the following characteristics in mind: dynamism, visual transparency and visual density.
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The China Diamond Exchange Center is a 535,500 square foot office complex designed by Goettsch Partners of Chicago, Illinois. Located within Shanghai’s sea of massive and often overstated high-rises, this modest-by-comparison structure is brilliantly detailed, appropriately scaled, and aesthetically beautiful. The complex was completed in 2009 with the help of associate architects Zhong-fu Architects. The Diamond Exchange Center is sited within Shanghai’s Pudong district, an international financial and commercial hub and houses both the Exchange and additional relative tenants.
Architect: Thomas Phifer
Location: Raleigh, North Carolina, USA
Partner in Charge: Thomas Phifer AIA
Project Partner: Greg Reaves AIA LEED AP
Project Architect: Gabriel Smith AIA LEED AP
Project Team: Adam Ruffin, Katie Bennett, Jonathan Benner, Eric Richey, Daniel Taft, Kerim Demirkan, Len Lopate, ChristophTimm, Joseph Sevene
Local Architects: Pierce Brinkley Cease + Lee, Raleigh, NC
Structural Engineer: Skidmore, Owings & Merrill LLP, Chicago, IL
Mechanical Engineer: AltieriSeborWieber LLC, Norwalk, CT
Landscape Architect: Lappas + Havener, PA, Durham, N.C.
Lighting Design: Fisher Marantz Stone, New York, NY
General Contractor: Barnhill, Raleigh NC
Project Area: 136,000 sf
Project Year: 2010
Photographs: Scott Frances
When Massachusetts Institute of Technology commissioned Steven Holl in 1999 to design a new a dormitory for the school they had one goal in sight: that the spaces around and within the building would stir up interaction among students. While MIT focused on the building’s use and function, Holl aimed to create a memorable building. With MIT’s vision in mind along with Holl’s artistic architectural ideas, the ten-story undergraduate dormitory became a small city in itself with balancing opposing architectural elements, such as solids and voids and opaqueness and transparency.
More on Simmons Hall after the break.